Up & Coming Bands who perform in London – All images © Chris Dorney.

Posts tagged “bassist

69 – ‘Japanese Fighting Fish’, ‘Ozonna’ and ‘Monarchy of Roses’

Japanese Fighting Fish:

www.japanesefightingfish.co.uk

Ozonna:

www.soundcloud.com/ozonna

“The man getting his regular short back and sides smiles with intrigue at the figure in the doorway. This Camden hairdresser isn’t used to visits from unfamiliar faces. The bespectacled guest, dressed in a faded denim jacket and rolled shorts, begins to strum a Ukulele, giving his adopted crowd a rendition of his latest song, “I love me”. Even the stubborn buzz of the last few clippers has been silenced within moments. Two minutes later he leaves, followed by looks of affection and bemusement.

African-born electro popper Ozonna may have chosen an unusual way to market himself, but in today’s hyper competitive music industry it pays to be original. Even pop queen Lady Gaga used to have to stand scantily clad on tables in bars, screaming along to Black Sabbath records to get noticed. Visiting some of London’s coiffeurs to play impromptu gigs may not hold the same shock-value, but it’s the perfect place for Ozonna to deliver his message.

And that message is simple; he is trying to empower people through his music. “I want people to feel positive about how they look and feel,” he says. “Playing at the hairdressers, I wanted to tell people that they don’t need to spend lots of money to look beautiful, they are already. It is positive music for the soul.”

Ozonna himself even admits that the message can be seen as clichéd. But it’s the way that message is delivered on his new single, “I love me”, that the London-based artist eliminates any sense of been-here-before. An eclectic mix of influences has inspired the record, which delivers pop hooks underpinned with genuine musical ideology. Think Marina and the Diamonds, Madonna and a hint of Gaga, and you begin to get the idea. But Ozonna’s sound is still wholly individual.

On “I love me”, his unique vocal range is laid bare. It is fragile yet captivating. Combined with the Ukulele and boppy synth the track epitomises what the young musician is all about. It strikes at the core of the vanity of society, why people should ignore the critics and love themselves. It is refreshing to hear a passionate edge to an essentially pop-infused track. This theme is continued in “Perfect day to die”, another creation that reveals a strong sense of musicality in Ozonna’s work, with muted strings and a clean cut piano riff providing a perfect foundation for the heartfelt lyrics. “Stupid self” and “I don’t give a damn” are further rebellious outlets. The latter tinged with the sound of an early Annie Lennox track. ”

(Info obtained from Ozonna’s facebook page here)

Monarchy Of Roses:

“Monarchy Of Roses are a new group who were formed in North London with a range of influences including Soul, 60s beat, Blues.  Under guidance of singer/songwriter Craig Ingham and now joined by Bassist Alex Montague.  Looking for world domination and exposure!  Welcome to The Kingdom Of North London Soul!”

(Info obtained from the band’s facebook page here)


54 – ‘MoCara’, ‘Criminal Brainstorm’ and ‘Derider’

MoCara:

www.mocaramusic.co.uk

“MoCara are a four-piece alternative/punk/ska band from Leatherhead in Surrey. MoCara’s sound is thick with loud melodic guitars, thundering funk-driven bass lines, intense pummelling drums, ska grooves, big choruses, passionate lyrics and loads more; all of which come together with a shared obsession with creating our own vibe: A vibe that we want to spread as far as possible.
That MoCara sound has taken the band to some of the best venues in London and South East England as well as a minor headline slot at Guilfest. It has also taken the band far in many competitions; most notably to the final of Jar Music Live’s Maldives Breakout Festival at the O2 Academy Islington.
The bands first EP, ‘The Shallow South’, was released in June 2011.”

(Info obtained from the band’s facebook page here)

Criminal Brainstorm:

www.myspace.com/aggrovators

Derider:

www.derider.bandcamp.com

“Bursting through the seams of Brighton, this explosive quintet have been relentlessly hitch-hiking across stages, brushing arms with the likes of Cerebral Ballzy and Abdoujaparov and earning a slot on Ipswich Music Day’s main stage. The band, consisting of fireball figurehead Whitnee Springfield, guitarists Sin and Rayna Vandèl, bass player Chuck Tango and sticksman Nate Marcus are now in the process of writing the material that will become their debut album.”

(Info obtained from the band’s facebook page here)


48 – ‘Krossbreed’, ‘Bletchley Park’ and ‘The Insight’

Krossbreed:

www.krossbreed.be

“KROSSBREED stands for non-compromising metal. It’s a mixture of 4 different minds and 4 different ideas about metal formed into one hard and heavy unit, in other words a crossbreed of their own creativity.

KROSSBREED was formed in 2003 in Antwerp, Belgium. KROSSBREED has no real boundaries, what leads to a style of metal that is hard to name. But one thing we can agree on is that it’s a band that will take you to every corner of the metal world. Going from fast ripping riffs to catchy mind breaking tempos, KROSSBREED has it all.”

(Biography info obtained from the band’s facebook page)


Check out Krossbreed‘s Music video for “Ashes of Tomorrow” – a song from their album “3 Cheers for the Misery”:

Bletchley Park:

www.myspace.com/bletchleyparkband

“Bletchley Park is growing to become a high-aspiring band in the indie scene. Highly influenced by bands Editors, Interpol and Bloc Party amongst others, the female-fronted quintet has produced a distinctive sound that continues to catch the interest of many.”
An indie rock band with a particular sound in mind, one you are to discover.

Bletchley Park first took its novel tunes out of the garage during the Rookie’s Battle of the Bands of June 2009 which brought together (or against each other) twelve bands from contrasting genres. The band made its way through to the finals until it was announced winner of gigs in Copenhagen, Denmark and of a production project with renowned British producer Paul Powell.
The band started off its in-studio experience with David Vella, from Temple Studios Malta, who left a trail of his musicality in five original pieces: ‘Alien’, ‘Dust’, ‘Hold The Trap’, ‘The Last Star’ and ‘Fake Smiles’.

The first single released – ‘Alien’ – was in the Maltese charts for over 12 weeks and hit the number 1 spot on XFM’s Homegrown chart and Bay Radio’s Malta’s Top 10 chart. ‘Alien’ is currently being aired on UK Radio 10 – The Varmint show:www.varmintshow.net
In the mean time, the band was promoting its music through a number of public appearances on TV shows and radio interviews while having press releases published in the printed media.

Bletchley Park’s second single ‘Hold the Trap’ has also made it to the top place in the local charts – Bay Radio’s Malta’s Top 10 & also those of the Malta Music Charts(Smash).

Bletchley Park have been nominated for the Best New Artist Award of the Malta Music Awards 2009 honouring their achievements in just a few months.

The band has myriad plans for the coming years, the nearest being rocking Copenhagen and production of an album with Paul Powell during Summer 2010 in Ibiza.”

(Biography info obtained from the band’s facebook page)

The Insight:

www.theinsight.eu

“The insight est un groupe breton, de rennes plus exactement …le style musical est dans la lignée de The Cure, Joy Division, Interpol.

La nouvelle vague bretonne écume à nouveau les terres arides de nos platines. Et Rennes retrouve son statut de scène innovante quelque peu égarée depuis Marquis de Sade. L’intermède des Transmusicales ne faisant qu’importer une fois l’an un savoir faire trop bien caché. The Insight a en revanche choisi la langue de Shakespeare pour convoler en juste noce avec la créativité. Une différence de taille qui pénalise d’entrée toute diffusion radio, trop dépendante des quotas « chanson française ». Oui, côté musique, il ne suffit pas de naître en France pour être français. Et si The Insight chantait en Breton, ils seraient français ? Allez savoir… Côté influences, la bonne pioche serait les cartes Cure et Joe Division à n’en pas douter.”

(Biography info obtained from the band’s facebook page)


42 – ‘The Lost Boys’, ‘The Doll Mechanics’ and ‘Sam Batt’

The Lost Boys:

www.myspace.com/officiallostboys

“Witty and catchy Indie Pop from Southampton. If you like your music short, sharp, quirky and yet touching, then hopefully you’ll like ours.”

(Quote obtained from the band’s facebook page)

The Doll Mechanics:

www.thedollmechanics.com

“The band was formed by lead singer/songwriter Lauren James.  Drummer Sam Wilmott and Lauren attended music school together and had been playing in various band formations in London over the last year.  In February 2011 they welcomed new guitarist Daniel Jones and bass player David Rudin to their new identity… The Doll Mechanics!”

(Quote obtained from the band’s facebook page)

Sam Batt:

www.sambatt.com

“Her songs have an unusual quality of honesty, depth and humour very much belonging to the craft of songwriting and what it takes to move someone, mixing heartfelt story-telling with catchy melodies and clever quirky lyrics that make you smile and stand strong enough alone to carry a solo acoustic performance.

Her voice is emotive and charismatic, sweet seductive tones that can break your heart, make you laugh and turn you on all in the space of 20 seconds.

Live she makes you feel that the songs are written and performed just for you, even in a crowd of thousands. Sam Batt’s unique sound lives in the spaces between Chrissie Hynde, Jamiroquai, Manu Chao and more traditional acoustic flavours of artists like Jack Johnson, Joni Mitchell and Mouse – her voice also has a raw, dynamic quality more akin to Cerys Matthews or Stevie Nicks.”

(Biography info obtained from the artist’s website)


40 – ‘Fjokra’, ‘Houdini Dax’ and ‘Brave Yesterday’

Fjokra:

www.reverbnation.com/fjokra

“Earnest singer songwritery balladeering? NO!
Retro revivalists? NO!
‘Hip’, urban funkateers? NO!

‘Queen on crack’? Perhaps. Chuck in a liberal dose of Mike Patton/Mr Bungle, Todd Rundgren, Prince, Rachmaninoff interludes and metal riffs the size of skyscrapers and you’re halfway to describing the musical smorgasbord that makes up Fjokra’s music. Oh, and there’s some Latin grooves and some monstrous Dubstep chucked in as well. Five guys, two girls and a lot of facepaint.”

(Quote obtained from the band’s website)

Houdini Dax:

www.houdinidax.co.uk

“Summer 2011. And the nippers are still making good honest rock ’n’ roll. Take Cardiff’s Houdini Dax, who have an average age of 19. What are they doing digesting records, writing songs and rehearsing when they could be playing Xbox or texting friends from the back of the bus? Weren’t “the kids” supposed to have tired of analogous music? Wasn’t the house music craze of the late ’80s supposed to have killed rock? Heck, thinking about it, weren’t the synth bands of over 20 years ago viewed as the only way forward?

No my dear music lovers, valves are not dead, rock ’n’ roll is blossoming and “the kids are alright” (as Pete Townshend so neatly put it 46 years ago). The Noughties has seen great success for young bands.  The Libertines and then Arctic Monkeys paved the way post-Brit Pop and now still barely out of the shadows come Houdini Dax, your soon to be favourite new band.

Hearing ‘The Magicians’ for the first time it’s impossible not to think of Alex Turner and his band in their early stages. Jack Butler’s edgy vocals, sharp wordplay and the stop-start, spiky New Wave tendency of the playing certainly share similarities with early Arctic Monkeys, but it’s not what defines them.  A video of a live acoustic performance for Huw Stephens’ Swn Festival ‘Swn is Sound’ video series of ‘Struggling In The Sand’ show Houdini Dax playing in a stripped back setting with acoustic guitar, bass, brushed drums and harmonies to the fore. It’s tight, honed and timeless. Yes, they have major talent. They can sing splendidly, they throw in some deft bridges and could very well sound like one of those great old acts. Yet they don’t! And when quizzed about their favourite bands, ’60s touchstones (The Beatles, The Kinks, The Sonics, The Stooges) meet latter day acts (Blur and Supergrass) and new bands (The Black Keys, The Raconteurs and White Denim). Yet You Belong To Dax Darling sounds nothing like any of them. It’s the sound of teenagers discovering what they can do.

“Recording the album was amazing,” Jack reveals. “Having Rich from The Method [another of the See Monkey Do Monkey coterie] as producer was special. We’re friends, so he won’t shy away with his opinions. And he always got the best out of us.”  Mentioning how the production had elements of ’60s guitar heroics, post-punk rhythms and an element of My Bloody Valentine about it, Jack beamed back at me as if their mission statement had been achieved.”I’m glad you hear those things clashing,” he eagerly states “because we love that retro ’60s style, but it’s been done so much before. It’s important for us to mix older styles with newer ones… We were aiming for a really strong debut that doesn’t really let up in energy and excitement,” closes Jack. “We tried to capture this by recording in a really live way.”

And live and exciting is the order for the day for the teenage world view of Houdini Dax. Their second album may well feature strings, ballads and mellotrons but for now let the revolution begin as these youngsters play it their own way with what they have learnt from Hendrix, Syd, Gaz and co. They should be famous! ”

(Quote obtained from the band’s official website)

Brave Yesterday:

www.myspace.com/braveyesterdaymusic

“We are Brave Yesterday, a rock band from Jersey. Not the one immortalized in rock mythology by the Boss. The other Jersey, the one in the Channel. Knowing this, you could also be forgiven for thinking that we are nearly French. We’re not. We’re nearly Canadian-ish.

Our frontman Nutter’s authentic North American Rawk voice gives us our mid-Atlantic twang. Mention us in the same breath as Rival Schools, Jimmy Eat World and 30 Seconds To Mars. We’re cool with that.”

(Quote obtained from the band’s facebook page)


37 – ‘Eliza Jaye and The Tarts’, ‘Codes’, ‘Air Castles’ and ‘The Good Suns’

Eliza Jaye and The Tarts:

www.myspace.com/elizajayeandthetarts

(No biography info available on the artist’s website)

Codes:

www.myspace.com/codesofficial

“C O D E S . are an alternative/electronic quartet from Dublin, Ireland. Expansive yet melodic. Powerful yet delicate, their music colours the void between the ambience and longevity of soundtrack music and the energy and immediacy of live music..

Soaring vocal harmonies, dreamy arrangements and a calculated cryptography of electronic beats, piano, glockenspiel and analogue synths permeate their sound.

Codes debut album “Trees Dream In Algebra” which was recorded in Gloucestershire UK & mixed in Auckland, New Zealand with acclaimed producer Greg Haver (Manics, SFA) and mastered in NYC by Greg Calbi (U2,Interpol,Kings of Leon) is out now. It was the winner of Best Album 2009 in Phantom FM Dublin’s annual awards, is featured in hotpress magazine’s top 200 Irish albums of all time and was nominated for The Choice Music Prize 2010.”

(Quote obtained from the band’s facebook page)

Air Castles:

www.aircastlesmusic.com

“Air Castles is a London based band led by Swedish born singer-songwriter Max Mansson.

Starting off as a home recording project in 2008 by the then 19-year-old Mansson, Air Castles has since recorded an EP and an album together with Magnus Lindberg of Cult of Luna.”

(Quote obtained from the band’s facebook page)

The Good Suns:

www.thegoodsuns.blogspot.com

(No biography info available on the artist’s website)


36 – ‘Ronit’, ‘Lunch’, ‘The Broken Tea-Set’ and ‘Israel Cannan’

Ronit:

www.ronit-music.com

“A  passionate and captivating musician, Ronit has developed a devoted following around Australia that grows with each performance. Audiences are drawn to her strong vocals and emotive honest lyricism, while being floored by her fiery guitar playing. Her sound is a melting pot of soul, roots and rock with hints of Middle Eastern inspired melody, due in part to her Israeli heritage.

Before emerging as a solo artist, Ronit cut her teeth in several established Melbourne bands and toured with popular Reggae/Dub band The Red Eyes as a backing vocalist, gaining vast live playing experience around the country. She is now accompanied by a six piece live band featuring some of Melbourne’s finest musicians, who compliment and embellish Ronit’s catchy songwriting perfectly. Whether playing with her band, or performing intimate solo concerts, Ronit has fast been creating a reputation as one of the city’s premier and most exciting live acts. Just as comfortable playing in large venues as she is playing in smaller jazz clubs and classic Australian live music pubs, she has performed supporting such iconic Australian acts as The Whitlams, Tim Rogers, Renee Geyer, Mark Seymour, James Reyne and Vanessa Amorossi.

Ronit’s music has been used exclusively in the internet based advertising campaign for the established ‘Nevenka’ brand fashion line, and quite recently was used in a successful short film called ‘The Wake’ directed by Gemma Lee. ‘The Wake’ was selected to screen at Palm Springs Short Fest in June 2009 to critical acclaim, and was recently chosen for the prestigious Tribeca film festival in New York.

Ronit released her debut EP ‘Heavy’ through MGM in June 2009. The past couple of months she has been on a whirlwind Summer tour of the US and the UK. ”

(Quote obtained from the artists’ Official Website)

Lunch:

www.myspace.com/lunchUK

“The product of four years writing music together in differing projects, Lunch is the collective masterpiece of songwriters Tom Cale & Josh Jackson, merging the boundaries of as many genres as possible.

Together with bass player James “Mull” Mulligan, the trio are crafting the future sounds of your afternoon mealtimes that will have enough resonance to keep you hungry for more all day, no matter what course of the banquet you find yourself indulging. ”

(Quote obtained from the artists’ facebook page)

The Broken Tea-Set:

Israel Cannan:

www.israelcannanmusic.com

“In 2010 Israel Cannan travelled 20,000 kilometers around his homeland Australia singing songs in the streets and capturing hearts in the process.

This year he decided to trade the streets for the stage and headed to the UK armed with the new album “Walk” in which he wrote, recorded and played all the instruments on. After only a week in London Israel was showcasing at Cargo alongside fellow Australians The Jezabels, Little Red, Luluc at “The Aussie BBQ”.

From there came shows at some of London’s most prestigious venues including The Troubadour, Borderline, The Bedford where Israel continued to wow audiences with his heartfelt melodies and powerful lyrics.

Meanwhile back in Australia National Broadcaster Triple J were featuring Walk on their Unearthed podcasts and The AU Review even named “Walk” as #19 on the top 40 Albums of 2010 (Worldwide).

With shows and festivals being confirmed in the UK & Europe over the summer including Groundswell festival (France) alongside Jason Mraz and Newton Faulkner Israel’s Walk looks like its just getting started..”

(Quote obtained from the artists’ facebook page)


34 – ‘Jax Walker’, ‘Chaser’, ‘Some Skeletons’ and ‘Wyndham North’

Jax Walker:

www.myspace.com/jaxwalker

“A culture clash, Jax Walker is a musician / producer & illustrator interweaving a deadly combo of classic Hiphop with sprawling, electronic indie. A brain blast of Pulsating Basslines, Bulletproof Beats, Trashy Keyboards and Human Voice, the most fun you can have with your own ears!

Backed by his head turning live band, Jax regularly packs out some of the most notorious haunts across the country, recent gigs include the Waterats, The Deaf Institute, Nottinghill Arts Club, Antwerp Mansion, Proud Camden, the Night & Day et al. With future ear bursting releases on the agenda, expect big things over the coming months.”

(Quote obtained from the artists’ myspace page)

Chaser:

www.chasermusic.weebly.com

(No biography info available on the artists’ website)

Some Skeletons:

www.someskeletons.com

(No biography info available on the artists’ website)

Wyndham North:

(No biography info available)


33 – ‘Cult With No Name’, ‘Evaney’, ‘SpyGenius’ and ‘Statuesque’

Cult With No Name:

www.myspace.com/cwnn

“‘Post-punk electronic balladeers’ Cult With No Name, comprise the East London duo of Erik Stein and Jon Boux.  Having been the first international signing to LA label Trakwerx in 2007 (founded by Jackson Del Rey of Californian punk legends ‘Savage Republic’), ‘Cult With No Name’s two studio albums to date – ‘Paper Wraps Rock’ and ‘Careful What You Wish For’ – have been met with considerable critical acclaim.
Leading UK music journalist Mick Mercer proclaimed the band his discovery of 2007 (with both albums sitting in his subsequent annual top ten lists), Blaine L. Reininger of genre-transcending legends ‘Tuxedomoon’ collaborated on their second album, Don Letts spun tracks on BBC6, and more recently Brett Anderson (Suede) asked ‘Cult With No Name’ to open for him for the launch of his new album.

Having provided the music for two blacker than black comedies at the Edinburgh festival (‘Moz and the Meal’ and ‘Bored Stiff’), it’s fitting that ‘Cult With No Name’ turned their attention to cinema for their first DVD release, ‘Lightwerx: The Cabinet of Dr. Caligari’.  Cult With No Name’s compulsive and compelling soundtrack extends their ability to instantly create evocative moods over 51 breathtaking minutes, on a journey that takes in mystical ambience, nerve-shredding distortion, popular and unpopular song, electronica, and vast, futurist soundscapes. ”

(Quote obtained from the band’s facebook page)

Evaney:

www.myspace.com/evaneymusic

 

SpyGenius:

www.spygenius.co.uk

“An electric 4 piece band who use a 60s vocabulary to craft 21st century music with a postmodern twist.

If you appreciate the jangle-meistering of the Byrds and Beatles, the harmonies of Crosby, Stills and Nash and the lyrical wit of Robyn Hitchcock, you’ll love Spygenius.”

(Quote obtained from the band’s Official Website)

Statuesque:

www.myspace.com/statuesquemusic

 

 


30 – ‘AmberSuit’, ‘Matchbox Preston’ and ‘The Lightness of Being’

AmberSuit:

www.myspace.com/ambersuit

www.facebook.com/ambersuit

“We move in amber when all the sounds are just one and the music is everything, forever…

Hailing from the dreamy shores of the algarve, singer Lara and guitarist Luis fled to London in search of new frontiers – further polluting an already potent roster of experience evident throughout their highly characterised songwriting. With the addition of talent from South Korea and London, their fertile writing disposition now had a 4-piece vehicle. The increased diversity and disparate influences of the group soon forged what has become the vivid, unique voice of Ambersuit.

After a short, intense period hammering out their unmistakable, gunpowder-packed shows accross London and the South East, the band dove into the studio to record their first 4 singles as a flagship for the already weighty collection of songs and DIY tracks to their name. Soon to embark on their first UK-tour, Ambersuit are primed to nimbly hoist their cavernous bag of earthy, gut-felt songs beyond their London-area testing-ground, and turn a page in their intrepid memoirs.”

(Quote obtained from the band’s facebook page)

Matchbox Preston:

www.facebook.com/matchboxpreston

The Lightness of Being:

www.thelightnessofbeing.co.uk

The Lightness of Being is a London-based band formed in Mid-2009, comprising four musicians with a desire to create alternative rock with a slight experimental, sometimes hard-hitting edge.  The line-up consists of Sergiusz Brudek (Drums), Gabriel Lim (Vox/Guitar/Keys), Sam West (Guitar), Chris French (Bass). They have recently completed an EP that will be released upon completion of artwork. Another EP is currently in the works.

(Quote obtained from the band’s website)


29 – ‘The Touch’, ‘Vetoes’, ‘The Recusants’ and ‘Pharaohs From The Grave’

The Touch:

www.myspace.com/thetouchyew

“The Touch initially made a name for themselves with their party inducing Dance-Punk sets around Adelaide in 2008. Since then the band has expanded their sound adding ethereal vocal hooks, multi-layerd washes of synth and intricate guitar interplay whilst loosing none of their energetic delivery. The band has played numerous high profile Australian festivals (Big Day Out, Parklife and One Movement) and supported bands like Phoenix, Ladyhawke, Miami Horror, The Swiss and many more. ”
(Quote obtained from the band’s facebook page)

Check out The Touch‘s music video for ‘SHOT’:

Vetoes:

www.myspace.com/vetoes

(No biography info available on the artists’ website)

The Recusants:

www.recusants.co.uk

(No biography info available on the artists’ website)

Pharaohs From The Grave:

www.myspace.com/pharaohsfromthegrave

“An alternative punk rock band of London musicians Emily Wolf O, Katharine Kibela, UJ and Par Mahn. Formed in 2009.  Set to release their EP ‘Machines’ in June 2011.”


28 – ‘Mishima’, ‘Les Aus’, ‘Junkyard Choir’ and ‘Allies’

Mishima:

www.myspace.com/intomishima

(No biography info available on the artist’s website)

Les Aus:

www.lesaus.wordpress.com

(No biography info available on the artist’s website)

Junkyard Choir:

www.junkyardchoir.com

“Junkyard Choir are a London-based alternative rock band formed in 2006, whose original lineup had previously played together under the name “Dirt”. Currently comprising of guitarist and lead singer Mark Woods, bassist Kevin Hiscox and drummer Tom Herbert, the band are known for their unique blend of rock, blues, punk and waltz, having been described as “swampy rock’n’roll” [1], “gypsy punk” [2] and “mariachi-esque polka-rock”.[3] Frontman Mark Woods was, for three years (2003-2006), one of the main vocalists in Do Me Bad Things.”

(Quote obtained from the band’s facebook page)

Allies:

www.alliesband.com

“Formed by Brothers Andrew and Steve Murphy, and joined by Drummer Alex Ribchester and Bassist Simon Walsh, Allies are a modern Alternative Rock Band combining Big Riffs, intense melodies and classic song writing, to produce powerful and at times “haunting rock” . ”

(Quote obtained from the band’s facebook page)


27 – ‘Boy Mandeville’, ‘Safari’, ‘Raquels’ and ‘Lion Tops’

Boy Mandeville:

www.myspace.com/boymandeville

(No biography info available on the artist’s website)


Safari:

www.thisissafari.co.uk

(No biography info available on the artist’s website)


Raquels:

www.myspace.com/raquelsofficial

“Raquels are are four piece indie band based in Basildon, Essex. Being from a place so sinonymous with crime, violence and all the spoils of the nouveau riche you can’t help but feel it has had an unquestionable influence on their music. Dark and brooding like the history surrounding the Basildon club from which they take their name with sharp glacial guitar sounds, drum beats faster than a Ford XR2 & a vocal delivery so honest you cannot doubt the twisted tales of everyday life in a typical new town.”

Lion Tops:

www.liontops.co.uk


26 – ‘A Genuine Freakshow’, ‘OK’, ‘Alvin Purple’ and ‘Radio 9’

A Genuine Freakshow:

www.agenuinefreakshow.com

“A Genuine Freakshow. An artful blend of experimentalism and pop sensibility from Reading comprising the traditional rock ‘n’ roll facets of guitars, bass and drums but augmented by the less obvious additions of cello, violin and trumpet. A band that embrace the icy soundscapes of Sigur Ros but remain entranced by the possibilities of the pop song.

The genesis of this multitude is, as you would expect, less than straightforward. A question as to how the band came into being brings forth a plethora of answers and a volley of disagreement. Various members’ recall of history blurs between fact and (assumed) fiction. What can be said for sure is that by 2008 the current line-up was settled and the previous experiments which saw them begin as “too pop to be challenging” and then swing the opposite way until they were “too post-rock to be fun” had been amended and developed to hit the sweet spot that remains their raison d’etre to this point.

Prior to that settled point, the band had already made their mark in the world with the release of a debut EP that all those still in the band from that time (those changes of personnel again) agree was the “too pop” point. In what would become standard AGF fashion, the follow up ‘0.008%’ EP was, naturally, the “too post-rock” response. A musical equilibrium was found with the release of ‘We Are The Undercurrents’ in 2008 and its follow up ‘Holding Hearts’ in the same year. By the end of that year another equilibrium was achieved with the permanent recruitment of the final pieces of the band, drummer Jack Bryant just making it in time to play the band’s autumn dates by fast-tracking the set in a hectic three week period of cramming on his part.

Plaudits followed for this settled unit. ‘Holding Hearts’ made Tom Robinson’s ‘Best Of 2008’, Word magazine’s Mark Ellen fell for the band, leading to their recent appearance on the magazine’s CD for October. Meanwhile, the seven settled into a touring schedule that saw them build a healthy evangelical fanbase leading to a sold out Bush Hall show in February of 2010. In tandem with touring throughout 2009 and 2010, the band entered the studio with producer Jordan Fish to completely re-record the album that had been taking shape throughout these single releases, so unhappy were they with the final version mark one. A brave decision, some would say foolhardy, but one that is vindicated by the now complete debut album, ‘Oftentimes’ that finally ended its gestation on 8th November 2010.

The journey of this firmly bonded septet – despite the notices from media names – has taken place through the old-fashioned world of word-of-mouth and touring. In keeping with that ethic ‘Oftentimes’ comes to you via band-owned Peartree Records, all members making a firm decision to retain their ownership of their music and complete control over their musical destinies. In support of the album A Genuine Freakshow returned to the touring world for an extensive run of dates from September through December 2010 with plenty more to follow in 2011.”

(Quote obtained from the band’s official website)


OK:

www.myspace.com/thatbandok

“Welcome to the bright and colorful world of OK! …Four Cardiffians with a love of pop, truly terrible jokes and generally jumping around like idiots.

Having been obsessed with depressing music as a teen, singer Joe Paine decided he would dry his tears and form a band that would make people feel good again! Rounding up good friend and bass player Adam Barrah, the two waved their West-Walian hometown farewell and, with wonder in their eyes and love in their hearts, set sail for Cardiff.

After a few months playing acoustic shows and generally getting very drunk, the two quickly be-friended guitarist Oliver Miles. The technical whiz-kid hit it off with the boys and was soon on stage performing with them.

In desperate need of a drummer, the band coincidentally bumped in to ex ‘Inner-city Pirates’ sticksman Dave Powell. With their notoriously weird sense of humour, the four got on like a series of terrible house fires and soon released their debut record ‘Under The Weather But Over The Moon’ at a frantic launch party in Cardiff’s renowned ‘Buffalo Bar’.

It wasn’t long before the band had begun to transform Joe’s old-fashioned ‘Libertinesian’ sing-alongs into faster, tighter and dancier full-band pounders. OK have since played a string of packed-out shows, which have left audience and band members alike in sweaty heaps!”

(Quote obtained from the band’s facebook page)

Alvin Purple:

www.alvinpurple.tumblr.com

(No biography info available on the artist’s website)



Radio 9:

www.myspace.com/radio9space

“Radio 9 is a collective (usually 3 live members, not including the laptop) that plays electronic music that isn’t boring. Augmented by real drums, guitar and bass and even some vocals, their energetic, melodic Krautpop kicks arse. varying from subtle, mellifluous atmospherics to harsh postpunk whiteouts, the band frequently improvise live in extended rhythmic bop. previously based in the UK, now Oslo, the band have worked with Paul Epworth (Florence and the Machine, Bloc Party) and Gareth Jones (Depeche Mode, Sons and Daughters). The band have just released an album, ‘Endless Streams of Light’ on Oblong.”

(Quote obtained from the band’s facebook page)



25 – ‘Club Smith’, ‘Dustland’, ‘Southern’, and ‘Gorgeous George’

Club Smith:

www.clubsmith.co.uk

(No biography info available on the artist’s website)


Dustland:

www.Dustland.co.uk

(No biography info available on the artist’s website)



Southern:

www.myspace.com/thisissouthernmusic

“Hailing from Belfast, Southern are a musical trio consisting of siblings Thom and Lucy Southern and one of the best exports of the past 12 months. Lead vocalist and songwriter Thom Southern got his start busking around Belfast and Dublin for pocket money. At the tender age of 17 he won ‘Belfast Busker of the Year Award’ which gave him a coveted slot in the Belfast Nashville festival. Through the festival he won the ‘Katherine Brick Award’ for ‘Young Songwriter of the Year’. Soon afterwards Thom joined together with his sister Lucy and their childhood friend Jonny Lee.

It was not long afterwards that Southern began to make a big impact on the Belfast and Dublin music scene playing with well-known artists such as John Mayall & The Bluesbreakers, Steve Harley, Nanci Griffith, John Hannen, Benitta Hill and Iain Archer.”

(Quote obtained from the band’s facebook page)

Gorgeous George:

www.gorgeousgeorgetheband.tumblr.com

“Gorgeous George play a mixture of balkan folk, eastern european jewish klezmer, and manouche jazz, with cockney voices and lyrics about overtime, saturday afternoon results and everyone wearing the same bloody aftershave. bonjour.

We like eastern europe and south west london and we’re here to unite the two.

We are currently working hard on our debut EP ‘Dangle The Carrot’ for a mid-may release and doing lots and lots of gigs.”

(Quote obtained from the band’s facebook page)


24 – ‘AmberSuit’ and ‘The K-Shaped Rooms’

AmberSuit:

www.myspace.com/ambersuit

Click here for AmberSuit’s facebook fan page

“We move in amber when all the sounds are just one and the music is everything, forever…

Hailing from the dreamy shores of the algarve, singer Lara and guitarist Luis fled to London in search of new frontiers – further polluting an already potent roster of experience evident throughout their highly characterised songwriting. With the addition of talent from South Korea and London, their fertile writing disposition now had a 4-piece vehicle. The increased diversity and disparate influences of the group soon forged what has become the vivid, unique voice of Ambersuit.

After a short, intense period hammering out their unmistakable, gunpowder-packed shows accross London and the South East, the band dove into the studio to record their first 4 singles as a flagship for the already weighty collection of songs and DIY tracks to their name. Soon to embark on their first UK-tour, Ambersuit are primed to nimbly hoist their cavernous bag of earthy, gut-felt songs beyond their London-area testing-ground, and turn a page in their intrepid memoirs.”

(Quote obtained from the band’s facebook page)

The K-Shaped Rooms:

www.myspace.com/thekshapedrooms

“The K-Shaped Rooms incorporates elements of rock, soul, funk, hard rock, psychedelic, acoustic and ballads into their music. As self taught musicians, the band co-produces, composes, and continue to push their live element.

Formerly under the solo name ‘Komla’ since March 2009, the live set up includes Komla (Vocals/Lead Guitar) Kelpie (Bass) and Sergio ‘El Niño’ Zambrano(Drums).
As a trio, they form The K-Shaped Rooms & have gigged all over London generating interest from independent labels, PR and management, still searching for the “right” one. ”

(Quote obtained from the band’s facebook page)



23 – ‘Hey Sholay’, ‘Dirty Goods’, ‘Escapists’ and ‘Bill Davro’

Hey Sholay:

www.myspace.com/heysholay

“It’s raining in Sheffield – manholes splutter up yesterday’s throwaways, spray-spitting black umbrellas convulse in the wind like fevered crows as the streets fill with the commuting hoards, all wincing their way to work through the wind and torrents with their one dry eye on the prize… But above these busy passageways glows a lit window. And through the haze of ever-moving warm colours, the light spells out five moving figures. These five individuals make up the collective Hey Sholay. Having met in varied musical avenues, a Tuesday night cult ceremony, and all being of like-mindedness – they formed to write new folklaws – with the only goals of nurturing creativity and enjoyment. What emerges from this room has a firm nod towards past styles of strumming wire to beating skins – as this common ground is the way they were raised. However, their hands remain tightly cupped, as they peek between knuckles into something so delicate and fluttering in their palms – something new to them and perhaps even the outside world. Now the overwhelming urge to share themselves is setting cracks in the window above the street – the soft murmur of music is creeping through the split glass – and the most acute of hearing are edging a glance towards the flickering lights… But for now – the rain goes on, as does the music. And neither show signs of letting up until they can all afford timeshare somewhere where the paving doesn’t splutter at your ankles…”

(Quote obtained from the band’s facebook page)



Dirty Goods:

http://www.myspace.com/dirtygoods

“DiRtY GoOdS make dirty, electronica-infused music, with a sound that call upon the vocal styling of Prince, mixed up with the synth-led sounds of Chromeo and MSTRKRFT.

The band consist of Antony James smith&devine, James Alexandros T Woodville & Mikee Gregg formerly of indie-rock outfit ‘Jump The Underground’.

‘The idea was sparked from listening to lots of Chromeo and Prince’ explains Woody and singer Antony-james adds ‘it’s mixed with rock and blues roots as that is generally where I come from’, Mikee also states ‘we all have our individual influences on the band ranging from Prince, Zeppelin, Muddy Waters and Costello to more modern acts such as Chromeo, Daft Punk, Calvin Harris and Justice’.

To date the band have played popular dance nights and venues around the UK including London’s ‘Forgive Me Lord For I Have Synth’, ‘Cargo’s Free Fridays’ and ‘Play It By Ear’.

In their first year they supported the likes of Calvin Harris and The Noisettes, been featured on several TV shows and toured USA playing venues such as The Roxy, L.A. and Fontanas, New York.”

(Quote obtained from the band’s Official website)


Escapists:

www.escapistsmusic.com

Escapists are a four-piece from London, striving to make epic, cinematic music. Think the bombast of Arcade Fire, the Harmonies of Mumford & Sons with the musicality of Death Cab.

(Quote obtained from the band’s Official website)


Bill Davro:

www.billdavro.co.uk

“Following an insurgence of bands readdressing the Brit-pop movement of the 90s, Bill Davro are bringing Alternative Pop back to the underground lexicon. Combining Jazz, Jangle Pop, Garage infused rhythms and melodic guitar hooks, the signature Bill Davro sound reflects what has come before but has been somewhat overlooked in recent years. There sound simultaneously sounding traditional and modern: a fresh and bright (sometimes jagged) explosion of pop phantasmagoria. The shifting moods of singer and lyricist Kieran Gallimore elevate the music in to a dimension of maturity and self-reflexivity (almost Wordsworthian), offering an assortment of emotive lyrics and thought provoking imagery, floating ‘as lonely as a cloud’ atop the ringing guitar lines and driving rhythm. Kieran’s lyrics have been likened to Ian Dury and Morrissey, using regional vernacular to express true to heart emotion lyrically. The band, in their live performance, transform the genteel (and somewhat vulnerable) sound in to an exciting, energetic happening guaranteed to grab you by the waist and move your hips to the swinging groove. Bill Davro have a distinct identity and sense of purpose that sits them quite comfortably (if not slightly aware of the height) on a platform of their own.

Bill Davro are always hard at work writing, recording and spreading their good name like jam on toast. Their latest (self-titled) EP is the band’s recent achievement but by no means is this all they have to show for themselves. The band have been seen in weird and wonderful venues which just goes to show their complete commitment to the music but also remain elusive. Bill Davro, however, also like to show their faces equally as much. Having played the Clothes Show Live at the Birmingham NEC, Kendal Calling music festival, been finalists for AKG Unsigned Heroes in London (to name just a few stints). Bill Davro are quite at home in any town; in front of a crowd or in front of each other. Currently gearing up for a summer of gigs, festivals, and writing and recording for their next EP, Bill Davro will surely be busy this year so catch them in a venue near you….”

(Quote obtained from the band’s Official website)




22 – ‘For Abel’, ‘The B.Goodes’, ‘Neo Ferns’ and ‘Dakota Beats’

For Abel:

www.myspace.com/forabel

“We are For Abel. We make music. We want to make you sad because we feel like that too sometimes. We want to make you happy because thats what everyone wants to be.

Since acquiring limbs we have have flown far afield as showcasing at SXSW in Texas, as well as playing much closer to home in fields and lesser established premises. For Abel have been featured by BBC Radio’s Steve Lamacq, Vic Galloway, Huw Stephens, Colin Murray, Tom Robinson & Jim Gellatly and have also been digitised on the wireless by many others including XFM and NME Radio. The Skinny, Art Rocker, NME and numerous British tabloids have also thrown their arms towards For Abel in loving fashion.

We Are For Abel

You Are For Abel”.

(Quote obtained from the band’s myspace page)

The B. Goodes:

www.myspace.com/thebgoodesband

“The B. Goodes were formed with John Brett & Phil Jackson writing and recording in late 2008 and by Summer 2009 were joined by Jay Goodrich & John Randall (formerly of Rosalita), with a shared view to write and perform original music taking influence from the 50’s, 60’s & 70’s. The sound which came out was a mixture of beat, surf, soul and rock ‘n’ roll. The B. Goodes are an energetic and dynamic live act with the emphasis very much on having fun.”

(Quote obtained from the band’s myspace page)


Neo Ferns:

www.neoferns.com

Neo Ferns is the musical vehicle of London based singer-songwriter James Andrews. Formulated around a love of the acoustic guitar, he began developing a sound from an early age with the intention of taking the genres of folk and pop in a different direction. Although heavily influenced by the greats of those styles, the real focus of the music is to create atmosphere and space, combining a soft and reserved vocal style with thoughtful lyrics, he’s always enjoyed the art of music experimentation, resulting in a haunting but undeniably distinctive form of indie-folk. That’s not to say he isn’t fond of collaboration. The project has seen the work of several musicians contribute to provide a dynamic and complex sound.

The project is attracting lots of attention at the moment, both on the airwaves from radio play, and around the streets of London Town from many successful recent shows, such as supporting Merge signed Wye Oak on their first European Headlining Show, it’s a representation of the years of hard work and determination towards the project. This is what Spoonfed.com said “Ethereal, minimal pop makes for comforting listening. Minor tweaks and seemingly insignificant electro-bleeds can transport an average group to a great one. Neo Ferns have done just that, going that extra mile has evidently paid off in their indie-electro airy squeezes. “. The recently released ‘Five Weeks’ E.P on Octopus Escape signalled a changing sound, with a more standard rock approach. But like every release in the past, the sound has always changed, being the beauty of the project as it evolves. Who knows what’s coming next?”

(Quote obtained from the artist’s Official Website)

Dakota Beats:

www.dakotabeats.co.uk

“Dakota Beats are a 5 piece Indie band based in Dudley. From the ashes of The E-Go’s the Dakota Beats are set for a very exciting 2011. Dakota Beats have gig dates booked nationwide and management in the form of Jolene Chalk. Dakota Beats have recorded their first 3 track EP called ‘No New Faces’ with Editors, Ocean Colour Scene and The Twang producer Gavin Monaghan”

(Quote obtained from the band’s facebook page)



21 – ‘The Contras’, ‘CourageHaveCourage’, and ‘The Transpersonals’

The Contras:

www.myspace.com/contrasrus

CourageHaveCourage:

www.myspace.com/couragehavecourage

The Transpersonals:

www.myspace.com/thetranspersonals


20 – ‘The Bright Young People’, ‘Healer/Monster’, ‘Tin Pan Gang’, and ‘Paperface’

The Bright Young People:

www.myspace.com/thebrightyoungpeople

Healer/Monster:

www.myspace.com/healermonster

Tin Pan Gang:

http://www.myspace.com/tinpangang

Paperface:

http://www.myspace.com/thisispaperface


19 – ‘Arms of Atlas’, ‘LeCarla’ and ‘Eat Off Your Arms’

Arms of Atlas:

www.armsofatlas.co.uk

Arms of Atlas‘s ‘Hour of the Night’ Official Music Video:

LeCarla:

www.lecarla.co.uk

Check out LeCarla‘s Official Music Video for their debut track ‘DILLIGAF’ which was released in May of last year:

Eat Off Your Arms:

www.myspace.com/eatoffyourarms

Check out Eat Off Your Arm‘s video for their song ‘Sit and Grin’:


17 – ‘Tankus The Henge’, ‘Kitty Junkbrother’, and ‘Doyle & The Fourfathers’

Tankus The Henge:

www.tankusthehenge.com

“The world of Tankus the Henge is uplifting and wild, dark and heartfelt.
A five piece powerhouse of a band drawing visual and musical influences from old time Fairgrounds to modern day Circus; The Beatles to Tom Waits and Gogol Bordello to Radiohead, they embody a look and a sound that lies somewhere between their South East London home and the carnival town of New Orleans.

With their charismatic frontman, Jaz Delorean, looking like a lost character from a Terry Gilliam film and the pump and grind of the Tankus the Henge sound generating a groove that makes it impossible to stand still, their live show ebbs and flows like a small boat on a turbulent sea.

Any other band who billed themselves as “the most fantastic band in the world” would rightly quake in their boots at having to live up to such fanfare. Tankus the Henge defy you to contradict them!”

(quote obtained from the band’s official website)


Kitty Junkbrother:

www.myspace.com/kittyjunkbrother

“KittyJunkBrother was made in Camden. Hair is her own. She likes her cat Brian and days in which she is not under any obligation to do anything. Freedom to dine on the stars overhead and sing songs about lovers that fled; that is what a JunkBrother likes. To travel the world with a dime in your shoe, got no time for the system that seems to fuck you.”

(quote obtained from the artist’s myspace page)


Doyle & The Fourfathers:

www.dt4f.get-ctrl.com

“Doyle & The Fourfathers are a Southampton based band who formed in September 2009. The band consists of Lead singer and songwriter William Doyle, Guitarist and multi-instrumentalist Ben Clark, Bassist Michael Goozee and Drummer Alex Urch.

Inspired by all great and enduring artists of the last 60 years, the band’s sound is a refreshingly honest coalescence of nostalgia and innovation. Their music presents a diverse sonic palette, yet is always underpinned by assured and evocative songcraft.

The band’s most notable successes of 2010 include performing at the triumphant ‘Save 6 Music’ protest gig at the 229 Club in London and playing a live session for Marc Riley on his BBC 6 Music show, as well as gaining recognition from other DJs on the station. The band have also built up a modest yet passionate fanbase in a short space of time.

Having released their single ‘The Governor of Giving Up’ on October 4th 2010, Doyle & The Fourfathers have finished recording their first full-length album, “Man Made” the release of which will be supported by a UK tour in early 2011.”

(quote obtained from the band’s official website)

Check out ‘Doyle & The Fourfathers’ performing on BBC Radio earlier this year:


16 – ‘The Dallas Guild’, ‘The Jons’, ‘Lennox’ and ‘Raven Beats Crow’

The Dallas Guild:

www.myspace.com/thedallasguild

“The Dallas Guild was one of the few unsigned bands to soundtrack a major TV ad campaign with their self-released single Men in White Coats…

Bridging an unlikely prog/pop highway of Pink Floyd’s 70s soundscape psychedelia and ELO’s punchy synth drenched pop songs, The Dallas Guild have just put the finishing
touches to their debut album ”Hello Darkness” and recently returned from supporting MGMT and LCD Soundsystem in Israel.”

(biography info obtained from The Dallas Guild’s facebook page).

The Dallas Guild performing in Israel whilst supporting MGMT and LCD Soundsystem:

The Jons:

www.the-jons.co.uk

“The Jons exploded onto the scene in 2009 and have steadily been gaining fans and throwing parties ever since.

Their first single ‘Walk Towards The People’ was released by Pirates Press Records in time for their storming performance at the final of the 2010 Live and Unsigned Competition, where they were crowned the runners up, beating over 10,000 other musicians to the honour. Competition judge Noddy Holder described the boys as ‘a band you’d want at your party’.”

(Biography Info obtained from The Jon’s Official facebook page).

Lennox:

www.thisislennox.com

“Female fronted rock with balls of steel and hearts of gold, Lennox formed only in June 2010 from the remains of 2 local bands – but quickly turned the new line-up into something very special…

Lennox went to Surrey in October to record their 4 track EP with Matt O’Grady, producer for You Me At Six, The Blackout and Deaf Havana to name a few and have come back to their hometown fighting to get noticed and spread the word that Lennox have arrived, and they won’t be going anywhere!”

(Biography Info obtained from Lennox’s Official facebook page).

Raven Beats Crow:

www.myspace.com/ravenbeatscrow



03 – ‘Hurricane Season’, and ‘The Twisted Hearts’

Hurricane Season:

http://www.myspace.com/hurricaneseason1992

The Twisted Hearts:

http://www.myspace.com/thetwistedheartsuk