75 – ‘LiA (Life Imitates Art)’, ‘Pocket Venus’ and ‘The Marshalls’
LiA:
“Fiery electro-rave with heavy dub-step element, soulful female vocals and male rapper.”
(Info obtained from band’s facebook page here)
Pocket Venus:
“Pocket Venus are a rock band from Conwy in North Wales. The band formed in 1998 and toured the UK extensively, hailed as the one of the best unsigned bands of their time they achieved critical acclaim both in the UK and abroad.”
(Info obtained from the band’s facebook page here)
The Marshalls:
www.soundcloud.com/the-marshalls
72 – ‘Fable’ and ‘Pete Lynch’
Fable:
“Fable is formed of, Jordan Micallef, George Iezzi, Rona Mairi Williamson and Marley Owen-Le Bozec. In late December 2011, based in London, UK.
Drawing from a huge array of influences, Fable has a road of endless musical possibilities.”
(Info obtained from the band’s facebook page here)
Pete Lynch:
“PETE LYNCH (born and raised in Silver Spring, Maryland, USA) is a solo artist, singer and song writer but his debut album “Face me!” (all vocals, guitars, bass guitars and pianos are performed by PETE LYNCH) has the sound, attitude and feel of a hungry, young band. “Face me!” is a true “all killer no filler” that will take you from the highest high to the deepest depths of your soul and leave you craving for more. Fast, high-energy songs like the album’s opener “Hate me like I hate myself” are followed by songs such as the brutally honest “I’m mad at you” or the very personal, up close and vulnerable ballad “Swim,” which features LIANE de LOTBINIÈRE , one of Canada’s hottest singers.
All of LYNCH’s songs give you an intense look into his schizophrenic inner space. His lyrics are dazzlingly truthful portraits of who he is when the masks are down and what he’s been through in his young life. “Face me!” is a soundtrack of experiences many listeners will identify with. The album was produced by Conny Dix, who recorded Lenny Kravitz on his 2008 election song for US President Barack Obama. “Face me!” introduces 12 original LYNCH songs that are spirited, passionate and deep. LYNCH’s powerful and distinctive voice, combined with his unique blend of musical influences may remind you of Peter Gabriel at his best, flying high with the Killers as his band.
“Face Me!” was released internationally in March 2011, and for the 2011 “Face Me!” Tour PETE LYNCH teamed up with three incredibly talented, experienced and like-minded musicians, drummer Sascha Bem, guitarist Mike Seidl and bassist Joe Gridl. Their fine musicianship and love for performing on stage soon earned them a reputation for being an awesome, hard-working live act! PETE LYNCH shows are outstanding, energetic, extravagant performances that force you to confront his sharp lyrics and haunting music.
2011 also saw new collaborations and new activities for PETE LYNCH. His latest work is contributing the lyrics to Richard Klein’s Eurovision Song Contest Song “Bigger, Better, Best” and “One Way Is Enough”, the lead track on the soundtrack of the 3D horror movie “One Way Trip” (reached number 6 in the Swiss and number 3 in the Austrian movie charts!).
Currently PETE is finishing work on his forthcoming 2nd Album (release date Sept./Oct. 2012) and is starving to get back on the road again!”
(Info obtained from the artist’s facebook page here)
71 – Limozine’, ‘The Cherry Bluestorms’ & ‘Zig Zag Birds’
Limozine:
“Limozine are a Rock ‘n’ Roll band from London inspired by The Cramps, The Stooges The Stones and The Ramones. Limozine have released three albums, Car Crash Casino in 2007, Evil Love in 2010, and Full Service in 2012.”
(Info obtained from the band facebook page here)
The Cherry Bluestorms:
“Upon the release of their Stukas Over Disneyland mini-album, punk rock legends The Dickies were about to go on their first U.S. tour since the untimely death of Chuck Wagon. The band asked Glen Laughlin to tour with them on guitar, vocals and keyboards. Following the tour Glen returned to Los Angeles to increasing demand as a session player. He also took the opportunity to begin recording his debut solo album with famed producer Earle Mankey. Unfortunately, he was involved in a motor vehicle accident on the way to the studio and crushed his left hand, apparently ending his career as a musician. As we know, the story didn’t quite end there.
With his hand still in a cast, Glen formed The Skin Trade. Seven months later The Skin Trade played their first show, featuring Glen on lead vocals and two-fingered bass. Glen later rejoined The Dickies as bassist and then as guitarist for several years. He also began to use the many non-standard tunings he developed as a result of his hand injury.
Following The Dickies’ Idjit Savant tour, Glen purchased part of the studio where “Idjit” was recorded. Since then, in addition to The Cherry Bluestorms, Glen has produced The Dickies, movie star Heather Graham and tracks for CSI: Las Vegas. He has also produced indie artists such as Neil Ormandy, Reuben “Big Reub” Vigil and The Reloaders, The Ben Gunn Society, and The Greatcoats. His latest project involves members of Fishbone, Suicidal Tendencies and Ivan Neville.
Having landed a development deal with A&M which led to collaborations with recording world luminaries Chris Lord-Alge and Mike Clink, Deborah Gee placed several songs from her debut solo album “Portal” in TV and films. She was looking for a collaborator for her next venture. After meeting Glen at a coffeehouse and discovering their mutual love for ‘60’s guitar-based melodic rock, the two began working on what was to become The Cherry Bluestorms’ debut album, Transit of Venus. They formed a band and were spotted at their first show by a promoter, whereupon their second show was before a festival crowd in New Hampshire. The band has subsequently entertained crowds and enjoyed critical praise from their hometown Hollywood haunts to Canada and the UK, including The Cavern, famous home of The Beatles.
The Bluestorms gave Transit of Venus a splendid send-off at Hollywood’s Cinespace, where they had a genuine Fillmore lightshow and a live string quartet accompanying a performance of the entire album. TOV was noted as one of the top 100 indie albums of 2007 by IPO’s David Bash. TOV has been critically praised by L.A. Weekly, Glasswerk UK, Powerpopaholic, Not Lame, Absolute Powerpop and others, many singling out the bands’ version of the Beatles’ “Baby, You’re a Rich Man”. “Violent Heart” from TOV and “A True Heart Wears A Thorny Crown” from their upcoming second album were placed in hit Stephen Cannell television shows.
Speaking of second albums, the band is nearly finished recording their sophomore effort, an ambitious concept album called Bad Penny Opera. The album is due out later this year. Meanwhile, Deborah has also begun tracking her second solo album, Geeology, with Glen co-producing.”
(Info obtained from the band’s facebook page here)
Zig Zag Birds:
“With one foot in the sun-soaked Sixties, and the other in the do-it-yourself YouTube generation, Zig Zag Birds began as an experiment and quickly got out of hand. British singer-songwriters David Rael and Edward Randell and drummer Will Pickering bring their feelgood pop songs to life with the help of rudimentary recording gear, a video camera and some very talented friends.
A bedroom album that sounds like a 5-star suite, their debut EP features strings, brass, flutes and a small army of backing singers – all held together with Sellotape and cups of tea. And, most importantly, outstanding tunes. They don’t write ’em like this any more: Zig Zag Birds’s infectious melodies and lush vocal harmonies draw on The Beatles and The Beach Boys, the storytelling of Lieber & Stoller and the playfulness of Steely Dan. They are equally at home with straight-up rock ‘n’ roll (Brighter Shade of Blue), with chamber-pop balladry (A Song A Day) and even campy Halloween mischief (Bump In The Night). These are uncynical, fresh, infinitely hummable tunes to put a grin on your face and a spring in your step.”
(Info obtained from the band’s facebook page here)
69 – ‘Japanese Fighting Fish’, ‘Ozonna’ and ‘Monarchy of Roses’
Japanese Fighting Fish:
www.japanesefightingfish.co.uk
Ozonna:
“The man getting his regular short back and sides smiles with intrigue at the figure in the doorway. This Camden hairdresser isn’t used to visits from unfamiliar faces. The bespectacled guest, dressed in a faded denim jacket and rolled shorts, begins to strum a Ukulele, giving his adopted crowd a rendition of his latest song, “I love me”. Even the stubborn buzz of the last few clippers has been silenced within moments. Two minutes later he leaves, followed by looks of affection and bemusement.
African-born electro popper Ozonna may have chosen an unusual way to market himself, but in today’s hyper competitive music industry it pays to be original. Even pop queen Lady Gaga used to have to stand scantily clad on tables in bars, screaming along to Black Sabbath records to get noticed. Visiting some of London’s coiffeurs to play impromptu gigs may not hold the same shock-value, but it’s the perfect place for Ozonna to deliver his message.
And that message is simple; he is trying to empower people through his music. “I want people to feel positive about how they look and feel,” he says. “Playing at the hairdressers, I wanted to tell people that they don’t need to spend lots of money to look beautiful, they are already. It is positive music for the soul.”
Ozonna himself even admits that the message can be seen as clichéd. But it’s the way that message is delivered on his new single, “I love me”, that the London-based artist eliminates any sense of been-here-before. An eclectic mix of influences has inspired the record, which delivers pop hooks underpinned with genuine musical ideology. Think Marina and the Diamonds, Madonna and a hint of Gaga, and you begin to get the idea. But Ozonna’s sound is still wholly individual.
On “I love me”, his unique vocal range is laid bare. It is fragile yet captivating. Combined with the Ukulele and boppy synth the track epitomises what the young musician is all about. It strikes at the core of the vanity of society, why people should ignore the critics and love themselves. It is refreshing to hear a passionate edge to an essentially pop-infused track. This theme is continued in “Perfect day to die”, another creation that reveals a strong sense of musicality in Ozonna’s work, with muted strings and a clean cut piano riff providing a perfect foundation for the heartfelt lyrics. “Stupid self” and “I don’t give a damn” are further rebellious outlets. The latter tinged with the sound of an early Annie Lennox track. ”
(Info obtained from Ozonna’s facebook page here)
Monarchy Of Roses:
“Monarchy Of Roses are a new group who were formed in North London with a range of influences including Soul, 60s beat, Blues. Under guidance of singer/songwriter Craig Ingham and now joined by Bassist Alex Montague. Looking for world domination and exposure! Welcome to The Kingdom Of North London Soul!”
(Info obtained from the band’s facebook page here)
68 – ‘Turning Plates’ and ‘Howl Griff’
Turning Plates:
“Turning Plates are an award winning group of musicians based in Glasgow. Using theirdiverse classical, jazz and rock backgrounds they create a uniquely alternative style. Founded in 2009 their mixing of synthesizers and effect laden guitars with the more melancholy sounds of clarinet, cello and trombone, combined with the use of unusual time signatures, have led to the band quickly finding a distinct and individual sound. The band sites an eclectic mix of influences from the Smashing Pumpkins to Sigur Ros to Baroque music.
On the back of early successes the band has recently recorded an EP comprising 6 songs at Glasgow’s prestigious Chem19 studios with producer Jamie Savage which is due for release in April 2012. During 2011 the band’s song Tin Man won an award in Playmusic Pickup magazine’s unsigned band competition and finished their first tour taking in Glasgow, Edinburgh, Aberdeen, Stirling Falkirk and Ayr over Easter 2011. In addition the band have gigged frequently in Glasgow doing both electric and acoustic shows, supporting several touring bands including Silversun Pickups, Scanners, Slaraffenland and The Neat.”
(Info obtained from the band’s Official Website)
Howl Griff:
“After receiving much press and public acclaim for our debut, Welsh-language record Howl Griff, we unleashed our second album The Hum – this one in English. Along with single releases Bluebirds and Sunrise, the album has garnered heady acclaim.
“Bloody lush – a new band we love,” said Lauren Laverne on her daytime BBC 6music show. She’s not alone in liking what she hears. “Life-affirming,” wrote The Independent. “Gorgeous harmonies and warm ’60s melodies – the result is quite lovely,” added Stuff magazine. “A Welsh Brian Wilson,” claims Clash magazine.
So when the lovely Lauren Laverne asked if we were interested in giving away an MPfree on her show, who were we to argue? Thanks to her and the 6music crew, you can download the Sunrise single for zero pence on our free MP3s page.
We’ve been played widely across BBC 6music, Radio One, Radio Wales, Radio London and noted Californian station KCRW too, which is nice.”
(Info obtained from the band’s Official Website)
63 – ‘Blackfoot Circle’, ‘Code500’ and ‘The Worms’
Blackfoot Circle:
“Blackfoot Circle….. Two guitarists, a bassist, a drummer and a singer. All with the same desire for what they do and for where they want to be.
The band are from Portsmouth, England, where you can hear their songs playing from any open window and where a sell-out Wedgewood Rooms crowd can be heard singing their lyrics on any given Saturday night.
Fresh off the back of winning Hard Rock Cafe’s UK Battle of The Bands competition, where they received glowing reviews from judges James Curran (Absolute Radio), Jemma Downey (Live Nation) and James Walsh (Starsailor), The band’s belief and reputation are growing fast. This and their recent appearance at Bestival being covered by ITV’s Meridian News has created a real buzz in and around their local area.
They now hope to achieve the same following nationally as they have in their home town. Music trends are forever changing and Blackfoot Circle feel that they are the band to be the catalyst for the next shift to make guitar music great again.”
(Info obtained from the band’s facebook page here)
Code500:
“Code500 are an Alternative band from Northampton, UK
Several studio recordings early 2010, soon became live sessions, bringing together different musicians, experimenting with a new sound. Since then, Code500 have become well known, playing live at, and hosting various club nights. The band have successfully gigged in and around London and recently performed at the BBC’s Introducing. The band are currently putting final touches to their much anticipated debut EP, set for release in the coming months.
Delivering a massive wall of sound , Code500 are best described as a modern fusion of Rock n Roll, Trip Hop and Dance”
(Info obtained from the band’s facebook page here)
The Worms:
www.reverbnation.com/thewormery
“The Worms are an English trio of folk and electronic musicians. In 2005 we began playing songs about ornithology and architecture at open mic nights in Reading. Our soul is gothic, our mind is psychedelic, our roots are progressive, our attitude is punk, our tradition is folk, our tools are electronic. Over the last 5 years, we have recorded sessions for WFMU in New York, been broadcast on Resonance FM in London, been broadcast on homegrownradionj.com in New Jersey, been broadcast very regularly on KPOV in Bend, Oregon, played live in session on Resnonance FM in London, produced 4 demo recordings and performed as a solo, duo and trio in Reading and London, UK, and Seoul, South Korea. Our newest demo is called “Strife Cycle”. We soldier on.”
(Info obtained from the band’s Reverbnation website – link above)
59 – TINS ON TOAST Launch Party featuring ‘Tribes’ and ‘Dexters’
‘Tins on Toast’ is a brand new Club Night at the Purple Turtle (Camden) on Monday nights featuring the best up and coming bands from across the country and Resident DJs: Steve Harris & Liam Young (XFM), Ed Wilder (Club NME) and Bandangos.
Here are some images from the ‘Tins on Toast’ Launch Party featuring ‘Dexters’ and an exclusive one-off acoustic set by ‘Tribes’ (as a 3-piece), who have been enjoying the success of their new album ‘Baby’.
______________________________________
Dexters:
“Groups of good time boys and girls, musicians and renegades, vampires and vagabonds throughout the country are rooted in the same, unenviable and rudimentary limbo, frantically scheming, delicately lock-picking and audaciously plotting for the next strike for gold. Dexters have the master keys to that lock.”
(Info obtained from Dexter’s facebook page here)
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Tribes:
Tribes’ new album ‘Baby’ can be purchased from itunes here
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56 – ‘The Harlots’, ‘Big Num’, and ‘Shag Nasty’
The Harlots:
“An upcoming band based in the heart of London whose members are Sherwin Claridge (Vocals & Guitar), Enrique Moreno (Lead Guitar), Florent Amador (Bass Guitar) & Adam Szabo (Drums). Their success can be attributed to the fact that having only been together for only half a year have already established a highly coveted and personal sound.
Their style is easily recognisable due to their vast range of influences. From classic British Rock ‘n’ Roll such as The Beatles and The Rolling Stones all the way to The Libertines’ punk and iconic bands of the 90’s (Oasis & Blur).
Their set list which has arisen as a results of many rehearsals serves as the strongest evidence of The Harlots’ creativity, performance skills and coordination amongst band members. They have a promising year ahead of them in which they are eager to present their passion and song writing capability.
In brief, The Harlots are a band formed by ambitious young musicians who deserve the opportunity to showcase their talent to the world.”
(Info obtained from the band’s facebook page here)
Big Num:
“An English take on full-size, brash American stadium rock, Big Num putting a completely wonderful modern alternative, heavy scope onto a soulful and honest vocal that sheers Led Zeppelin and the Rolling Stones with glints of Bono or Jack White. Classic rock in the vein of Billy Idol dazzlingly sped up to a contemporary model with an eccentric overtone of grinding, stirring guitars and lyrics that demand head-bang brutality. They serve shout-a-long enthralment with an accomplished style and batch of finely and expertly arranged songs which sound well rounded and memorable. This band is an absolutely lustrous and gallant gem in the British rock scene.”
(Info obtained from the band’s facebook page here)
Shag Nasty:
“We are the original UK punk rock band SHAG NASTY not to be confused with later pretenders and inferior US imports. We’ve been gigging and making records since 1977… all for your enjoyment. So lock up your Grans because SHAG NASTY are back”.
(Info obtained from the band’s facebook page here)
55 – ‘Stone Trigger’, ‘Night Circus’, ‘BlueSun’ and ‘The Rising’
Stone Trigger:
“Stone Trigger are a 5-piece Hard Rock band from Dublin, Ireland, heavily influenced by bands like Whitesnake, Def Leppard, Bon Jovi, Skid Row and other 80s bands, with their own 21st century twist. Full of hard rockin’ riffs, great hooks and catchy choruses, this is “Good Time Rock N’ Roll” of the highest quality!!! Songs like “Never Say Never” will stay with you until you go to sleep, and then you’ll wake up singing “Maneater”, a bass-driven, rock-singin’ classic in its own right.
Headbangin’, Foot-tappin’, Hand Clappin’, Fist-Waving Hard Rock…
Definitely a band not to miss!!
When you come and see us… you’ll know why!!!”
(Info obtained from the band’s facebook page here)
Night Circus:
Night Circus’ facebook page here
BlueSun:
www.reverbnation.com/bluesunireland
The Rising:
The Rising’s facebook page here
The Rising from Dublin, formerly stillroom..
STILLROOM:
In the last couple of years we’ve toured Sunset Strip in L.A playing such venues as The Roxy, The Whiskey, The Cat Club etc.
Won the Emergenza battle of the bands in Vicar Street and as a result Played festivals in Germany.
Had a song of ours used in a Hollywood movie that aired at the Monaco film festival.
Released an EP that received great airplay from the likes of Nova, phantom and lots of other stations here and the UK. It also received great reviews in Hotpress from Jackie Hayden among others, and one of the songs was chosen by microsoft as a flagship song for one of their music campaigns. We also topped the reverb nation charts and received airplay on some tv stations with one of our videos.
We also toured our EP here and the UK, playing on some great bills and events. Also supporting some big artists.
he Rising pick up where stillroom left off. Kicking off their launch night in October, the guys have exploded onto the scene in rock n roll fashion.
The band shook the foundations of Dublin to a packed out crazy crowd in Fibs Rock bar on Halloween Weekend.
Next up for the band was a great support slot with the super Pat McManus band and an appearance & acoustic set on Radio Nova in November.
From there, The Rising took their live show to London’s capital of Rock- Camden Town !
And December sees the band host a host a major fundraiser for The Irish Heart Foundation in local village Tallaght, with their Xmas show.
With acknowledgement from Radio Nova, Hot Press, The Echo and other domestic media 2012 promises to be an epic year for The Rising, with shows being lined up on both sides of the water an a pending debut album.”
(Info obtained from the band’s facebook page here)
53 – ‘Anarcord’, ‘Stephen & The Heathens’ and ‘Shacklewell Row’
Anarcord:
“Il y a une limite à toute chose, et il faut toujours la dépasser”.
Stephen & The Heathens:
www.stephenandtheheathens.co.uk
Shacklewell Row:
www.soundcloud.com/shacklewell-row
“Shacklewell Row are an emerging modern rock trio based in east London. Following a run of successful shows in spring 2011, they have been working hard completing their debut album ‘Fields of London’, released on 1st December 2011. The album will be available on iTunes and Bandcamp, and (for those more traditional music lovers) on CD at each live concert.
The boys go way back when, but finally formed the band in summer 2010, setting up home in St Barnabas church on Shacklewell Row, Dalston. They have carved their sound from experimenting with a soulful mix of rock and roots – described as a modern form of blues music. There is poetry in there. Their songs are stark, melodic, bittersweet, and full of honesty & spirit.
The band headed into the studio last winter to record their self-produced debut album ‘Fields of London. Jim & Bobby both write & sing their songs, giving a diverse range of style and substance to the music. The album talks of love and loss, heartbreak and hope. They observe the apathy in this city, the chill of hypocrisy and herald faith in more than man. There is a mature sensibility to this work and fine craftsmanship much lacking in records of our time.
Their engaging live shows see the band improvising & developing their songs, giving an exciting and unpredictable edge to each performance. Their concerts serve not only to promote their record, but as a forum for the songs themselves to evolve beyond the recording. Shacklewell Row are rising and currently booking more concerts for early 2012, with their first UK tour planned for late spring.”
(info obtained from the band’s facebook page)
51 – ‘Measures’, Ross Bowditch’ and ‘Medusa’
Measures:
www.myspace.com/measuresbanduk
“Measures are a progressive/metal/rock band based in Bedfordshire.
Measures started in 2009 as an instrumental project between school friends. At the time the line-up consisted of Seb Camm (Bass), Joe Hartwell (Guitar), Lucio Adger (Guitar) and Tom Flinders (Drums). The rhythm section were back and forth throughout the two years while the rest of the band were still writing new and much stronger material. Early 2011 the four piece re-formed, this time round feeling like more of a ‘band’ and sounding a lot tighter as a unit. All that was missing at this point was vocals.
Enter Matt Davies. Matt had been in a lot of bands in the local area and was also a good friend of the drummer, this made him the obvious first choice to audition for the part of vocals. Matt joined the band at one of their weekly rehearsals to audition, after just three hours Matt had wrote the lyrics/vocals for two entire songs that he was also able to sing back to the band there and then. The band came to the instant decision that Matt was perfect for the part.
From then on, Measures have continued writing new material, recorded their debut EP and are prepared to gig as much as possible to hopefully build a respectable fan base who will love their music as much as they do.”
(Biography info obtained from the band’s facebook page)
Ross Bowditch:
Ross’s facebook page here
Medusa:
“You know that feeling when your aeroplane seat jolts beneath you, rattling the ice in your third beer and you notice the aircrew in collusion that something is very wrong. Upon refocusing, you realise the letters in your alphabet soup spell out meet me in the restroom and you look up to be signalled a confident wink from the minxy air hostess who gave it to you. A few moments later, as she slips through the door joining you inside the bathroom, she slowly and smoothly reaches down her chest withdrawing a hand grenade, then pulls out the pin with her teeth. Now you’re in a fix. Medusa won’t lie to you. If it’s reassurance or validation you’re after, you’re in the wrong place. You’re on yr own. After recording the raucious, 80’s inspired Self Titled debut album in late 2006, a matter of weeks after forming, singer/guitarist Julian Molinero’s band of rock ‘n’ roll lunatics took to the streets for a long stream of live dates across the UK. During this time Julian began piecing together ideas for the lengthier second album Can’t Fucking Win and recording began in late February 2009, with a new refined sound and 360 degree sonic scope, while still maintaining the same vitriolic power and purring melodies. The album was completed in December 2010, compiled and featuring production by Romesh Dodangoda shortly after he had finished recording with Motorhead. Medusa is the new rock ‘n’ roll group the 21st century has been aching for, a voice from within inciting truth and liberation. Its about power, its about passion, its about fXXXing time.”
(Biography info obtained from the band’s Official Website)
50 – ‘Hot Panda’, ‘Rotifer’ and ‘Auction For The Promise Club’
Hot Panda:
“Hot Panda are just two boys and two girls from Edmonton trying to do the same thing they’ve always tried to do: play some kind of rock and roll that’ll make people dance and feel happy…Simple stuff!
These kids -Maghan Campbell (drums), Chris Connelly (vocals, guitar), Catherine Hiltz (bass), and Heath Parsons (keys, accordion) – have toured so much in the past few years that their shabby van, $30 motel rooms, and stranger’s floors feel more like home these days than their own beds. Since the release of their first EP (2008’s Whale Headed Girl) and their subsequent signing to Vancouver’s Mint Records, the band has zigged and zagged their raucous live show across North America (ok, minus Mexico, but still…) and Europe on planes, trains, and automobiles until they thought they might die!
They’ve snapped pictures of themselves under the Eiffel Tower, played on a stage once graced by the Beatles in Hamburg, and visited royal palaces in Vienna, all when they went on tour opening for the Von Bondies across Europe in April, 2009! They’ve also had wonderful times playing at festivals like SXSW in Austin, Texas, CMJ Music Marathon in New York, and North of the border at Pop Montreal, Halifax Pop Explosion, Sled Island in Calgary, and NXNE in Toronto. Along the way, they’ve played with lots of other bands they love, like Art Brut, The Raveonettes, Tokyo Police Club, Chad Van Gaalen, Electric 6, Crystal Antlers, and lots more. So, in short, it’s been some kind of adventure!
Yet, as great adventures often go, this one suffered some moments of ugly struggle. November 2009 marked the departure of one of their founding members, shortly before the band was supposed to record their sophomore release. However, despite this sad and unsettling blow, the band kept their heads held high long enough to snag Catherine Hiltz as their new bass player/multi-instrumentalist. Hiltz’s arrival, however, has majorly revitalized the band- it’s a long story, but in short, Hot Panda is having fun again, and they’re damn happy about it!
How Come I’m Dead? (Out on Mint Records October 12, 2010), a follow up to 2009’s acclaimed Volcano…Bloody Volcano!, was written with Hiltz and recorded at Vancouver’s JC/DC studios during the chaos of the 2010 Winter Olympics. It has a playful sense of humour to it, revealing the band’s sense of relief and the return of ridiculous good times since Hiltz’s arrival. Like Volcano, How Come I’m Dead draws inspiration from music’s most random corners- the album has moments of dreamy noise, circus freak dance, heartbreaking country ballads with screeching metal guitar solos, lovely harmonies, psychadelic drones, and straight up pop/rock numbers. There’s even a hip-hop track, which includes a bass scratch solo and enough f-bombs to earn them an adult content warning sticker- which tumbles directly into a grinding techno song!
Watch for Hot Panda in a town near you this fall- joyfully dispensing their new rock and roll tunes as they tour North America starting in September!”
(Quote obtained from the band’s official website)
Rotifer:
Auction For The Promise Club:
www.auctionforthepromiseclub.co.uk
“Recently listed in the Marie Claire UK Playlist alongside Florence and the Machine and I Blame Coco, 2011 is year proving to be a for the unsigned band,Auction for the Promise Club.
Introduced on BBC 6 Music by Tom Robinson and on XFM by John Kennedy as well as regional BBC Radio Show’s across the country, the female-fronted rock band have garnered critical acclaim for their unique sound, which channels shoegaze through giant hooks and huge choruses.
2010 saw Auction for the Promise Club support Paolo Nutini and Martha Wainright at the Eden Sessions and also Reverend and The Makers. The band has racked up performances at some of the country’s most renowned venues, including Liverpool’s Cavern Club, Birmingham’s Gatecrasher and the ICA in London, as well as headlining a closing show at London Fashion Week, Jalouse, Mayfair. ”
(Quote obtained from the band’s official website)
49 – ‘Ruby Surge’, ‘Aestrid’ and ‘Hollywood Tramp’
Ruby Surge:
Ruby Surge’s facebook page here
“Emerging from the depths of a drinking town in West Wales is a gang of five lads armed with anthemic, rocking tunes to break free from the shackles of mundane life.
Ruby Surge have been going for a little over 18 months, carefully crafting and strengthening their stomping set while playing gigs across the South Wales area.
Trapped by the quicksand effect of small town life, the boys are intent on making a better life for themselves through music, while aiming to improve the lives of others, if only for a three-minute song or a 45-minute show.
“Music is our way out, it’s a constructive way of day dreaming, if you like,” said lyricist Lee MacGregor.
“A lot of our tunes are written as a form of escapism – looking at the positives you can get from life, how things can get better, and they can.
“But we’re human, so others are written in anger. Times are hard, people are struggling and we feel it as much as the next person. But, again, from that we’re taking positives by writing songs, rather than smashing windows and filling our boots.”
Frontman Mathew Morris Jones emphasises the importance of playing live.
“There’s no better feeling than watching people really getting into your band’s tunes, even singing them back to you – at that point you know you are making a difference,” he said.
“Rock ’n’ Roll is not about the sex and drugs and all those clichés, it’s about having it on stage, giving people a break from their lives.” ”
(Biography info obtained from the band’s facebook page)
Aestrid:
www.aestrid.com
“Founding member, Bo Menning delivers a sound that could be categorised as something like Indie music. Songs patched together by many different sounds, picked carefully and each placed in the right puzzle. Creating something intense and emotional with melodies flying around like sparks. Like tracks that start off with the sound of a lonely choirboy echoeing down the hall, followed by a build up to where the heavens meet the stars and crashing into a patchwork of melodies that keep on expanding and expanding. In the process of songwriting Menning works purely from his broken memories and images that got stuck somewhere in him as he’s trying to re-assemble them in sound. You can taste the feeling escape in the songs as you picture yourself in the woods along with Menning’s highly emotive mix of sounds and vocals. This all results in an intense, at times blood-curling, live performance, playing with a whole range of elctronics and acoustic sounds.
For the last 3 years Bo Menning has been locked away from the world in his Omega Studio working on Aestrid’s 2nd album. Creating this bubble around himself had its ups and downs, but something pure and unique. That’s for sure.
Aestrid released their first album in 2005: ‘In d’Esprit Pornographique’, which was well received with a lot of positive reviews. The new album, ‘The Echo Resistance’ has been mixed at Real World Studios in Box, UK, by Marco Migliari (New Order, Massive Attack, Sigur Ros, Peter Gabriel, K’s Choice) and will be released in early 2011.”
(Biography info obtained from the band’s facebook page)
Hollywood Tramp:
www.myspace.com/hollywoodtrampmusic
“Hollywood Tramp are four young musicians with a desire to create music that takes elements of the familiar and turn it into something new. Now close friends, the band came together through mutual friends and a genuine love for music, forming in the Summer of 2009. Hollywood Tramp draw influence’s from all spheres of music and that is reflected in the playing style of each member. On lead vocals, rhythm guitar and piano/keyboards is Sean Colley. The front-man, founder member and chief songwriter. Philip Swan plays lead guitarist and backing vocalist. Akin to Amadeus Mozart, Phil’s first gig was at the age of seven. Steven Dent is Hollywood Tramp’s bass player extraordinaire. Steve often occupies a place next to Phil on backing vocals and is quite adept on the cello too. Holding the whole operation together is Drummer/percussionist Rowan Cox, who’s drumming style has been forged by a heavy influence of Hip-Hop. Having picked up his first pair of drumsticks aged 9, he hasn’t looked back since.”
(Biography info obtained from the band’s facebook page)
48 – ‘Krossbreed’, ‘Bletchley Park’ and ‘The Insight’
Krossbreed:
“KROSSBREED stands for non-compromising metal. It’s a mixture of 4 different minds and 4 different ideas about metal formed into one hard and heavy unit, in other words a crossbreed of their own creativity.
KROSSBREED was formed in 2003 in Antwerp, Belgium. KROSSBREED has no real boundaries, what leads to a style of metal that is hard to name. But one thing we can agree on is that it’s a band that will take you to every corner of the metal world. Going from fast ripping riffs to catchy mind breaking tempos, KROSSBREED has it all.”
(Biography info obtained from the band’s facebook page)
“
Check out Krossbreed‘s Music video for “Ashes of Tomorrow” – a song from their album “3 Cheers for the Misery”:
Bletchley Park:
www.myspace.com/bletchleyparkband
“Bletchley Park is growing to become a high-aspiring band in the indie scene. Highly influenced by bands Editors, Interpol and Bloc Party amongst others, the female-fronted quintet has produced a distinctive sound that continues to catch the interest of many.”
An indie rock band with a particular sound in mind, one you are to discover.
Bletchley Park first took its novel tunes out of the garage during the Rookie’s Battle of the Bands of June 2009 which brought together (or against each other) twelve bands from contrasting genres. The band made its way through to the finals until it was announced winner of gigs in Copenhagen, Denmark and of a production project with renowned British producer Paul Powell.
The band started off its in-studio experience with David Vella, from Temple Studios Malta, who left a trail of his musicality in five original pieces: ‘Alien’, ‘Dust’, ‘Hold The Trap’, ‘The Last Star’ and ‘Fake Smiles’.
The first single released – ‘Alien’ – was in the Maltese charts for over 12 weeks and hit the number 1 spot on XFM’s Homegrown chart and Bay Radio’s Malta’s Top 10 chart. ‘Alien’ is currently being aired on UK Radio 10 – The Varmint show:www.varmintshow.net
In the mean time, the band was promoting its music through a number of public appearances on TV shows and radio interviews while having press releases published in the printed media.
Bletchley Park’s second single ‘Hold the Trap’ has also made it to the top place in the local charts – Bay Radio’s Malta’s Top 10 & also those of the Malta Music Charts(Smash).
Bletchley Park have been nominated for the Best New Artist Award of the Malta Music Awards 2009 honouring their achievements in just a few months.
The band has myriad plans for the coming years, the nearest being rocking Copenhagen and production of an album with Paul Powell during Summer 2010 in Ibiza.”
(Biography info obtained from the band’s facebook page)
The Insight:
“The insight est un groupe breton, de rennes plus exactement …le style musical est dans la lignée de The Cure, Joy Division, Interpol.
La nouvelle vague bretonne écume à nouveau les terres arides de nos platines. Et Rennes retrouve son statut de scène innovante quelque peu égarée depuis Marquis de Sade. L’intermède des Transmusicales ne faisant qu’importer une fois l’an un savoir faire trop bien caché. The Insight a en revanche choisi la langue de Shakespeare pour convoler en juste noce avec la créativité. Une différence de taille qui pénalise d’entrée toute diffusion radio, trop dépendante des quotas « chanson française ». Oui, côté musique, il ne suffit pas de naître en France pour être français. Et si The Insight chantait en Breton, ils seraient français ? Allez savoir… Côté influences, la bonne pioche serait les cartes Cure et Joe Division à n’en pas douter.”
(Biography info obtained from the band’s facebook page)
44 – ‘Arkestry’, ‘Boy’ and ‘The MoNacles’
Arkestry:
“We are Arkestry, a psychedelic five piece from London and thereabouts inspired by the likes of Sun Ra, Spacemen 3, Velvet Underground, FlyLo, J Dilla and Deerhunter”
(Quote obtained from the band’s website)
The MoNacles:
www.myspace.com/themonaclesmusic
(No biography info available)
Boy:
“With influences based in Pop sensibilities mixed with the message of Riot Grrl, BOY are an emerging talent causing a stir in the London music scene.
With songs about love and loss and a raw, melodic and hard-hitting sound, BOY place themselves somewhere between the urgency of Arcade Fire and the edge of The Pixies.
Influenced by the androgyny of Bowie, and with an Art House attitude, this music is independent, thought provoking but intensely catchy, still retaining a grip on the mainstream pop they are heavily influenced by.
Planning to release their EP Late 2011, Boy are something exciting, raw and untamed and certainly something not to be missed.”
(Quote obtained from the band’s website)
43 – ‘Paul Bevoir’ and ‘The J-PEGS’
Paul Bevoir:
www.myspace.com/paulbevoirmusic
The J-PEGS:
“Think of all your favorite music from the 60s – be it the intricate harmonies of soft pop Left Banke style, Merseybeat, or the bubblegummy mod sounds of The Monkees, these Londoners have got it all!”
(Quote obtained from the band’s facebook page)
42 – ‘The Lost Boys’, ‘The Doll Mechanics’ and ‘Sam Batt’
The Lost Boys:
www.myspace.com/officiallostboys
“Witty and catchy Indie Pop from Southampton. If you like your music short, sharp, quirky and yet touching, then hopefully you’ll like ours.”
(Quote obtained from the band’s facebook page)
The Doll Mechanics:
“The band was formed by lead singer/songwriter Lauren James. Drummer Sam Wilmott and Lauren attended music school together and had been playing in various band formations in London over the last year. In February 2011 they welcomed new guitarist Daniel Jones and bass player David Rudin to their new identity… The Doll Mechanics!”
(Quote obtained from the band’s facebook page)
Sam Batt:
“Her songs have an unusual quality of honesty, depth and humour very much belonging to the craft of songwriting and what it takes to move someone, mixing heartfelt story-telling with catchy melodies and clever quirky lyrics that make you smile and stand strong enough alone to carry a solo acoustic performance.
Her voice is emotive and charismatic, sweet seductive tones that can break your heart, make you laugh and turn you on all in the space of 20 seconds.
Live she makes you feel that the songs are written and performed just for you, even in a crowd of thousands. Sam Batt’s unique sound lives in the spaces between Chrissie Hynde, Jamiroquai, Manu Chao and more traditional acoustic flavours of artists like Jack Johnson, Joni Mitchell and Mouse – her voice also has a raw, dynamic quality more akin to Cerys Matthews or Stevie Nicks.”
(Biography info obtained from the artist’s website)
41 – ‘The Riptide Movement’, ‘DogState’ and ‘Damn Vandals’
The Riptide Movement:
“Tipped as the hottest ticket to emerge on the Irish music scene since Rory Gallagher, Thin Lizzy, and U2.
Dublin folk, stomp, rockers the Riptide Movement have just returned from their European tour of Russia, Germany and France to wow Irish festival goers with their electrifying live shows, this summer will see them take to the stage at Oxegen, the Sea Sessions,Indiependence, and Electric Picnic.
A seven date UK tour is also scheduled forJuly but not before rocking out to 35,000 people at the RDS stadium in Dublin with BonJovi.
Making a name for themselves in 2009 when debut album “What about the tip jars?” stormed into the official Irish charts at 16, four top 20 charting singles soon followed and impressive sales of over 23,000 units.
Supporting the Doves, Billy Bragg, White lies, the Jim jones revue, Lissie, James Yuill, the Coronas, the Walls and Johnny Flynn.
This September sees the release of their eagerly antcipated second studio album “Keep on keepin’ on” recorded in the beautiful Grouse lodge studios with the legendary Ken Waters.
The Riptide Movement are undoubtedly on the crest of a Sunami.
Make sure you catch one of their 40 live shows this summer.
For full gig details, updates, good news and more visit www.trm.ie and join the already growing online community of over 15,000 people.”
(Quote obtained from the band’s facebook page)
DogState:
(No biography info available on the band’s website)
Damn Vandals:
(No biography info available on the band’s website)
40 – ‘Fjokra’, ‘Houdini Dax’ and ‘Brave Yesterday’
Fjokra:
“Earnest singer songwritery balladeering? NO!
Retro revivalists? NO!
‘Hip’, urban funkateers? NO!
‘Queen on crack’? Perhaps. Chuck in a liberal dose of Mike Patton/Mr Bungle, Todd Rundgren, Prince, Rachmaninoff interludes and metal riffs the size of skyscrapers and you’re halfway to describing the musical smorgasbord that makes up Fjokra’s music. Oh, and there’s some Latin grooves and some monstrous Dubstep chucked in as well. Five guys, two girls and a lot of facepaint.”
(Quote obtained from the band’s website)
Houdini Dax:
“Summer 2011. And the nippers are still making good honest rock ’n’ roll. Take Cardiff’s Houdini Dax, who have an average age of 19. What are they doing digesting records, writing songs and rehearsing when they could be playing Xbox or texting friends from the back of the bus? Weren’t “the kids” supposed to have tired of analogous music? Wasn’t the house music craze of the late ’80s supposed to have killed rock? Heck, thinking about it, weren’t the synth bands of over 20 years ago viewed as the only way forward?
No my dear music lovers, valves are not dead, rock ’n’ roll is blossoming and “the kids are alright” (as Pete Townshend so neatly put it 46 years ago). The Noughties has seen great success for young bands. The Libertines and then Arctic Monkeys paved the way post-Brit Pop and now still barely out of the shadows come Houdini Dax, your soon to be favourite new band.
Hearing ‘The Magicians’ for the first time it’s impossible not to think of Alex Turner and his band in their early stages. Jack Butler’s edgy vocals, sharp wordplay and the stop-start, spiky New Wave tendency of the playing certainly share similarities with early Arctic Monkeys, but it’s not what defines them. A video of a live acoustic performance for Huw Stephens’ Swn Festival ‘Swn is Sound’ video series of ‘Struggling In The Sand’ show Houdini Dax playing in a stripped back setting with acoustic guitar, bass, brushed drums and harmonies to the fore. It’s tight, honed and timeless. Yes, they have major talent. They can sing splendidly, they throw in some deft bridges and could very well sound like one of those great old acts. Yet they don’t! And when quizzed about their favourite bands, ’60s touchstones (The Beatles, The Kinks, The Sonics, The Stooges) meet latter day acts (Blur and Supergrass) and new bands (The Black Keys, The Raconteurs and White Denim). Yet You Belong To Dax Darling sounds nothing like any of them. It’s the sound of teenagers discovering what they can do.
“Recording the album was amazing,” Jack reveals. “Having Rich from The Method [another of the See Monkey Do Monkey coterie] as producer was special. We’re friends, so he won’t shy away with his opinions. And he always got the best out of us.” Mentioning how the production had elements of ’60s guitar heroics, post-punk rhythms and an element of My Bloody Valentine about it, Jack beamed back at me as if their mission statement had been achieved.”I’m glad you hear those things clashing,” he eagerly states “because we love that retro ’60s style, but it’s been done so much before. It’s important for us to mix older styles with newer ones… We were aiming for a really strong debut that doesn’t really let up in energy and excitement,” closes Jack. “We tried to capture this by recording in a really live way.”
And live and exciting is the order for the day for the teenage world view of Houdini Dax. Their second album may well feature strings, ballads and mellotrons but for now let the revolution begin as these youngsters play it their own way with what they have learnt from Hendrix, Syd, Gaz and co. They should be famous! ”
(Quote obtained from the band’s official website)
Brave Yesterday:
www.myspace.com/braveyesterdaymusic
“We are Brave Yesterday, a rock band from Jersey. Not the one immortalized in rock mythology by the Boss. The other Jersey, the one in the Channel. Knowing this, you could also be forgiven for thinking that we are nearly French. We’re not. We’re nearly Canadian-ish.
Our frontman Nutter’s authentic North American Rawk voice gives us our mid-Atlantic twang. Mention us in the same breath as Rival Schools, Jimmy Eat World and 30 Seconds To Mars. We’re cool with that.”
(Quote obtained from the band’s facebook page)
39 – ‘Lost In The Riots’, ‘Electric Fusiliers’ and ‘Luxury Stranger’
Lost In The Riots:
www.soundcloud.com/lostintheriots
“Lost in the Riots are a four-piece post rock outfit fighting their way out of Watford, Hertfordshire. Differing from their hardcore peers that the town has previously spawned, the quartet serve up a guitar-driven assault of quiet-loud dynamics laden with unconventional time signatures and occasional vocalism. Their sound is a schizophrenic mix of heavy riffs to aggressively nod your head to and tear jerking, hopeful crescendos.”
Electric Fusiliers:
www.facebook.com/ElectricFusiliers
“Formed by Ollie, Sheard and Matt as we had run out of bands between us and wanted an outlet for our music. Callum quickly joined and we played a couple of small time gigs. Matt left to pursue other things, Sam O’D joined, cementing the lineup. Spent many hours and days playing COD and cracking jokes, under the guise of ‘Writing and Recording’. Now actually nearly finished writing and recording our first EP, having not had a band COD session in rather long time, due to the trend for practicing at Ruff Rockers. Will have more tracks up imminently, and a few gigs on the horizon, which will hopefully turn into many more gigs following the ‘release’, or more accurately indiscriminate distribution, of the EP. Have a listen, please do contact us with constructive feedback and stuff, love to hear what you think. ”
(Quote obtained from the band’s facebook page)
Luxury Stranger:
“Influenced by the sounds of post-punk / new wave from 1978 – 1984. Imagine: Bowie and Pop’s Berlin years mixed with the disparate sound of Joy Division and early Cure with the melodies of Martin L Gore and power of The Chameleons – this is Luxury Stranger.”
(Quote obtained from the band’s official website)
36 – ‘Ronit’, ‘Lunch’, ‘The Broken Tea-Set’ and ‘Israel Cannan’
Ronit:
“A passionate and captivating musician, Ronit has developed a devoted following around Australia that grows with each performance. Audiences are drawn to her strong vocals and emotive honest lyricism, while being floored by her fiery guitar playing. Her sound is a melting pot of soul, roots and rock with hints of Middle Eastern inspired melody, due in part to her Israeli heritage.
Before emerging as a solo artist, Ronit cut her teeth in several established Melbourne bands and toured with popular Reggae/Dub band The Red Eyes as a backing vocalist, gaining vast live playing experience around the country. She is now accompanied by a six piece live band featuring some of Melbourne’s finest musicians, who compliment and embellish Ronit’s catchy songwriting perfectly. Whether playing with her band, or performing intimate solo concerts, Ronit has fast been creating a reputation as one of the city’s premier and most exciting live acts. Just as comfortable playing in large venues as she is playing in smaller jazz clubs and classic Australian live music pubs, she has performed supporting such iconic Australian acts as The Whitlams, Tim Rogers, Renee Geyer, Mark Seymour, James Reyne and Vanessa Amorossi.
Ronit’s music has been used exclusively in the internet based advertising campaign for the established ‘Nevenka’ brand fashion line, and quite recently was used in a successful short film called ‘The Wake’ directed by Gemma Lee. ‘The Wake’ was selected to screen at Palm Springs Short Fest in June 2009 to critical acclaim, and was recently chosen for the prestigious Tribeca film festival in New York.
Ronit released her debut EP ‘Heavy’ through MGM in June 2009. The past couple of months she has been on a whirlwind Summer tour of the US and the UK. ”
(Quote obtained from the artists’ Official Website)
Lunch:
“The product of four years writing music together in differing projects, Lunch is the collective masterpiece of songwriters Tom Cale & Josh Jackson, merging the boundaries of as many genres as possible.
Together with bass player James “Mull” Mulligan, the trio are crafting the future sounds of your afternoon mealtimes that will have enough resonance to keep you hungry for more all day, no matter what course of the banquet you find yourself indulging. ”
(Quote obtained from the artists’ facebook page)
The Broken Tea-Set:
Israel Cannan:
“In 2010 Israel Cannan travelled 20,000 kilometers around his homeland Australia singing songs in the streets and capturing hearts in the process.
This year he decided to trade the streets for the stage and headed to the UK armed with the new album “Walk” in which he wrote, recorded and played all the instruments on. After only a week in London Israel was showcasing at Cargo alongside fellow Australians The Jezabels, Little Red, Luluc at “The Aussie BBQ”.
From there came shows at some of London’s most prestigious venues including The Troubadour, Borderline, The Bedford where Israel continued to wow audiences with his heartfelt melodies and powerful lyrics.
Meanwhile back in Australia National Broadcaster Triple J were featuring Walk on their Unearthed podcasts and The AU Review even named “Walk” as #19 on the top 40 Albums of 2010 (Worldwide).
With shows and festivals being confirmed in the UK & Europe over the summer including Groundswell festival (France) alongside Jason Mraz and Newton Faulkner Israel’s Walk looks like its just getting started..”
(Quote obtained from the artists’ facebook page)
34 – ‘Jax Walker’, ‘Chaser’, ‘Some Skeletons’ and ‘Wyndham North’
Jax Walker:
“A culture clash, Jax Walker is a musician / producer & illustrator interweaving a deadly combo of classic Hiphop with sprawling, electronic indie. A brain blast of Pulsating Basslines, Bulletproof Beats, Trashy Keyboards and Human Voice, the most fun you can have with your own ears!
Backed by his head turning live band, Jax regularly packs out some of the most notorious haunts across the country, recent gigs include the Waterats, The Deaf Institute, Nottinghill Arts Club, Antwerp Mansion, Proud Camden, the Night & Day et al. With future ear bursting releases on the agenda, expect big things over the coming months.”
(Quote obtained from the artists’ myspace page)
Chaser:
(No biography info available on the artists’ website)
Some Skeletons:
(No biography info available on the artists’ website)
Wyndham North:
(No biography info available)
33 – ‘Cult With No Name’, ‘Evaney’, ‘SpyGenius’ and ‘Statuesque’
Cult With No Name:
“‘Post-punk electronic balladeers’ Cult With No Name, comprise the East London duo of Erik Stein and Jon Boux. Having been the first international signing to LA label Trakwerx in 2007 (founded by Jackson Del Rey of Californian punk legends ‘Savage Republic’), ‘Cult With No Name’s two studio albums to date – ‘Paper Wraps Rock’ and ‘Careful What You Wish For’ – have been met with considerable critical acclaim.
Leading UK music journalist Mick Mercer proclaimed the band his discovery of 2007 (with both albums sitting in his subsequent annual top ten lists), Blaine L. Reininger of genre-transcending legends ‘Tuxedomoon’ collaborated on their second album, Don Letts spun tracks on BBC6, and more recently Brett Anderson (Suede) asked ‘Cult With No Name’ to open for him for the launch of his new album.
Having provided the music for two blacker than black comedies at the Edinburgh festival (‘Moz and the Meal’ and ‘Bored Stiff’), it’s fitting that ‘Cult With No Name’ turned their attention to cinema for their first DVD release, ‘Lightwerx: The Cabinet of Dr. Caligari’. Cult With No Name’s compulsive and compelling soundtrack extends their ability to instantly create evocative moods over 51 breathtaking minutes, on a journey that takes in mystical ambience, nerve-shredding distortion, popular and unpopular song, electronica, and vast, futurist soundscapes. ”
(Quote obtained from the band’s facebook page)
Evaney:
SpyGenius:
“An electric 4 piece band who use a 60s vocabulary to craft 21st century music with a postmodern twist.
If you appreciate the jangle-meistering of the Byrds and Beatles, the harmonies of Crosby, Stills and Nash and the lyrical wit of Robyn Hitchcock, you’ll love Spygenius.”
(Quote obtained from the band’s Official Website)
Statuesque:
www.myspace.com/statuesquemusic
