40 – ‘Fjokra’, ‘Houdini Dax’ and ‘Brave Yesterday’
Fjokra:
“Earnest singer songwritery balladeering? NO!
Retro revivalists? NO!
‘Hip’, urban funkateers? NO!
‘Queen on crack’? Perhaps. Chuck in a liberal dose of Mike Patton/Mr Bungle, Todd Rundgren, Prince, Rachmaninoff interludes and metal riffs the size of skyscrapers and you’re halfway to describing the musical smorgasbord that makes up Fjokra’s music. Oh, and there’s some Latin grooves and some monstrous Dubstep chucked in as well. Five guys, two girls and a lot of facepaint.”
(Quote obtained from the band’s website)
Houdini Dax:
“Summer 2011. And the nippers are still making good honest rock ’n’ roll. Take Cardiff’s Houdini Dax, who have an average age of 19. What are they doing digesting records, writing songs and rehearsing when they could be playing Xbox or texting friends from the back of the bus? Weren’t “the kids” supposed to have tired of analogous music? Wasn’t the house music craze of the late ’80s supposed to have killed rock? Heck, thinking about it, weren’t the synth bands of over 20 years ago viewed as the only way forward?
No my dear music lovers, valves are not dead, rock ’n’ roll is blossoming and “the kids are alright” (as Pete Townshend so neatly put it 46 years ago). The Noughties has seen great success for young bands. The Libertines and then Arctic Monkeys paved the way post-Brit Pop and now still barely out of the shadows come Houdini Dax, your soon to be favourite new band.
Hearing ‘The Magicians’ for the first time it’s impossible not to think of Alex Turner and his band in their early stages. Jack Butler’s edgy vocals, sharp wordplay and the stop-start, spiky New Wave tendency of the playing certainly share similarities with early Arctic Monkeys, but it’s not what defines them. A video of a live acoustic performance for Huw Stephens’ Swn Festival ‘Swn is Sound’ video series of ‘Struggling In The Sand’ show Houdini Dax playing in a stripped back setting with acoustic guitar, bass, brushed drums and harmonies to the fore. It’s tight, honed and timeless. Yes, they have major talent. They can sing splendidly, they throw in some deft bridges and could very well sound like one of those great old acts. Yet they don’t! And when quizzed about their favourite bands, ’60s touchstones (The Beatles, The Kinks, The Sonics, The Stooges) meet latter day acts (Blur and Supergrass) and new bands (The Black Keys, The Raconteurs and White Denim). Yet You Belong To Dax Darling sounds nothing like any of them. It’s the sound of teenagers discovering what they can do.
“Recording the album was amazing,” Jack reveals. “Having Rich from The Method [another of the See Monkey Do Monkey coterie] as producer was special. We’re friends, so he won’t shy away with his opinions. And he always got the best out of us.” Mentioning how the production had elements of ’60s guitar heroics, post-punk rhythms and an element of My Bloody Valentine about it, Jack beamed back at me as if their mission statement had been achieved.”I’m glad you hear those things clashing,” he eagerly states “because we love that retro ’60s style, but it’s been done so much before. It’s important for us to mix older styles with newer ones… We were aiming for a really strong debut that doesn’t really let up in energy and excitement,” closes Jack. “We tried to capture this by recording in a really live way.”
And live and exciting is the order for the day for the teenage world view of Houdini Dax. Their second album may well feature strings, ballads and mellotrons but for now let the revolution begin as these youngsters play it their own way with what they have learnt from Hendrix, Syd, Gaz and co. They should be famous! ”
(Quote obtained from the band’s official website)
Brave Yesterday:
www.myspace.com/braveyesterdaymusic
“We are Brave Yesterday, a rock band from Jersey. Not the one immortalized in rock mythology by the Boss. The other Jersey, the one in the Channel. Knowing this, you could also be forgiven for thinking that we are nearly French. We’re not. We’re nearly Canadian-ish.
Our frontman Nutter’s authentic North American Rawk voice gives us our mid-Atlantic twang. Mention us in the same breath as Rival Schools, Jimmy Eat World and 30 Seconds To Mars. We’re cool with that.”
(Quote obtained from the band’s facebook page)
36 – ‘Ronit’, ‘Lunch’, ‘The Broken Tea-Set’ and ‘Israel Cannan’
Ronit:
“A passionate and captivating musician, Ronit has developed a devoted following around Australia that grows with each performance. Audiences are drawn to her strong vocals and emotive honest lyricism, while being floored by her fiery guitar playing. Her sound is a melting pot of soul, roots and rock with hints of Middle Eastern inspired melody, due in part to her Israeli heritage.
Before emerging as a solo artist, Ronit cut her teeth in several established Melbourne bands and toured with popular Reggae/Dub band The Red Eyes as a backing vocalist, gaining vast live playing experience around the country. She is now accompanied by a six piece live band featuring some of Melbourne’s finest musicians, who compliment and embellish Ronit’s catchy songwriting perfectly. Whether playing with her band, or performing intimate solo concerts, Ronit has fast been creating a reputation as one of the city’s premier and most exciting live acts. Just as comfortable playing in large venues as she is playing in smaller jazz clubs and classic Australian live music pubs, she has performed supporting such iconic Australian acts as The Whitlams, Tim Rogers, Renee Geyer, Mark Seymour, James Reyne and Vanessa Amorossi.
Ronit’s music has been used exclusively in the internet based advertising campaign for the established ‘Nevenka’ brand fashion line, and quite recently was used in a successful short film called ‘The Wake’ directed by Gemma Lee. ‘The Wake’ was selected to screen at Palm Springs Short Fest in June 2009 to critical acclaim, and was recently chosen for the prestigious Tribeca film festival in New York.
Ronit released her debut EP ‘Heavy’ through MGM in June 2009. The past couple of months she has been on a whirlwind Summer tour of the US and the UK. ”
(Quote obtained from the artists’ Official Website)
Lunch:
“The product of four years writing music together in differing projects, Lunch is the collective masterpiece of songwriters Tom Cale & Josh Jackson, merging the boundaries of as many genres as possible.
Together with bass player James “Mull” Mulligan, the trio are crafting the future sounds of your afternoon mealtimes that will have enough resonance to keep you hungry for more all day, no matter what course of the banquet you find yourself indulging. ”
(Quote obtained from the artists’ facebook page)
The Broken Tea-Set:
Israel Cannan:
“In 2010 Israel Cannan travelled 20,000 kilometers around his homeland Australia singing songs in the streets and capturing hearts in the process.
This year he decided to trade the streets for the stage and headed to the UK armed with the new album “Walk” in which he wrote, recorded and played all the instruments on. After only a week in London Israel was showcasing at Cargo alongside fellow Australians The Jezabels, Little Red, Luluc at “The Aussie BBQ”.
From there came shows at some of London’s most prestigious venues including The Troubadour, Borderline, The Bedford where Israel continued to wow audiences with his heartfelt melodies and powerful lyrics.
Meanwhile back in Australia National Broadcaster Triple J were featuring Walk on their Unearthed podcasts and The AU Review even named “Walk” as #19 on the top 40 Albums of 2010 (Worldwide).
With shows and festivals being confirmed in the UK & Europe over the summer including Groundswell festival (France) alongside Jason Mraz and Newton Faulkner Israel’s Walk looks like its just getting started..”
(Quote obtained from the artists’ facebook page)
35 – ‘The Kabeedies’, ‘Town’ and ‘Fractures’
The Kabeedies:
(No biography info available on the artists’ website)
Town:
“Formed on a love of iconic British bands like the The Clash, The Undertones and The Jam (to name a few), a working class work ethic and no-nonsense approach; South Wales quartet TOWN’s debut offering, the ‘Original Design’ EP, documents the knocks and scrapes of being a youth in modern day Britain.
It’s certainly not all doom and gloom though, lead single ‘Eighteen’, as frontman, Alex Nash explains, “focuses on a prime time in our teenage years, where you’re expected to follow the system and fall into the generic nine-to-five lifestyle, having only 48 hours on the weekend to let off steam. You don’t have to take a journey on that conveyor belt, and can do whatever you want to do, be whoever you want to be.”
It’s attitude like that, that has seen the band begin to make waves up and down the UK with their relatable subject matter, no matter what bill they’re playing on, following shows alongside the likes of The Buzzcocks, The Bluetones, Kids In Glass Houses and One Night Only.
Produced by Romesh Dodangoda (Motorhead, Manic Street Preachers, Lostprophets) at Long Wave Studios and the legendary Rockfield Studios, ‘Original Design’ is both anthemic and ambitious, serving as a perfect introduction to TOWN and should whet the appetite for what will surely be an exciting future for the Newport outfit.”
(Quote obtained from the band’s facebook page)
Fractures:
www.soundcloud.com/wearefractures
(No biography info available on the artists’ website)
34 – ‘Jax Walker’, ‘Chaser’, ‘Some Skeletons’ and ‘Wyndham North’
Jax Walker:
“A culture clash, Jax Walker is a musician / producer & illustrator interweaving a deadly combo of classic Hiphop with sprawling, electronic indie. A brain blast of Pulsating Basslines, Bulletproof Beats, Trashy Keyboards and Human Voice, the most fun you can have with your own ears!
Backed by his head turning live band, Jax regularly packs out some of the most notorious haunts across the country, recent gigs include the Waterats, The Deaf Institute, Nottinghill Arts Club, Antwerp Mansion, Proud Camden, the Night & Day et al. With future ear bursting releases on the agenda, expect big things over the coming months.”
(Quote obtained from the artists’ myspace page)
Chaser:
(No biography info available on the artists’ website)
Some Skeletons:
(No biography info available on the artists’ website)
Wyndham North:
(No biography info available)
33 – ‘Cult With No Name’, ‘Evaney’, ‘SpyGenius’ and ‘Statuesque’
Cult With No Name:
“‘Post-punk electronic balladeers’ Cult With No Name, comprise the East London duo of Erik Stein and Jon Boux. Having been the first international signing to LA label Trakwerx in 2007 (founded by Jackson Del Rey of Californian punk legends ‘Savage Republic’), ‘Cult With No Name’s two studio albums to date – ‘Paper Wraps Rock’ and ‘Careful What You Wish For’ – have been met with considerable critical acclaim.
Leading UK music journalist Mick Mercer proclaimed the band his discovery of 2007 (with both albums sitting in his subsequent annual top ten lists), Blaine L. Reininger of genre-transcending legends ‘Tuxedomoon’ collaborated on their second album, Don Letts spun tracks on BBC6, and more recently Brett Anderson (Suede) asked ‘Cult With No Name’ to open for him for the launch of his new album.
Having provided the music for two blacker than black comedies at the Edinburgh festival (‘Moz and the Meal’ and ‘Bored Stiff’), it’s fitting that ‘Cult With No Name’ turned their attention to cinema for their first DVD release, ‘Lightwerx: The Cabinet of Dr. Caligari’. Cult With No Name’s compulsive and compelling soundtrack extends their ability to instantly create evocative moods over 51 breathtaking minutes, on a journey that takes in mystical ambience, nerve-shredding distortion, popular and unpopular song, electronica, and vast, futurist soundscapes. ”
(Quote obtained from the band’s facebook page)
Evaney:
SpyGenius:
“An electric 4 piece band who use a 60s vocabulary to craft 21st century music with a postmodern twist.
If you appreciate the jangle-meistering of the Byrds and Beatles, the harmonies of Crosby, Stills and Nash and the lyrical wit of Robyn Hitchcock, you’ll love Spygenius.”
(Quote obtained from the band’s Official Website)
Statuesque:
www.myspace.com/statuesquemusic
31 – ‘Some Velvet Morning’, ‘Electric Penguins’, ‘Rams Pocket Radio’ and ‘ Age of Giants’
Some Velvet Morning:
“Rock band start a revolution! Amazingly in only 6 weeks Some Velvet Morning raise a staggering £100K album launch budget with new model record label My Major Company UK.
Some Velvet Morning’s lead track on their forthcoming album “How To Start A Revolution” was on the international trailer for ‘Kickass’, the Matthew Vaughn Hollywood blockbuster. Their distorted basslines and pounding beats have woken up audiences around the world offering them a sound to believe in again – “You won’t fool the children of the Revolution.”
Some Velvet Morning like to do things differently. Recording live to tape, rather than computer in their large north London studio, the Fish Factory, the band have built momentum over the last three years with a series of radio friendly gems including BBC and XFM playlisted singles ‘Losing My Mind’ and ‘Propaganda’ from album “Silence Will Kill You.”
‘Losing My Mind’ took the band to the states to record a show (Fearless) for Fox TV, followed by a tour of the East Coast. It wasn’t long before the rest of the world caught on. Some Velvet Morning have taken their sound to the South of France, Russia and most recently Asia, where the band performed for 3000 fans as part of the Heineken Greenspace festival.
Some Velvet Morning’s roof top publicity stunt nearly got them arrested: With a nod to the Beatles, the band shunned council authorities by performing live on the roof of the PRS For Music in London, blasting their cries of the revolution across six blocks around Soho. Oxford Street also hosted another ‘heritage’ gig this year, when Some Velvet Morning supported the legendary Yardbirds at the 100 Club in February. Shows with The Levellers, Reef and at the British Moto Grand Prix at Silverstone followed.
Whilst learning from masters of the UK’s buoyant musical past, Some Velvet Morning continue to break new ground by veering away from the normal pop fodder of teenage crushes and heartbreak, preferring instead subjects such as religious tolerance, western political indoctrination and McCarthyism.”
(Quote obtained from the band’s facebook page)
Some Velvet Morning‘s “How To Start A Revolution” featured on the International movie trailer for Kickass:
Electric Penguins:
www.electricpenguins.get-ctrl.com
“Electric Penguins are back to tempt you with their self-recorded and produced long player entitled “II”. The 12 track feast of psychedelic cuts slides dreamily between electronic, folk and ambient soundscapes with acoustic and club elements dispersed throughout the record. Whirly and trippy audio effects, vocoders, moogs, mellotrons, organs, deeply layered strings and naked pianos mash and mix to maximise melody. Amongst the delights featured are the folksy love song to London, “Highgate Hill” and the kraut-club inspired combo-track“Airships/Soundproof 45”.
With live supports to Devo, Annuals, Sebestian Tellier and krautrock legends Roedelius prompting gushing reviews like this…“They led the audience through a delightful soundscape, lit up superbly by angelic vocals and magical lyrics. Splicing together bits of Kraftwerk, Laurie Anderson, Sigur Ros, The Postal Service, Pink Floyd, Alison Moyet and Brian Eno with old English folk ballads the band weave a remarkably rich audio tapestry”(Hot Press)…it’s little wonder the Penguins live rep as a “must see audio visual experience” is rock solid.
In addition to widespread domestic critical acclaim, Nic Harcourt has also supported Electric Penguins on his highly influential Morning Becomes Eclectic programme on L.A’s KCRW Radio and UK trade mag Music Week featured the Penguins as a high point of Irish music scene talent on their recent sampler. Mark Cummins has formerly collaborated with Pink Floyd’s orchestral arranger Edward Shearmur and contributed to endeavours with Massive Attack cohort Gavin Wright. Paul Murphy is a Dublin based producer of various rock bands and composer of multiple tv and film projects.”
(Quote obtained from the artists’ Official Website)
Rams Pocket Radio:
www.myspace.com/ramspocketradio
“RAMS’ POCKET RADIO is Peter McCauley, a drummer, pianist, jack-of-all and songwriter from Lisburn, Northern Ireland. Unfettered personal expression is the impetus of the project, and with the timeless works of the 1950’s product designer, Dieter Rams’, in mind; purity, simplicity and longevity are the first concerns.”
(Quote obtained from the artists’ facebook page)
Age of Giants:
(No biography info available on the artists’ website)
30 – ‘AmberSuit’, ‘Matchbox Preston’ and ‘The Lightness of Being’
AmberSuit:
“We move in amber when all the sounds are just one and the music is everything, forever…
Hailing from the dreamy shores of the algarve, singer Lara and guitarist Luis fled to London in search of new frontiers – further polluting an already potent roster of experience evident throughout their highly characterised songwriting. With the addition of talent from South Korea and London, their fertile writing disposition now had a 4-piece vehicle. The increased diversity and disparate influences of the group soon forged what has become the vivid, unique voice of Ambersuit.
After a short, intense period hammering out their unmistakable, gunpowder-packed shows accross London and the South East, the band dove into the studio to record their first 4 singles as a flagship for the already weighty collection of songs and DIY tracks to their name. Soon to embark on their first UK-tour, Ambersuit are primed to nimbly hoist their cavernous bag of earthy, gut-felt songs beyond their London-area testing-ground, and turn a page in their intrepid memoirs.”
(Quote obtained from the band’s facebook page)
www.facebook.com/matchboxpreston
The Lightness of Being:
The Lightness of Being is a London-based band formed in Mid-2009, comprising four musicians with a desire to create alternative rock with a slight experimental, sometimes hard-hitting edge. The line-up consists of Sergiusz Brudek (Drums), Gabriel Lim (Vox/Guitar/Keys), Sam West (Guitar), Chris French (Bass). They have recently completed an EP that will be released upon completion of artwork. Another EP is currently in the works.
(Quote obtained from the band’s website)
26 – ‘A Genuine Freakshow’, ‘OK’, ‘Alvin Purple’ and ‘Radio 9’
A Genuine Freakshow:
“A Genuine Freakshow. An artful blend of experimentalism and pop sensibility from Reading comprising the traditional rock ‘n’ roll facets of guitars, bass and drums but augmented by the less obvious additions of cello, violin and trumpet. A band that embrace the icy soundscapes of Sigur Ros but remain entranced by the possibilities of the pop song.
The genesis of this multitude is, as you would expect, less than straightforward. A question as to how the band came into being brings forth a plethora of answers and a volley of disagreement. Various members’ recall of history blurs between fact and (assumed) fiction. What can be said for sure is that by 2008 the current line-up was settled and the previous experiments which saw them begin as “too pop to be challenging” and then swing the opposite way until they were “too post-rock to be fun” had been amended and developed to hit the sweet spot that remains their raison d’etre to this point.
Prior to that settled point, the band had already made their mark in the world with the release of a debut EP that all those still in the band from that time (those changes of personnel again) agree was the “too pop” point. In what would become standard AGF fashion, the follow up ‘0.008%’ EP was, naturally, the “too post-rock” response. A musical equilibrium was found with the release of ‘We Are The Undercurrents’ in 2008 and its follow up ‘Holding Hearts’ in the same year. By the end of that year another equilibrium was achieved with the permanent recruitment of the final pieces of the band, drummer Jack Bryant just making it in time to play the band’s autumn dates by fast-tracking the set in a hectic three week period of cramming on his part.
Plaudits followed for this settled unit. ‘Holding Hearts’ made Tom Robinson’s ‘Best Of 2008’, Word magazine’s Mark Ellen fell for the band, leading to their recent appearance on the magazine’s CD for October. Meanwhile, the seven settled into a touring schedule that saw them build a healthy evangelical fanbase leading to a sold out Bush Hall show in February of 2010. In tandem with touring throughout 2009 and 2010, the band entered the studio with producer Jordan Fish to completely re-record the album that had been taking shape throughout these single releases, so unhappy were they with the final version mark one. A brave decision, some would say foolhardy, but one that is vindicated by the now complete debut album, ‘Oftentimes’ that finally ended its gestation on 8th November 2010.
The journey of this firmly bonded septet – despite the notices from media names – has taken place through the old-fashioned world of word-of-mouth and touring. In keeping with that ethic ‘Oftentimes’ comes to you via band-owned Peartree Records, all members making a firm decision to retain their ownership of their music and complete control over their musical destinies. In support of the album A Genuine Freakshow returned to the touring world for an extensive run of dates from September through December 2010 with plenty more to follow in 2011.”
(Quote obtained from the band’s official website)
OK:
“Welcome to the bright and colorful world of OK! …Four Cardiffians with a love of pop, truly terrible jokes and generally jumping around like idiots.
Having been obsessed with depressing music as a teen, singer Joe Paine decided he would dry his tears and form a band that would make people feel good again! Rounding up good friend and bass player Adam Barrah, the two waved their West-Walian hometown farewell and, with wonder in their eyes and love in their hearts, set sail for Cardiff.
After a few months playing acoustic shows and generally getting very drunk, the two quickly be-friended guitarist Oliver Miles. The technical whiz-kid hit it off with the boys and was soon on stage performing with them.
In desperate need of a drummer, the band coincidentally bumped in to ex ‘Inner-city Pirates’ sticksman Dave Powell. With their notoriously weird sense of humour, the four got on like a series of terrible house fires and soon released their debut record ‘Under The Weather But Over The Moon’ at a frantic launch party in Cardiff’s renowned ‘Buffalo Bar’.
It wasn’t long before the band had begun to transform Joe’s old-fashioned ‘Libertinesian’ sing-alongs into faster, tighter and dancier full-band pounders. OK have since played a string of packed-out shows, which have left audience and band members alike in sweaty heaps!”
(Quote obtained from the band’s facebook page)
Alvin Purple:
(No biography info available on the artist’s website)
Radio 9:
“Radio 9 is a collective (usually 3 live members, not including the laptop) that plays electronic music that isn’t boring. Augmented by real drums, guitar and bass and even some vocals, their energetic, melodic Krautpop kicks arse. varying from subtle, mellifluous atmospherics to harsh postpunk whiteouts, the band frequently improvise live in extended rhythmic bop. previously based in the UK, now Oslo, the band have worked with Paul Epworth (Florence and the Machine, Bloc Party) and Gareth Jones (Depeche Mode, Sons and Daughters). The band have just released an album, ‘Endless Streams of Light’ on Oblong.”
(Quote obtained from the band’s facebook page)
24 – ‘AmberSuit’ and ‘The K-Shaped Rooms’
AmberSuit:
Click here for AmberSuit’s facebook fan page
“We move in amber when all the sounds are just one and the music is everything, forever…
Hailing from the dreamy shores of the algarve, singer Lara and guitarist Luis fled to London in search of new frontiers – further polluting an already potent roster of experience evident throughout their highly characterised songwriting. With the addition of talent from South Korea and London, their fertile writing disposition now had a 4-piece vehicle. The increased diversity and disparate influences of the group soon forged what has become the vivid, unique voice of Ambersuit.
After a short, intense period hammering out their unmistakable, gunpowder-packed shows accross London and the South East, the band dove into the studio to record their first 4 singles as a flagship for the already weighty collection of songs and DIY tracks to their name. Soon to embark on their first UK-tour, Ambersuit are primed to nimbly hoist their cavernous bag of earthy, gut-felt songs beyond their London-area testing-ground, and turn a page in their intrepid memoirs.”
(Quote obtained from the band’s facebook page)
The K-Shaped Rooms:
www.myspace.com/thekshapedrooms
“The K-Shaped Rooms incorporates elements of rock, soul, funk, hard rock, psychedelic, acoustic and ballads into their music. As self taught musicians, the band co-produces, composes, and continue to push their live element.
Formerly under the solo name ‘Komla’ since March 2009, the live set up includes Komla (Vocals/Lead Guitar) Kelpie (Bass) and Sergio ‘El Niño’ Zambrano(Drums).
As a trio, they form The K-Shaped Rooms & have gigged all over London generating interest from independent labels, PR and management, still searching for the “right” one. ”
(Quote obtained from the band’s facebook page)
19 – ‘Arms of Atlas’, ‘LeCarla’ and ‘Eat Off Your Arms’
Arms of Atlas:
Arms of Atlas‘s ‘Hour of the Night’ Official Music Video:
LeCarla:
Check out LeCarla‘s Official Music Video for their debut track ‘DILLIGAF’ which was released in May of last year:
Eat Off Your Arms:
www.myspace.com/eatoffyourarms
Check out Eat Off Your Arm‘s video for their song ‘Sit and Grin’:
03 – ‘Hurricane Season’, and ‘The Twisted Hearts’
Hurricane Season:
http://www.myspace.com/hurricaneseason1992
The Twisted Hearts:
http://www.myspace.com/thetwistedheartsuk
02 – ‘The Pulse’, ‘Dirty Ape’, ‘Parking Offence’ and ‘Baxter Rhodes’
Live at the Workshop, London.
The Pulse:
Dirty Ape:
Parking Offence:
www.myspace.com/parkingoffence
Baxter Rhodes:
01 – Recent Bands…
The first gig I photographed professionally was in October 2009 and since then I have photographed a variety of bands at a wide range of venues. Around Camden, Islington, Shoreditch and Kilburn, every venue is different. Personally, I’m not a believer in using ‘flash’ when doing live music photography. It can be distracting to the performer(s) and it also has the potential to drown out some of the atmospheric stage lighting. Sometimes though, when used appropriately and correctly, it can work to the photographer’s advantage. Some venues are very dark; even on the stage, and I think these places are the best locations for any photographer to practice and test their technical abilities. After all, I believe that testing conditions determine how good we really are. A photographer can be in a studio all day long with full control over everything from lighting, backgrounds, props etc and not be tested. On-location shoots, such as gigs are the ones that are always different and test me…plus they get my adrenaline going too.
Here is a selection of a few Live Music Photos that I’ve taken recently.
AmberSuit:
Live @ The Workshop
Live @ The Workshop
Live @ The Workshop
Live @ The Enterprise
Live @ The Enterprise
Live @ The Good Ship
Live @ The Good Ship
DeepSeaGreen:
DeepSeaGreen’s latest album can be purchased from itunes here
The Glass Child:
www.myspace.com/charlotteeriksson
The New Outfit:
Pearl Jammed (Tribute Band to ‘Pearl Jam’):
Absolute Bowie
(Tribute Band to ‘David Bowie’):
London Unsigned Music 