Up & Coming Bands who perform in London – All images © Chris Dorney.

Posts tagged “drums

63 – ‘Blackfoot Circle’, ‘Code500’ and ‘The Worms’

Blackfoot Circle:

www.blackfootcircle.com

“Blackfoot Circle….. Two guitarists, a bassist, a drummer and a singer. All with the same desire for what they do and for where they want to be.

The band are from Portsmouth, England, where you can hear their songs playing from any open window and where a sell-out Wedgewood Rooms crowd can be heard singing their lyrics on any given Saturday night.

Fresh off the back of winning Hard Rock Cafe’s UK Battle of The Bands competition, where they received glowing reviews from judges James Curran (Absolute Radio), Jemma Downey (Live Nation) and James Walsh (Starsailor), The band’s belief and reputation are growing fast. This and their recent appearance at Bestival being covered by ITV’s Meridian News has created a real buzz in and around their local area.

They now hope to achieve the same following nationally as they have in their home town. Music trends are forever changing and Blackfoot Circle feel that they are the band to be the catalyst for the next shift to make guitar music great again.”

(Info obtained from the band’s facebook page here)

Code500:

www.code500.co.uk

“Code500 are an Alternative band from Northampton, UK

Several studio recordings early 2010, soon became live sessions, bringing together different musicians, experimenting with a new sound. Since then, Code500 have become well known, playing live at, and hosting various club nights. The band have successfully gigged in and around London and recently performed at the BBC’s Introducing. The band are currently putting final touches to their much anticipated debut EP, set for release in the coming months.

Delivering a massive wall of sound , Code500 are best described as a modern fusion of Rock n Roll, Trip Hop and Dance”

(Info obtained from the band’s facebook page here)

The Worms:

www.reverbnation.com/thewormery

“The Worms are an English trio of folk and electronic musicians. In 2005 we began playing songs about ornithology and architecture at open mic nights in Reading. Our soul is gothic, our mind is psychedelic, our roots are progressive, our attitude is punk, our tradition is folk, our tools are electronic. Over the last 5 years, we have recorded sessions for WFMU in New York, been broadcast on Resonance FM in London, been broadcast on homegrownradionj.com in New Jersey, been broadcast very regularly on KPOV in Bend, Oregon, played live in session on Resnonance FM in London, produced 4 demo recordings and performed as a solo, duo and trio in Reading and London, UK, and Seoul, South Korea. Our newest demo is called “Strife Cycle”. We soldier on.”

(Info obtained from the band’s Reverbnation website – link above)

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54 – ‘MoCara’, ‘Criminal Brainstorm’ and ‘Derider’

MoCara:

www.mocaramusic.co.uk

“MoCara are a four-piece alternative/punk/ska band from Leatherhead in Surrey. MoCara’s sound is thick with loud melodic guitars, thundering funk-driven bass lines, intense pummelling drums, ska grooves, big choruses, passionate lyrics and loads more; all of which come together with a shared obsession with creating our own vibe: A vibe that we want to spread as far as possible.
That MoCara sound has taken the band to some of the best venues in London and South East England as well as a minor headline slot at Guilfest. It has also taken the band far in many competitions; most notably to the final of Jar Music Live’s Maldives Breakout Festival at the O2 Academy Islington.
The bands first EP, ‘The Shallow South’, was released in June 2011.”

(Info obtained from the band’s facebook page here)

Criminal Brainstorm:

www.myspace.com/aggrovators

Derider:

www.derider.bandcamp.com

“Bursting through the seams of Brighton, this explosive quintet have been relentlessly hitch-hiking across stages, brushing arms with the likes of Cerebral Ballzy and Abdoujaparov and earning a slot on Ipswich Music Day’s main stage. The band, consisting of fireball figurehead Whitnee Springfield, guitarists Sin and Rayna Vandèl, bass player Chuck Tango and sticksman Nate Marcus are now in the process of writing the material that will become their debut album.”

(Info obtained from the band’s facebook page here)


50 – ‘Hot Panda’, ‘Rotifer’ and ‘Auction For The Promise Club’

Hot Panda:

www.hotpanda.ca

“Hot Panda are just two boys and two girls from Edmonton trying to do the same thing they’ve always tried to do: play some kind of rock and roll that’ll make people dance and feel happy…Simple stuff!

These kids -Maghan Campbell (drums), Chris Connelly (vocals, guitar), Catherine Hiltz (bass), and Heath Parsons (keys, accordion) – have toured so much in the past few years that their shabby van, $30 motel rooms, and stranger’s floors feel more like home these days than their own beds. Since the release of their first EP (2008’s Whale Headed Girl) and their subsequent signing to Vancouver’s Mint Records, the band has zigged and zagged their raucous live show across North America (ok, minus Mexico, but still…) and Europe on planes, trains, and automobiles until they thought they might die!

They’ve snapped pictures of themselves under the Eiffel Tower, played on a stage once graced by the Beatles in Hamburg, and visited royal palaces in Vienna, all when they went on tour opening for the Von Bondies across Europe in April, 2009! They’ve also had wonderful times playing at festivals like SXSW in Austin, Texas, CMJ Music Marathon in New York, and North of the border at Pop Montreal, Halifax Pop Explosion, Sled Island in Calgary, and NXNE in Toronto. Along the way, they’ve played with lots of other bands they love, like Art Brut, The Raveonettes, Tokyo Police Club, Chad Van Gaalen, Electric 6, Crystal Antlers, and lots more. So, in short, it’s been some kind of adventure!

Yet, as great adventures often go, this one suffered some moments of ugly struggle. November 2009 marked the departure of one of their founding members, shortly before the band was supposed to record their sophomore release. However, despite this sad and unsettling blow, the band kept their heads held high long enough to snag Catherine Hiltz as their new bass player/multi-instrumentalist. Hiltz’s arrival, however, has majorly revitalized the band- it’s a long story, but in short, Hot Panda is having fun again, and they’re damn happy about it!

How Come I’m Dead? (Out on Mint Records October 12, 2010), a follow up to 2009’s acclaimed Volcano…Bloody Volcano!, was written with Hiltz and recorded at Vancouver’s JC/DC studios during the chaos of the 2010 Winter Olympics. It has a playful sense of humour to it, revealing the band’s sense of relief and the return of ridiculous good times since Hiltz’s arrival. Like Volcano, How Come I’m Dead draws inspiration from music’s most random corners- the album has moments of dreamy noise, circus freak dance, heartbreaking country ballads with screeching metal guitar solos, lovely harmonies, psychadelic drones, and straight up pop/rock numbers. There’s even a hip-hop track, which includes a bass scratch solo and enough f-bombs to earn them an adult content warning sticker- which tumbles directly into a grinding techno song!

Watch for Hot Panda in a town near you this fall- joyfully dispensing their new rock and roll tunes as they tour North America starting in September!”

(Quote obtained from the band’s official website)

Rotifer:

www.robertrotifer.co.uk

Auction For The Promise Club:

www.auctionforthepromiseclub.co.uk

“Recently listed in the Marie Claire UK Playlist alongside Florence and the Machine and I Blame Coco, 2011 is year proving to be a for the unsigned band,Auction for the Promise Club.

Introduced on BBC 6 Music by Tom Robinson and on XFM by John Kennedy as well as regional BBC Radio Show’s across the country, the female-fronted rock band have garnered critical acclaim for their unique sound, which channels shoegaze through giant hooks and huge choruses.

2010 saw Auction for the Promise Club support Paolo Nutini and Martha Wainright at the Eden Sessions and also Reverend and The Makers. The band has racked up performances at some of the country’s most renowned venues, including Liverpool’s Cavern Club, Birmingham’s Gatecrasher and the ICA in London, as well as headlining a closing show at London Fashion Week, Jalouse, Mayfair. ”

(Quote obtained from the band’s official website)


48 – ‘Krossbreed’, ‘Bletchley Park’ and ‘The Insight’

Krossbreed:

www.krossbreed.be

“KROSSBREED stands for non-compromising metal. It’s a mixture of 4 different minds and 4 different ideas about metal formed into one hard and heavy unit, in other words a crossbreed of their own creativity.

KROSSBREED was formed in 2003 in Antwerp, Belgium. KROSSBREED has no real boundaries, what leads to a style of metal that is hard to name. But one thing we can agree on is that it’s a band that will take you to every corner of the metal world. Going from fast ripping riffs to catchy mind breaking tempos, KROSSBREED has it all.”

(Biography info obtained from the band’s facebook page)


Check out Krossbreed‘s Music video for “Ashes of Tomorrow” – a song from their album “3 Cheers for the Misery”:

Bletchley Park:

www.myspace.com/bletchleyparkband

“Bletchley Park is growing to become a high-aspiring band in the indie scene. Highly influenced by bands Editors, Interpol and Bloc Party amongst others, the female-fronted quintet has produced a distinctive sound that continues to catch the interest of many.”
An indie rock band with a particular sound in mind, one you are to discover.

Bletchley Park first took its novel tunes out of the garage during the Rookie’s Battle of the Bands of June 2009 which brought together (or against each other) twelve bands from contrasting genres. The band made its way through to the finals until it was announced winner of gigs in Copenhagen, Denmark and of a production project with renowned British producer Paul Powell.
The band started off its in-studio experience with David Vella, from Temple Studios Malta, who left a trail of his musicality in five original pieces: ‘Alien’, ‘Dust’, ‘Hold The Trap’, ‘The Last Star’ and ‘Fake Smiles’.

The first single released – ‘Alien’ – was in the Maltese charts for over 12 weeks and hit the number 1 spot on XFM’s Homegrown chart and Bay Radio’s Malta’s Top 10 chart. ‘Alien’ is currently being aired on UK Radio 10 – The Varmint show:www.varmintshow.net
In the mean time, the band was promoting its music through a number of public appearances on TV shows and radio interviews while having press releases published in the printed media.

Bletchley Park’s second single ‘Hold the Trap’ has also made it to the top place in the local charts – Bay Radio’s Malta’s Top 10 & also those of the Malta Music Charts(Smash).

Bletchley Park have been nominated for the Best New Artist Award of the Malta Music Awards 2009 honouring their achievements in just a few months.

The band has myriad plans for the coming years, the nearest being rocking Copenhagen and production of an album with Paul Powell during Summer 2010 in Ibiza.”

(Biography info obtained from the band’s facebook page)

The Insight:

www.theinsight.eu

“The insight est un groupe breton, de rennes plus exactement …le style musical est dans la lignée de The Cure, Joy Division, Interpol.

La nouvelle vague bretonne écume à nouveau les terres arides de nos platines. Et Rennes retrouve son statut de scène innovante quelque peu égarée depuis Marquis de Sade. L’intermède des Transmusicales ne faisant qu’importer une fois l’an un savoir faire trop bien caché. The Insight a en revanche choisi la langue de Shakespeare pour convoler en juste noce avec la créativité. Une différence de taille qui pénalise d’entrée toute diffusion radio, trop dépendante des quotas « chanson française ». Oui, côté musique, il ne suffit pas de naître en France pour être français. Et si The Insight chantait en Breton, ils seraient français ? Allez savoir… Côté influences, la bonne pioche serait les cartes Cure et Joe Division à n’en pas douter.”

(Biography info obtained from the band’s facebook page)


44 – ‘Arkestry’, ‘Boy’ and ‘The MoNacles’

Arkestry:

www.arkestrysounds.tumblr.com

“We are Arkestry, a psychedelic five piece from London and thereabouts inspired by the likes of Sun Ra, Spacemen 3, Velvet Underground, FlyLo, J Dilla and Deerhunter”

(Quote obtained from the band’s website)

The MoNacles:

www.myspace.com/themonaclesmusic

(No biography info available)



Boy:

www.weareboy.com

“With influences based in Pop sensibilities mixed with the message of Riot Grrl, BOY are an emerging talent causing a stir in the London music scene.

With songs about love and loss and a raw, melodic and hard-hitting sound, BOY place themselves somewhere between the urgency of Arcade Fire and the edge of The Pixies.
Influenced by the androgyny of Bowie, and with an Art House attitude, this music is independent, thought provoking but intensely catchy, still retaining a grip on the mainstream pop they are heavily influenced by.

Planning to release their EP Late 2011, Boy are something exciting, raw and untamed and certainly something not to be missed.”

(Quote obtained from the band’s website)



42 – ‘The Lost Boys’, ‘The Doll Mechanics’ and ‘Sam Batt’

The Lost Boys:

www.myspace.com/officiallostboys

“Witty and catchy Indie Pop from Southampton. If you like your music short, sharp, quirky and yet touching, then hopefully you’ll like ours.”

(Quote obtained from the band’s facebook page)

The Doll Mechanics:

www.thedollmechanics.com

“The band was formed by lead singer/songwriter Lauren James.  Drummer Sam Wilmott and Lauren attended music school together and had been playing in various band formations in London over the last year.  In February 2011 they welcomed new guitarist Daniel Jones and bass player David Rudin to their new identity… The Doll Mechanics!”

(Quote obtained from the band’s facebook page)

Sam Batt:

www.sambatt.com

“Her songs have an unusual quality of honesty, depth and humour very much belonging to the craft of songwriting and what it takes to move someone, mixing heartfelt story-telling with catchy melodies and clever quirky lyrics that make you smile and stand strong enough alone to carry a solo acoustic performance.

Her voice is emotive and charismatic, sweet seductive tones that can break your heart, make you laugh and turn you on all in the space of 20 seconds.

Live she makes you feel that the songs are written and performed just for you, even in a crowd of thousands. Sam Batt’s unique sound lives in the spaces between Chrissie Hynde, Jamiroquai, Manu Chao and more traditional acoustic flavours of artists like Jack Johnson, Joni Mitchell and Mouse – her voice also has a raw, dynamic quality more akin to Cerys Matthews or Stevie Nicks.”

(Biography info obtained from the artist’s website)


40 – ‘Fjokra’, ‘Houdini Dax’ and ‘Brave Yesterday’

Fjokra:

www.reverbnation.com/fjokra

“Earnest singer songwritery balladeering? NO!
Retro revivalists? NO!
‘Hip’, urban funkateers? NO!

‘Queen on crack’? Perhaps. Chuck in a liberal dose of Mike Patton/Mr Bungle, Todd Rundgren, Prince, Rachmaninoff interludes and metal riffs the size of skyscrapers and you’re halfway to describing the musical smorgasbord that makes up Fjokra’s music. Oh, and there’s some Latin grooves and some monstrous Dubstep chucked in as well. Five guys, two girls and a lot of facepaint.”

(Quote obtained from the band’s website)

Houdini Dax:

www.houdinidax.co.uk

“Summer 2011. And the nippers are still making good honest rock ’n’ roll. Take Cardiff’s Houdini Dax, who have an average age of 19. What are they doing digesting records, writing songs and rehearsing when they could be playing Xbox or texting friends from the back of the bus? Weren’t “the kids” supposed to have tired of analogous music? Wasn’t the house music craze of the late ’80s supposed to have killed rock? Heck, thinking about it, weren’t the synth bands of over 20 years ago viewed as the only way forward?

No my dear music lovers, valves are not dead, rock ’n’ roll is blossoming and “the kids are alright” (as Pete Townshend so neatly put it 46 years ago). The Noughties has seen great success for young bands.  The Libertines and then Arctic Monkeys paved the way post-Brit Pop and now still barely out of the shadows come Houdini Dax, your soon to be favourite new band.

Hearing ‘The Magicians’ for the first time it’s impossible not to think of Alex Turner and his band in their early stages. Jack Butler’s edgy vocals, sharp wordplay and the stop-start, spiky New Wave tendency of the playing certainly share similarities with early Arctic Monkeys, but it’s not what defines them.  A video of a live acoustic performance for Huw Stephens’ Swn Festival ‘Swn is Sound’ video series of ‘Struggling In The Sand’ show Houdini Dax playing in a stripped back setting with acoustic guitar, bass, brushed drums and harmonies to the fore. It’s tight, honed and timeless. Yes, they have major talent. They can sing splendidly, they throw in some deft bridges and could very well sound like one of those great old acts. Yet they don’t! And when quizzed about their favourite bands, ’60s touchstones (The Beatles, The Kinks, The Sonics, The Stooges) meet latter day acts (Blur and Supergrass) and new bands (The Black Keys, The Raconteurs and White Denim). Yet You Belong To Dax Darling sounds nothing like any of them. It’s the sound of teenagers discovering what they can do.

“Recording the album was amazing,” Jack reveals. “Having Rich from The Method [another of the See Monkey Do Monkey coterie] as producer was special. We’re friends, so he won’t shy away with his opinions. And he always got the best out of us.”  Mentioning how the production had elements of ’60s guitar heroics, post-punk rhythms and an element of My Bloody Valentine about it, Jack beamed back at me as if their mission statement had been achieved.”I’m glad you hear those things clashing,” he eagerly states “because we love that retro ’60s style, but it’s been done so much before. It’s important for us to mix older styles with newer ones… We were aiming for a really strong debut that doesn’t really let up in energy and excitement,” closes Jack. “We tried to capture this by recording in a really live way.”

And live and exciting is the order for the day for the teenage world view of Houdini Dax. Their second album may well feature strings, ballads and mellotrons but for now let the revolution begin as these youngsters play it their own way with what they have learnt from Hendrix, Syd, Gaz and co. They should be famous! ”

(Quote obtained from the band’s official website)

Brave Yesterday:

www.myspace.com/braveyesterdaymusic

“We are Brave Yesterday, a rock band from Jersey. Not the one immortalized in rock mythology by the Boss. The other Jersey, the one in the Channel. Knowing this, you could also be forgiven for thinking that we are nearly French. We’re not. We’re nearly Canadian-ish.

Our frontman Nutter’s authentic North American Rawk voice gives us our mid-Atlantic twang. Mention us in the same breath as Rival Schools, Jimmy Eat World and 30 Seconds To Mars. We’re cool with that.”

(Quote obtained from the band’s facebook page)