42 – ‘The Lost Boys’, ‘The Doll Mechanics’ and ‘Sam Batt’
The Lost Boys:
www.myspace.com/officiallostboys
“Witty and catchy Indie Pop from Southampton. If you like your music short, sharp, quirky and yet touching, then hopefully you’ll like ours.”
(Quote obtained from the band’s facebook page)
The Doll Mechanics:
“The band was formed by lead singer/songwriter Lauren James. Drummer Sam Wilmott and Lauren attended music school together and had been playing in various band formations in London over the last year. In February 2011 they welcomed new guitarist Daniel Jones and bass player David Rudin to their new identity… The Doll Mechanics!”
(Quote obtained from the band’s facebook page)
Sam Batt:
“Her songs have an unusual quality of honesty, depth and humour very much belonging to the craft of songwriting and what it takes to move someone, mixing heartfelt story-telling with catchy melodies and clever quirky lyrics that make you smile and stand strong enough alone to carry a solo acoustic performance.
Her voice is emotive and charismatic, sweet seductive tones that can break your heart, make you laugh and turn you on all in the space of 20 seconds.
Live she makes you feel that the songs are written and performed just for you, even in a crowd of thousands. Sam Batt’s unique sound lives in the spaces between Chrissie Hynde, Jamiroquai, Manu Chao and more traditional acoustic flavours of artists like Jack Johnson, Joni Mitchell and Mouse – her voice also has a raw, dynamic quality more akin to Cerys Matthews or Stevie Nicks.”
(Biography info obtained from the artist’s website)
40 – ‘Fjokra’, ‘Houdini Dax’ and ‘Brave Yesterday’
Fjokra:
“Earnest singer songwritery balladeering? NO!
Retro revivalists? NO!
‘Hip’, urban funkateers? NO!
‘Queen on crack’? Perhaps. Chuck in a liberal dose of Mike Patton/Mr Bungle, Todd Rundgren, Prince, Rachmaninoff interludes and metal riffs the size of skyscrapers and you’re halfway to describing the musical smorgasbord that makes up Fjokra’s music. Oh, and there’s some Latin grooves and some monstrous Dubstep chucked in as well. Five guys, two girls and a lot of facepaint.”
(Quote obtained from the band’s website)
Houdini Dax:
“Summer 2011. And the nippers are still making good honest rock ’n’ roll. Take Cardiff’s Houdini Dax, who have an average age of 19. What are they doing digesting records, writing songs and rehearsing when they could be playing Xbox or texting friends from the back of the bus? Weren’t “the kids” supposed to have tired of analogous music? Wasn’t the house music craze of the late ’80s supposed to have killed rock? Heck, thinking about it, weren’t the synth bands of over 20 years ago viewed as the only way forward?
No my dear music lovers, valves are not dead, rock ’n’ roll is blossoming and “the kids are alright” (as Pete Townshend so neatly put it 46 years ago). The Noughties has seen great success for young bands. The Libertines and then Arctic Monkeys paved the way post-Brit Pop and now still barely out of the shadows come Houdini Dax, your soon to be favourite new band.
Hearing ‘The Magicians’ for the first time it’s impossible not to think of Alex Turner and his band in their early stages. Jack Butler’s edgy vocals, sharp wordplay and the stop-start, spiky New Wave tendency of the playing certainly share similarities with early Arctic Monkeys, but it’s not what defines them. A video of a live acoustic performance for Huw Stephens’ Swn Festival ‘Swn is Sound’ video series of ‘Struggling In The Sand’ show Houdini Dax playing in a stripped back setting with acoustic guitar, bass, brushed drums and harmonies to the fore. It’s tight, honed and timeless. Yes, they have major talent. They can sing splendidly, they throw in some deft bridges and could very well sound like one of those great old acts. Yet they don’t! And when quizzed about their favourite bands, ’60s touchstones (The Beatles, The Kinks, The Sonics, The Stooges) meet latter day acts (Blur and Supergrass) and new bands (The Black Keys, The Raconteurs and White Denim). Yet You Belong To Dax Darling sounds nothing like any of them. It’s the sound of teenagers discovering what they can do.
“Recording the album was amazing,” Jack reveals. “Having Rich from The Method [another of the See Monkey Do Monkey coterie] as producer was special. We’re friends, so he won’t shy away with his opinions. And he always got the best out of us.” Mentioning how the production had elements of ’60s guitar heroics, post-punk rhythms and an element of My Bloody Valentine about it, Jack beamed back at me as if their mission statement had been achieved.”I’m glad you hear those things clashing,” he eagerly states “because we love that retro ’60s style, but it’s been done so much before. It’s important for us to mix older styles with newer ones… We were aiming for a really strong debut that doesn’t really let up in energy and excitement,” closes Jack. “We tried to capture this by recording in a really live way.”
And live and exciting is the order for the day for the teenage world view of Houdini Dax. Their second album may well feature strings, ballads and mellotrons but for now let the revolution begin as these youngsters play it their own way with what they have learnt from Hendrix, Syd, Gaz and co. They should be famous! ”
(Quote obtained from the band’s official website)
Brave Yesterday:
www.myspace.com/braveyesterdaymusic
“We are Brave Yesterday, a rock band from Jersey. Not the one immortalized in rock mythology by the Boss. The other Jersey, the one in the Channel. Knowing this, you could also be forgiven for thinking that we are nearly French. We’re not. We’re nearly Canadian-ish.
Our frontman Nutter’s authentic North American Rawk voice gives us our mid-Atlantic twang. Mention us in the same breath as Rival Schools, Jimmy Eat World and 30 Seconds To Mars. We’re cool with that.”
(Quote obtained from the band’s facebook page)
28 – ‘Mishima’, ‘Les Aus’, ‘Junkyard Choir’ and ‘Allies’
Mishima:
(No biography info available on the artist’s website)
Les Aus:
(No biography info available on the artist’s website)
Junkyard Choir:
“Junkyard Choir are a London-based alternative rock band formed in 2006, whose original lineup had previously played together under the name “Dirt”. Currently comprising of guitarist and lead singer Mark Woods, bassist Kevin Hiscox and drummer Tom Herbert, the band are known for their unique blend of rock, blues, punk and waltz, having been described as “swampy rock’n’roll” [1], “gypsy punk” [2] and “mariachi-esque polka-rock”.[3] Frontman Mark Woods was, for three years (2003-2006), one of the main vocalists in Do Me Bad Things.”
(Quote obtained from the band’s facebook page)
Allies:
“Formed by Brothers Andrew and Steve Murphy, and joined by Drummer Alex Ribchester and Bassist Simon Walsh, Allies are a modern Alternative Rock Band combining Big Riffs, intense melodies and classic song writing, to produce powerful and at times “haunting rock” . ”
(Quote obtained from the band’s facebook page)
London Unsigned Music 