Up & Coming Bands who perform in London – All images © Chris Dorney.

Posts tagged “myspace

54 – ‘MoCara’, ‘Criminal Brainstorm’ and ‘Derider’

MoCara:

www.mocaramusic.co.uk

“MoCara are a four-piece alternative/punk/ska band from Leatherhead in Surrey. MoCara’s sound is thick with loud melodic guitars, thundering funk-driven bass lines, intense pummelling drums, ska grooves, big choruses, passionate lyrics and loads more; all of which come together with a shared obsession with creating our own vibe: A vibe that we want to spread as far as possible.
That MoCara sound has taken the band to some of the best venues in London and South East England as well as a minor headline slot at Guilfest. It has also taken the band far in many competitions; most notably to the final of Jar Music Live’s Maldives Breakout Festival at the O2 Academy Islington.
The bands first EP, ‘The Shallow South’, was released in June 2011.”

(Info obtained from the band’s facebook page here)

Criminal Brainstorm:

www.myspace.com/aggrovators

Derider:

www.derider.bandcamp.com

“Bursting through the seams of Brighton, this explosive quintet have been relentlessly hitch-hiking across stages, brushing arms with the likes of Cerebral Ballzy and Abdoujaparov and earning a slot on Ipswich Music Day’s main stage. The band, consisting of fireball figurehead Whitnee Springfield, guitarists Sin and Rayna Vandèl, bass player Chuck Tango and sticksman Nate Marcus are now in the process of writing the material that will become their debut album.”

(Info obtained from the band’s facebook page here)

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38 – ‘The Damn Fine Coats’, ‘Random Perception’ and ‘Siriustar’

The Damn Fine Coats:

www.myspace.com/thedamnfinecoats

“The year 2005 saw the formation of The Damn Fine Coats, a band consisting of singer/guitaristOlly Cole, drummer/poet Tom Brooks and bassist/handsome man Jim Butler. Each band member contributes lyrics with Olly having penned songs such as ‘2 Headed Monster’, ‘Black Belt In Karaoke’ and ‘Nice Try, Icarus’. Tom has provided‘Roses’, ‘Comply Or Die!’ and ‘Dawn’ among others while Jimbles has recently dabbled in lyrics with success in the shape of ‘Be Lucky’. The band are also fairly equal in terms of their musical contributions with Olly writing the guitar parts, Jim contributing the bass lines and Tom providing the drums. This collaborative song-writing style has led to some of the band’s most inventive, unique creations such as the mind bending prog-math-rock instrumental ‘Let’s Put The Fun In Funeral’.

Having spent a substantial amount of time after their formation writing, rehearsing, changing, re-rehearsing and then scrapping vast amounts of music, TDFC finally settled on a five song track list for their first demo. This led to the band being booked for their first gigs at the back end of 2007 and have been playing regularly both locally and around London ever since. A second demo followed in 2008, and a third more recently in 2010.

The latest demo showcases the band’s eclectic tastes with each member bringing their own personal influences to the songs. From the screeching power of ‘Comply Or Die!’ to the melodic chords of ‘Black Belt In Karaoke’ to the juxtaposition of poetry and punk that is ‘Roses’, the band cater to all palettes. TDFC continue to gig around London having played venues such as Water Rats, The Bull & Gate, and Tommy Flynns Camden.

The band are continuing to write new material and book gigs with the aim of improving their music and gathering a fan base while striving to remain their own favourite band. Two recent tracks in particular are worth keeping an eye out for and will be debuted at upcoming gigs, while the most recent demo is available in mp3 format on request.”

(Quote obtained from the band’s myspace page)


 

Random Perception:

www.myspace.com/randomperceptionband

“Random Perception are a four piece alternative indie band from Fishguard, West Wales who formed at the start of 2009. Having already released an E.P titled State of Mind, fans can expect a full album in early 2012. Citing their main influences as Radiohead and Muse, the band put in a tight live performance and prove very popular with crowds. The band have appeared all over west Wales including some big name local festivals and are slowly branching out further to south wales and beyond.”

(Quote obtained from the band’s facebook page)

Siriustar:

www.siriustar.bandcamp.com

(No biography info available on the band’s website)

 



35 – ‘The Kabeedies’, ‘Town’ and ‘Fractures’

The Kabeedies:

www.myspace.com/thekabeedies

www.facebook.com/thekabeedies

(No biography info available on the artists’ website)

Town:

www.myspace.com/wearetown

www.facebook.com/town

“Formed on a love of iconic British bands like the The Clash, The Undertones and The Jam (to name a few), a working class work ethic and no-nonsense approach; South Wales quartet TOWN’s debut offering, the ‘Original Design’ EP, documents the knocks and scrapes of being a youth in modern day Britain.

It’s certainly not all doom and gloom though, lead single ‘Eighteen’, as frontman, Alex Nash explains, “focuses on a prime time in our teenage years, where you’re expected to follow the system and fall into the generic nine-to-five lifestyle, having only 48 hours on the weekend to let off steam. You don’t have to take a journey on that conveyor belt, and can do whatever you want to do, be whoever you want to be.”

It’s attitude like that, that has seen the band begin to make waves up and down the UK with their relatable subject matter, no matter what bill they’re playing on, following shows alongside the likes of The Buzzcocks, The Bluetones, Kids In Glass Houses and One Night Only.

Produced by Romesh Dodangoda (Motorhead, Manic Street Preachers, Lostprophets) at Long Wave Studios and the legendary Rockfield Studios, ‘Original Design’ is both anthemic and ambitious, serving as a perfect introduction to TOWN and should whet the appetite for what will surely be an exciting future for the Newport outfit.”

(Quote obtained from the band’s facebook page)

Fractures:

www.soundcloud.com/wearefractures

(No biography info available on the artists’ website)



31 – ‘Some Velvet Morning’, ‘Electric Penguins’, ‘Rams Pocket Radio’ and ‘ Age of Giants’

Some Velvet Morning:

www.somevelvetmorning.co.uk

“Rock band start a revolution! Amazingly in only 6 weeks Some Velvet Morning raise a staggering £100K album launch budget with new model record label My Major Company UK.

Some Velvet Morning’s lead track on their forthcoming album “How To Start A Revolution” was on the international trailer for ‘Kickass’, the Matthew Vaughn Hollywood blockbuster. Their distorted basslines and pounding beats have woken up audiences around the world offering them a sound to believe in again – “You won’t fool the children of the Revolution.”

Some Velvet Morning like to do things differently. Recording live to tape, rather than computer in their large north London studio, the Fish Factory, the band have built momentum over the last three years with a series of radio friendly gems including BBC and XFM playlisted singles ‘Losing My Mind’ and ‘Propaganda’ from album “Silence Will Kill You.”

‘Losing My Mind’ took the band to the states to record a show (Fearless) for Fox TV, followed by a tour of the East Coast. It wasn’t long before the rest of the world caught on. Some Velvet Morning have taken their sound to the South of France, Russia and most recently Asia, where the band performed for 3000 fans as part of the Heineken Greenspace festival.

Some Velvet Morning’s roof top publicity stunt nearly got them arrested: With a nod to the Beatles, the band shunned council authorities by performing live on the roof of the PRS For Music in London, blasting their cries of the revolution across six blocks around Soho. Oxford Street also hosted another ‘heritage’ gig this year, when Some Velvet Morning supported the legendary Yardbirds at the 100 Club in February. Shows with The Levellers, Reef and at the British Moto Grand Prix at Silverstone followed.

Whilst learning from masters of the UK’s buoyant musical past, Some Velvet Morning continue to break new ground by veering away from the normal pop fodder of teenage crushes and heartbreak, preferring instead subjects such as religious tolerance, western political indoctrination and McCarthyism.”

(Quote obtained from the band’s facebook page)

Some Velvet Morning‘s “How To Start A Revolution” featured on the International movie trailer for Kickass:

Electric Penguins:

www.electricpenguins.get-ctrl.com

“Electric Penguins are back to tempt you with their self-recorded and produced long player entitled “II”. The 12 track feast of psychedelic cuts slides dreamily between electronic, folk and ambient soundscapes with acoustic and club elements dispersed throughout the record. Whirly and trippy audio effects, vocoders, moogs, mellotrons, organs, deeply layered strings and naked pianos mash and mix to maximise melody. Amongst the delights featured are the folksy love song to London, “Highgate Hill” and the kraut-club inspired combo-track“Airships/Soundproof 45”.

With live supports to Devo, Annuals, Sebestian Tellier and krautrock legends Roedelius prompting gushing reviews like this…“They led the audience through a delightful soundscape, lit up superbly by angelic vocals and magical lyrics. Splicing together bits of Kraftwerk, Laurie Anderson, Sigur Ros, The Postal Service, Pink Floyd, Alison Moyet and Brian Eno with old English folk ballads the band weave a remarkably rich audio tapestry”(Hot Press)…it’s little wonder the Penguins live rep as a “must see audio visual experience” is rock solid.

In addition to widespread domestic critical acclaim, Nic Harcourt has also supported Electric Penguins on his highly influential Morning Becomes Eclectic programme on L.A’s KCRW Radio and UK trade mag Music Week featured the Penguins as a high point of Irish music scene talent on their recent sampler. Mark Cummins has formerly collaborated with Pink Floyd’s orchestral arranger Edward Shearmur and contributed to endeavours with Massive Attack cohort Gavin Wright. Paul Murphy is a Dublin based producer of various rock bands and composer of multiple tv and film projects.”

(Quote obtained from the artists’ Official Website)

Rams Pocket Radio:

www.myspace.com/ramspocketradio

“RAMS’ POCKET RADIO is Peter McCauley, a drummer, pianist, jack-of-all and songwriter from Lisburn, Northern Ireland. Unfettered personal expression is the impetus of the project, and with the timeless works of the 1950’s product designer, Dieter Rams’, in mind; purity, simplicity and longevity are the first concerns.”

(Quote obtained from the artists’ facebook page)

Age of Giants:

www.myspace.com/ageofgiants

(No biography info available on the artists’ website)


29 – ‘The Touch’, ‘Vetoes’, ‘The Recusants’ and ‘Pharaohs From The Grave’

The Touch:

www.myspace.com/thetouchyew

“The Touch initially made a name for themselves with their party inducing Dance-Punk sets around Adelaide in 2008. Since then the band has expanded their sound adding ethereal vocal hooks, multi-layerd washes of synth and intricate guitar interplay whilst loosing none of their energetic delivery. The band has played numerous high profile Australian festivals (Big Day Out, Parklife and One Movement) and supported bands like Phoenix, Ladyhawke, Miami Horror, The Swiss and many more. ”
(Quote obtained from the band’s facebook page)

Check out The Touch‘s music video for ‘SHOT’:

Vetoes:

www.myspace.com/vetoes

(No biography info available on the artists’ website)

The Recusants:

www.recusants.co.uk

(No biography info available on the artists’ website)

Pharaohs From The Grave:

www.myspace.com/pharaohsfromthegrave

“An alternative punk rock band of London musicians Emily Wolf O, Katharine Kibela, UJ and Par Mahn. Formed in 2009.  Set to release their EP ‘Machines’ in June 2011.”


27 – ‘Boy Mandeville’, ‘Safari’, ‘Raquels’ and ‘Lion Tops’

Boy Mandeville:

www.myspace.com/boymandeville

(No biography info available on the artist’s website)


Safari:

www.thisissafari.co.uk

(No biography info available on the artist’s website)


Raquels:

www.myspace.com/raquelsofficial

“Raquels are are four piece indie band based in Basildon, Essex. Being from a place so sinonymous with crime, violence and all the spoils of the nouveau riche you can’t help but feel it has had an unquestionable influence on their music. Dark and brooding like the history surrounding the Basildon club from which they take their name with sharp glacial guitar sounds, drum beats faster than a Ford XR2 & a vocal delivery so honest you cannot doubt the twisted tales of everyday life in a typical new town.”

Lion Tops:

www.liontops.co.uk


26 – ‘A Genuine Freakshow’, ‘OK’, ‘Alvin Purple’ and ‘Radio 9’

A Genuine Freakshow:

www.agenuinefreakshow.com

“A Genuine Freakshow. An artful blend of experimentalism and pop sensibility from Reading comprising the traditional rock ‘n’ roll facets of guitars, bass and drums but augmented by the less obvious additions of cello, violin and trumpet. A band that embrace the icy soundscapes of Sigur Ros but remain entranced by the possibilities of the pop song.

The genesis of this multitude is, as you would expect, less than straightforward. A question as to how the band came into being brings forth a plethora of answers and a volley of disagreement. Various members’ recall of history blurs between fact and (assumed) fiction. What can be said for sure is that by 2008 the current line-up was settled and the previous experiments which saw them begin as “too pop to be challenging” and then swing the opposite way until they were “too post-rock to be fun” had been amended and developed to hit the sweet spot that remains their raison d’etre to this point.

Prior to that settled point, the band had already made their mark in the world with the release of a debut EP that all those still in the band from that time (those changes of personnel again) agree was the “too pop” point. In what would become standard AGF fashion, the follow up ‘0.008%’ EP was, naturally, the “too post-rock” response. A musical equilibrium was found with the release of ‘We Are The Undercurrents’ in 2008 and its follow up ‘Holding Hearts’ in the same year. By the end of that year another equilibrium was achieved with the permanent recruitment of the final pieces of the band, drummer Jack Bryant just making it in time to play the band’s autumn dates by fast-tracking the set in a hectic three week period of cramming on his part.

Plaudits followed for this settled unit. ‘Holding Hearts’ made Tom Robinson’s ‘Best Of 2008’, Word magazine’s Mark Ellen fell for the band, leading to their recent appearance on the magazine’s CD for October. Meanwhile, the seven settled into a touring schedule that saw them build a healthy evangelical fanbase leading to a sold out Bush Hall show in February of 2010. In tandem with touring throughout 2009 and 2010, the band entered the studio with producer Jordan Fish to completely re-record the album that had been taking shape throughout these single releases, so unhappy were they with the final version mark one. A brave decision, some would say foolhardy, but one that is vindicated by the now complete debut album, ‘Oftentimes’ that finally ended its gestation on 8th November 2010.

The journey of this firmly bonded septet – despite the notices from media names – has taken place through the old-fashioned world of word-of-mouth and touring. In keeping with that ethic ‘Oftentimes’ comes to you via band-owned Peartree Records, all members making a firm decision to retain their ownership of their music and complete control over their musical destinies. In support of the album A Genuine Freakshow returned to the touring world for an extensive run of dates from September through December 2010 with plenty more to follow in 2011.”

(Quote obtained from the band’s official website)


OK:

www.myspace.com/thatbandok

“Welcome to the bright and colorful world of OK! …Four Cardiffians with a love of pop, truly terrible jokes and generally jumping around like idiots.

Having been obsessed with depressing music as a teen, singer Joe Paine decided he would dry his tears and form a band that would make people feel good again! Rounding up good friend and bass player Adam Barrah, the two waved their West-Walian hometown farewell and, with wonder in their eyes and love in their hearts, set sail for Cardiff.

After a few months playing acoustic shows and generally getting very drunk, the two quickly be-friended guitarist Oliver Miles. The technical whiz-kid hit it off with the boys and was soon on stage performing with them.

In desperate need of a drummer, the band coincidentally bumped in to ex ‘Inner-city Pirates’ sticksman Dave Powell. With their notoriously weird sense of humour, the four got on like a series of terrible house fires and soon released their debut record ‘Under The Weather But Over The Moon’ at a frantic launch party in Cardiff’s renowned ‘Buffalo Bar’.

It wasn’t long before the band had begun to transform Joe’s old-fashioned ‘Libertinesian’ sing-alongs into faster, tighter and dancier full-band pounders. OK have since played a string of packed-out shows, which have left audience and band members alike in sweaty heaps!”

(Quote obtained from the band’s facebook page)

Alvin Purple:

www.alvinpurple.tumblr.com

(No biography info available on the artist’s website)



Radio 9:

www.myspace.com/radio9space

“Radio 9 is a collective (usually 3 live members, not including the laptop) that plays electronic music that isn’t boring. Augmented by real drums, guitar and bass and even some vocals, their energetic, melodic Krautpop kicks arse. varying from subtle, mellifluous atmospherics to harsh postpunk whiteouts, the band frequently improvise live in extended rhythmic bop. previously based in the UK, now Oslo, the band have worked with Paul Epworth (Florence and the Machine, Bloc Party) and Gareth Jones (Depeche Mode, Sons and Daughters). The band have just released an album, ‘Endless Streams of Light’ on Oblong.”

(Quote obtained from the band’s facebook page)