50 – ‘Hot Panda’, ‘Rotifer’ and ‘Auction For The Promise Club’
Hot Panda:
“Hot Panda are just two boys and two girls from Edmonton trying to do the same thing they’ve always tried to do: play some kind of rock and roll that’ll make people dance and feel happy…Simple stuff!
These kids -Maghan Campbell (drums), Chris Connelly (vocals, guitar), Catherine Hiltz (bass), and Heath Parsons (keys, accordion) – have toured so much in the past few years that their shabby van, $30 motel rooms, and stranger’s floors feel more like home these days than their own beds. Since the release of their first EP (2008’s Whale Headed Girl) and their subsequent signing to Vancouver’s Mint Records, the band has zigged and zagged their raucous live show across North America (ok, minus Mexico, but still…) and Europe on planes, trains, and automobiles until they thought they might die!
They’ve snapped pictures of themselves under the Eiffel Tower, played on a stage once graced by the Beatles in Hamburg, and visited royal palaces in Vienna, all when they went on tour opening for the Von Bondies across Europe in April, 2009! They’ve also had wonderful times playing at festivals like SXSW in Austin, Texas, CMJ Music Marathon in New York, and North of the border at Pop Montreal, Halifax Pop Explosion, Sled Island in Calgary, and NXNE in Toronto. Along the way, they’ve played with lots of other bands they love, like Art Brut, The Raveonettes, Tokyo Police Club, Chad Van Gaalen, Electric 6, Crystal Antlers, and lots more. So, in short, it’s been some kind of adventure!
Yet, as great adventures often go, this one suffered some moments of ugly struggle. November 2009 marked the departure of one of their founding members, shortly before the band was supposed to record their sophomore release. However, despite this sad and unsettling blow, the band kept their heads held high long enough to snag Catherine Hiltz as their new bass player/multi-instrumentalist. Hiltz’s arrival, however, has majorly revitalized the band- it’s a long story, but in short, Hot Panda is having fun again, and they’re damn happy about it!
How Come I’m Dead? (Out on Mint Records October 12, 2010), a follow up to 2009’s acclaimed Volcano…Bloody Volcano!, was written with Hiltz and recorded at Vancouver’s JC/DC studios during the chaos of the 2010 Winter Olympics. It has a playful sense of humour to it, revealing the band’s sense of relief and the return of ridiculous good times since Hiltz’s arrival. Like Volcano, How Come I’m Dead draws inspiration from music’s most random corners- the album has moments of dreamy noise, circus freak dance, heartbreaking country ballads with screeching metal guitar solos, lovely harmonies, psychadelic drones, and straight up pop/rock numbers. There’s even a hip-hop track, which includes a bass scratch solo and enough f-bombs to earn them an adult content warning sticker- which tumbles directly into a grinding techno song!
Watch for Hot Panda in a town near you this fall- joyfully dispensing their new rock and roll tunes as they tour North America starting in September!”
(Quote obtained from the band’s official website)
Rotifer:
Auction For The Promise Club:
www.auctionforthepromiseclub.co.uk
“Recently listed in the Marie Claire UK Playlist alongside Florence and the Machine and I Blame Coco, 2011 is year proving to be a for the unsigned band,Auction for the Promise Club.
Introduced on BBC 6 Music by Tom Robinson and on XFM by John Kennedy as well as regional BBC Radio Show’s across the country, the female-fronted rock band have garnered critical acclaim for their unique sound, which channels shoegaze through giant hooks and huge choruses.
2010 saw Auction for the Promise Club support Paolo Nutini and Martha Wainright at the Eden Sessions and also Reverend and The Makers. The band has racked up performances at some of the country’s most renowned venues, including Liverpool’s Cavern Club, Birmingham’s Gatecrasher and the ICA in London, as well as headlining a closing show at London Fashion Week, Jalouse, Mayfair. ”
(Quote obtained from the band’s official website)
46 – ‘Inner Fire’, ‘Conductors’ and ‘Night & Fog’
Inner Fire:
“Inner Fire formed in late 2007, quickly establishing a fearsome reputation for live performance. Their self-produced demo ‘Let the Flames Begin’ showed enough promise to allow the band access to prestigious London stages such as 93 Feet East, The Fly and The Kingston Peel.
After much hard work, Inner Fire are playing Bloodstock Open Air Festival 2011 alongside, WASP, Motorhead, Exodus and more!
Their debut album ‘New Chapter’ is available now worldwide.
2010/11 has seen Inner Fire perform extensively throughout the South East region. Inner Fire came 4th place overall in the 2010 Kent BandQuest/Metal 2 The Masses Final, and reached the Semi-Final of the same competition in Sussex.
Having already recorded their first album, the band is continuing to write new material. They aim to play to bigger and better crowds, returning British metal to the forefront of the scene. ”
(Quote obtained from the band’s facebook page)
Conductors:
“Formed In 2009, And Now Having Regular Plays On BBC Radio 1 Introducing, Art-rocker Radio, And Huw Stephens Radio Cymru Show, Conductors Pave A Golden Path For Their Forthcoming Debut Album ‘Dim Problem’, Which is Released On Death Monkey Records on 25.07.11. Having Already Gained Support Slots With The Heavy, Victorian English Gentleman’s Club And Exit International to name but a few. Conductors Wanna Blow Up Your Fuckin Stereo!”
(Quote obtained from the band’s facebook page)
Night & Fog:
“‘Night & Fog is Simon Brennan and Rob Doyle. A year-and-a-half in the making, their new album, The Stakes Have Never Been So Low, is the sound of endless, vacant afternoons spent idling on grey and silent beaches, of dissolution and a craving for transcendence – or for oblivion. Dripping with a dark and wistful romanticism, these 10 tracks combine the squalid grandeur of Why? and Arab Strap, with the spectral, melodic songcraft of Lali Puna. These are polished pearls stained with horror, like the lullabies of a howling pederast in some blackened city.
Night & Fog was born in Dublin and lives in north London.”
(Quote obtained from the band’s facebook page)
42 – ‘The Lost Boys’, ‘The Doll Mechanics’ and ‘Sam Batt’
The Lost Boys:
www.myspace.com/officiallostboys
“Witty and catchy Indie Pop from Southampton. If you like your music short, sharp, quirky and yet touching, then hopefully you’ll like ours.”
(Quote obtained from the band’s facebook page)
The Doll Mechanics:
“The band was formed by lead singer/songwriter Lauren James. Drummer Sam Wilmott and Lauren attended music school together and had been playing in various band formations in London over the last year. In February 2011 they welcomed new guitarist Daniel Jones and bass player David Rudin to their new identity… The Doll Mechanics!”
(Quote obtained from the band’s facebook page)
Sam Batt:
“Her songs have an unusual quality of honesty, depth and humour very much belonging to the craft of songwriting and what it takes to move someone, mixing heartfelt story-telling with catchy melodies and clever quirky lyrics that make you smile and stand strong enough alone to carry a solo acoustic performance.
Her voice is emotive and charismatic, sweet seductive tones that can break your heart, make you laugh and turn you on all in the space of 20 seconds.
Live she makes you feel that the songs are written and performed just for you, even in a crowd of thousands. Sam Batt’s unique sound lives in the spaces between Chrissie Hynde, Jamiroquai, Manu Chao and more traditional acoustic flavours of artists like Jack Johnson, Joni Mitchell and Mouse – her voice also has a raw, dynamic quality more akin to Cerys Matthews or Stevie Nicks.”
(Biography info obtained from the artist’s website)
33 – ‘Cult With No Name’, ‘Evaney’, ‘SpyGenius’ and ‘Statuesque’
Cult With No Name:
“‘Post-punk electronic balladeers’ Cult With No Name, comprise the East London duo of Erik Stein and Jon Boux. Having been the first international signing to LA label Trakwerx in 2007 (founded by Jackson Del Rey of Californian punk legends ‘Savage Republic’), ‘Cult With No Name’s two studio albums to date – ‘Paper Wraps Rock’ and ‘Careful What You Wish For’ – have been met with considerable critical acclaim.
Leading UK music journalist Mick Mercer proclaimed the band his discovery of 2007 (with both albums sitting in his subsequent annual top ten lists), Blaine L. Reininger of genre-transcending legends ‘Tuxedomoon’ collaborated on their second album, Don Letts spun tracks on BBC6, and more recently Brett Anderson (Suede) asked ‘Cult With No Name’ to open for him for the launch of his new album.
Having provided the music for two blacker than black comedies at the Edinburgh festival (‘Moz and the Meal’ and ‘Bored Stiff’), it’s fitting that ‘Cult With No Name’ turned their attention to cinema for their first DVD release, ‘Lightwerx: The Cabinet of Dr. Caligari’. Cult With No Name’s compulsive and compelling soundtrack extends their ability to instantly create evocative moods over 51 breathtaking minutes, on a journey that takes in mystical ambience, nerve-shredding distortion, popular and unpopular song, electronica, and vast, futurist soundscapes. ”
(Quote obtained from the band’s facebook page)
Evaney:
SpyGenius:
“An electric 4 piece band who use a 60s vocabulary to craft 21st century music with a postmodern twist.
If you appreciate the jangle-meistering of the Byrds and Beatles, the harmonies of Crosby, Stills and Nash and the lyrical wit of Robyn Hitchcock, you’ll love Spygenius.”
(Quote obtained from the band’s Official Website)
Statuesque:
www.myspace.com/statuesquemusic
31 – ‘Some Velvet Morning’, ‘Electric Penguins’, ‘Rams Pocket Radio’ and ‘ Age of Giants’
Some Velvet Morning:
“Rock band start a revolution! Amazingly in only 6 weeks Some Velvet Morning raise a staggering £100K album launch budget with new model record label My Major Company UK.
Some Velvet Morning’s lead track on their forthcoming album “How To Start A Revolution” was on the international trailer for ‘Kickass’, the Matthew Vaughn Hollywood blockbuster. Their distorted basslines and pounding beats have woken up audiences around the world offering them a sound to believe in again – “You won’t fool the children of the Revolution.”
Some Velvet Morning like to do things differently. Recording live to tape, rather than computer in their large north London studio, the Fish Factory, the band have built momentum over the last three years with a series of radio friendly gems including BBC and XFM playlisted singles ‘Losing My Mind’ and ‘Propaganda’ from album “Silence Will Kill You.”
‘Losing My Mind’ took the band to the states to record a show (Fearless) for Fox TV, followed by a tour of the East Coast. It wasn’t long before the rest of the world caught on. Some Velvet Morning have taken their sound to the South of France, Russia and most recently Asia, where the band performed for 3000 fans as part of the Heineken Greenspace festival.
Some Velvet Morning’s roof top publicity stunt nearly got them arrested: With a nod to the Beatles, the band shunned council authorities by performing live on the roof of the PRS For Music in London, blasting their cries of the revolution across six blocks around Soho. Oxford Street also hosted another ‘heritage’ gig this year, when Some Velvet Morning supported the legendary Yardbirds at the 100 Club in February. Shows with The Levellers, Reef and at the British Moto Grand Prix at Silverstone followed.
Whilst learning from masters of the UK’s buoyant musical past, Some Velvet Morning continue to break new ground by veering away from the normal pop fodder of teenage crushes and heartbreak, preferring instead subjects such as religious tolerance, western political indoctrination and McCarthyism.”
(Quote obtained from the band’s facebook page)
Some Velvet Morning‘s “How To Start A Revolution” featured on the International movie trailer for Kickass:
Electric Penguins:
www.electricpenguins.get-ctrl.com
“Electric Penguins are back to tempt you with their self-recorded and produced long player entitled “II”. The 12 track feast of psychedelic cuts slides dreamily between electronic, folk and ambient soundscapes with acoustic and club elements dispersed throughout the record. Whirly and trippy audio effects, vocoders, moogs, mellotrons, organs, deeply layered strings and naked pianos mash and mix to maximise melody. Amongst the delights featured are the folksy love song to London, “Highgate Hill” and the kraut-club inspired combo-track“Airships/Soundproof 45”.
With live supports to Devo, Annuals, Sebestian Tellier and krautrock legends Roedelius prompting gushing reviews like this…“They led the audience through a delightful soundscape, lit up superbly by angelic vocals and magical lyrics. Splicing together bits of Kraftwerk, Laurie Anderson, Sigur Ros, The Postal Service, Pink Floyd, Alison Moyet and Brian Eno with old English folk ballads the band weave a remarkably rich audio tapestry”(Hot Press)…it’s little wonder the Penguins live rep as a “must see audio visual experience” is rock solid.
In addition to widespread domestic critical acclaim, Nic Harcourt has also supported Electric Penguins on his highly influential Morning Becomes Eclectic programme on L.A’s KCRW Radio and UK trade mag Music Week featured the Penguins as a high point of Irish music scene talent on their recent sampler. Mark Cummins has formerly collaborated with Pink Floyd’s orchestral arranger Edward Shearmur and contributed to endeavours with Massive Attack cohort Gavin Wright. Paul Murphy is a Dublin based producer of various rock bands and composer of multiple tv and film projects.”
(Quote obtained from the artists’ Official Website)
Rams Pocket Radio:
www.myspace.com/ramspocketradio
“RAMS’ POCKET RADIO is Peter McCauley, a drummer, pianist, jack-of-all and songwriter from Lisburn, Northern Ireland. Unfettered personal expression is the impetus of the project, and with the timeless works of the 1950’s product designer, Dieter Rams’, in mind; purity, simplicity and longevity are the first concerns.”
(Quote obtained from the artists’ facebook page)
Age of Giants:
(No biography info available on the artists’ website)
29 – ‘The Touch’, ‘Vetoes’, ‘The Recusants’ and ‘Pharaohs From The Grave’
The Touch:
“The Touch initially made a name for themselves with their party inducing Dance-Punk sets around Adelaide in 2008. Since then the band has expanded their sound adding ethereal vocal hooks, multi-layerd washes of synth and intricate guitar interplay whilst loosing none of their energetic delivery. The band has played numerous high profile Australian festivals (Big Day Out, Parklife and One Movement) and supported bands like Phoenix, Ladyhawke, Miami Horror, The Swiss and many more. ”
(Quote obtained from the band’s facebook page)
Check out The Touch‘s music video for ‘SHOT’:
Vetoes:
(No biography info available on the artists’ website)
The Recusants:
(No biography info available on the artists’ website)
Pharaohs From The Grave:
www.myspace.com/pharaohsfromthegrave
“An alternative punk rock band of London musicians Emily Wolf O, Katharine Kibela, UJ and Par Mahn. Formed in 2009. Set to release their EP ‘Machines’ in June 2011.”
28 – ‘Mishima’, ‘Les Aus’, ‘Junkyard Choir’ and ‘Allies’
Mishima:
(No biography info available on the artist’s website)
Les Aus:
(No biography info available on the artist’s website)
Junkyard Choir:
“Junkyard Choir are a London-based alternative rock band formed in 2006, whose original lineup had previously played together under the name “Dirt”. Currently comprising of guitarist and lead singer Mark Woods, bassist Kevin Hiscox and drummer Tom Herbert, the band are known for their unique blend of rock, blues, punk and waltz, having been described as “swampy rock’n’roll” [1], “gypsy punk” [2] and “mariachi-esque polka-rock”.[3] Frontman Mark Woods was, for three years (2003-2006), one of the main vocalists in Do Me Bad Things.”
(Quote obtained from the band’s facebook page)
Allies:
“Formed by Brothers Andrew and Steve Murphy, and joined by Drummer Alex Ribchester and Bassist Simon Walsh, Allies are a modern Alternative Rock Band combining Big Riffs, intense melodies and classic song writing, to produce powerful and at times “haunting rock” . ”
(Quote obtained from the band’s facebook page)
27 – ‘Boy Mandeville’, ‘Safari’, ‘Raquels’ and ‘Lion Tops’
Boy Mandeville:
(No biography info available on the artist’s website)
Safari:
(No biography info available on the artist’s website)
Raquels:
www.myspace.com/raquelsofficial
“Raquels are are four piece indie band based in Basildon, Essex. Being from a place so sinonymous with crime, violence and all the spoils of the nouveau riche you can’t help but feel it has had an unquestionable influence on their music. Dark and brooding like the history surrounding the Basildon club from which they take their name with sharp glacial guitar sounds, drum beats faster than a Ford XR2 & a vocal delivery so honest you cannot doubt the twisted tales of everyday life in a typical new town.”
Lion Tops:
26 – ‘A Genuine Freakshow’, ‘OK’, ‘Alvin Purple’ and ‘Radio 9’
A Genuine Freakshow:
“A Genuine Freakshow. An artful blend of experimentalism and pop sensibility from Reading comprising the traditional rock ‘n’ roll facets of guitars, bass and drums but augmented by the less obvious additions of cello, violin and trumpet. A band that embrace the icy soundscapes of Sigur Ros but remain entranced by the possibilities of the pop song.
The genesis of this multitude is, as you would expect, less than straightforward. A question as to how the band came into being brings forth a plethora of answers and a volley of disagreement. Various members’ recall of history blurs between fact and (assumed) fiction. What can be said for sure is that by 2008 the current line-up was settled and the previous experiments which saw them begin as “too pop to be challenging” and then swing the opposite way until they were “too post-rock to be fun” had been amended and developed to hit the sweet spot that remains their raison d’etre to this point.
Prior to that settled point, the band had already made their mark in the world with the release of a debut EP that all those still in the band from that time (those changes of personnel again) agree was the “too pop” point. In what would become standard AGF fashion, the follow up ‘0.008%’ EP was, naturally, the “too post-rock” response. A musical equilibrium was found with the release of ‘We Are The Undercurrents’ in 2008 and its follow up ‘Holding Hearts’ in the same year. By the end of that year another equilibrium was achieved with the permanent recruitment of the final pieces of the band, drummer Jack Bryant just making it in time to play the band’s autumn dates by fast-tracking the set in a hectic three week period of cramming on his part.
Plaudits followed for this settled unit. ‘Holding Hearts’ made Tom Robinson’s ‘Best Of 2008’, Word magazine’s Mark Ellen fell for the band, leading to their recent appearance on the magazine’s CD for October. Meanwhile, the seven settled into a touring schedule that saw them build a healthy evangelical fanbase leading to a sold out Bush Hall show in February of 2010. In tandem with touring throughout 2009 and 2010, the band entered the studio with producer Jordan Fish to completely re-record the album that had been taking shape throughout these single releases, so unhappy were they with the final version mark one. A brave decision, some would say foolhardy, but one that is vindicated by the now complete debut album, ‘Oftentimes’ that finally ended its gestation on 8th November 2010.
The journey of this firmly bonded septet – despite the notices from media names – has taken place through the old-fashioned world of word-of-mouth and touring. In keeping with that ethic ‘Oftentimes’ comes to you via band-owned Peartree Records, all members making a firm decision to retain their ownership of their music and complete control over their musical destinies. In support of the album A Genuine Freakshow returned to the touring world for an extensive run of dates from September through December 2010 with plenty more to follow in 2011.”
(Quote obtained from the band’s official website)
OK:
“Welcome to the bright and colorful world of OK! …Four Cardiffians with a love of pop, truly terrible jokes and generally jumping around like idiots.
Having been obsessed with depressing music as a teen, singer Joe Paine decided he would dry his tears and form a band that would make people feel good again! Rounding up good friend and bass player Adam Barrah, the two waved their West-Walian hometown farewell and, with wonder in their eyes and love in their hearts, set sail for Cardiff.
After a few months playing acoustic shows and generally getting very drunk, the two quickly be-friended guitarist Oliver Miles. The technical whiz-kid hit it off with the boys and was soon on stage performing with them.
In desperate need of a drummer, the band coincidentally bumped in to ex ‘Inner-city Pirates’ sticksman Dave Powell. With their notoriously weird sense of humour, the four got on like a series of terrible house fires and soon released their debut record ‘Under The Weather But Over The Moon’ at a frantic launch party in Cardiff’s renowned ‘Buffalo Bar’.
It wasn’t long before the band had begun to transform Joe’s old-fashioned ‘Libertinesian’ sing-alongs into faster, tighter and dancier full-band pounders. OK have since played a string of packed-out shows, which have left audience and band members alike in sweaty heaps!”
(Quote obtained from the band’s facebook page)
Alvin Purple:
(No biography info available on the artist’s website)
Radio 9:
“Radio 9 is a collective (usually 3 live members, not including the laptop) that plays electronic music that isn’t boring. Augmented by real drums, guitar and bass and even some vocals, their energetic, melodic Krautpop kicks arse. varying from subtle, mellifluous atmospherics to harsh postpunk whiteouts, the band frequently improvise live in extended rhythmic bop. previously based in the UK, now Oslo, the band have worked with Paul Epworth (Florence and the Machine, Bloc Party) and Gareth Jones (Depeche Mode, Sons and Daughters). The band have just released an album, ‘Endless Streams of Light’ on Oblong.”
(Quote obtained from the band’s facebook page)
24 – ‘AmberSuit’ and ‘The K-Shaped Rooms’
AmberSuit:
Click here for AmberSuit’s facebook fan page
“We move in amber when all the sounds are just one and the music is everything, forever…
Hailing from the dreamy shores of the algarve, singer Lara and guitarist Luis fled to London in search of new frontiers – further polluting an already potent roster of experience evident throughout their highly characterised songwriting. With the addition of talent from South Korea and London, their fertile writing disposition now had a 4-piece vehicle. The increased diversity and disparate influences of the group soon forged what has become the vivid, unique voice of Ambersuit.
After a short, intense period hammering out their unmistakable, gunpowder-packed shows accross London and the South East, the band dove into the studio to record their first 4 singles as a flagship for the already weighty collection of songs and DIY tracks to their name. Soon to embark on their first UK-tour, Ambersuit are primed to nimbly hoist their cavernous bag of earthy, gut-felt songs beyond their London-area testing-ground, and turn a page in their intrepid memoirs.”
(Quote obtained from the band’s facebook page)
The K-Shaped Rooms:
www.myspace.com/thekshapedrooms
“The K-Shaped Rooms incorporates elements of rock, soul, funk, hard rock, psychedelic, acoustic and ballads into their music. As self taught musicians, the band co-produces, composes, and continue to push their live element.
Formerly under the solo name ‘Komla’ since March 2009, the live set up includes Komla (Vocals/Lead Guitar) Kelpie (Bass) and Sergio ‘El Niño’ Zambrano(Drums).
As a trio, they form The K-Shaped Rooms & have gigged all over London generating interest from independent labels, PR and management, still searching for the “right” one. ”
(Quote obtained from the band’s facebook page)
23 – ‘Hey Sholay’, ‘Dirty Goods’, ‘Escapists’ and ‘Bill Davro’
Hey Sholay:
“It’s raining in Sheffield – manholes splutter up yesterday’s throwaways, spray-spitting black umbrellas convulse in the wind like fevered crows as the streets fill with the commuting hoards, all wincing their way to work through the wind and torrents with their one dry eye on the prize… But above these busy passageways glows a lit window. And through the haze of ever-moving warm colours, the light spells out five moving figures. These five individuals make up the collective Hey Sholay. Having met in varied musical avenues, a Tuesday night cult ceremony, and all being of like-mindedness – they formed to write new folklaws – with the only goals of nurturing creativity and enjoyment. What emerges from this room has a firm nod towards past styles of strumming wire to beating skins – as this common ground is the way they were raised. However, their hands remain tightly cupped, as they peek between knuckles into something so delicate and fluttering in their palms – something new to them and perhaps even the outside world. Now the overwhelming urge to share themselves is setting cracks in the window above the street – the soft murmur of music is creeping through the split glass – and the most acute of hearing are edging a glance towards the flickering lights… But for now – the rain goes on, as does the music. And neither show signs of letting up until they can all afford timeshare somewhere where the paving doesn’t splutter at your ankles…”
(Quote obtained from the band’s facebook page)
Dirty Goods:
http://www.myspace.com/dirtygoods
“DiRtY GoOdS make dirty, electronica-infused music, with a sound that call upon the vocal styling of Prince, mixed up with the synth-led sounds of Chromeo and MSTRKRFT.
The band consist of Antony James smith&devine, James Alexandros T Woodville & Mikee Gregg formerly of indie-rock outfit ‘Jump The Underground’.
‘The idea was sparked from listening to lots of Chromeo and Prince’ explains Woody and singer Antony-james adds ‘it’s mixed with rock and blues roots as that is generally where I come from’, Mikee also states ‘we all have our individual influences on the band ranging from Prince, Zeppelin, Muddy Waters and Costello to more modern acts such as Chromeo, Daft Punk, Calvin Harris and Justice’.
To date the band have played popular dance nights and venues around the UK including London’s ‘Forgive Me Lord For I Have Synth’, ‘Cargo’s Free Fridays’ and ‘Play It By Ear’.
In their first year they supported the likes of Calvin Harris and The Noisettes, been featured on several TV shows and toured USA playing venues such as The Roxy, L.A. and Fontanas, New York.”
(Quote obtained from the band’s Official website)
Escapists:
Escapists are a four-piece from London, striving to make epic, cinematic music. Think the bombast of Arcade Fire, the Harmonies of Mumford & Sons with the musicality of Death Cab.
(Quote obtained from the band’s Official website)
Bill Davro:
“Following an insurgence of bands readdressing the Brit-pop movement of the 90s, Bill Davro are bringing Alternative Pop back to the underground lexicon. Combining Jazz, Jangle Pop, Garage infused rhythms and melodic guitar hooks, the signature Bill Davro sound reflects what has come before but has been somewhat overlooked in recent years. There sound simultaneously sounding traditional and modern: a fresh and bright (sometimes jagged) explosion of pop phantasmagoria. The shifting moods of singer and lyricist Kieran Gallimore elevate the music in to a dimension of maturity and self-reflexivity (almost Wordsworthian), offering an assortment of emotive lyrics and thought provoking imagery, floating ‘as lonely as a cloud’ atop the ringing guitar lines and driving rhythm. Kieran’s lyrics have been likened to Ian Dury and Morrissey, using regional vernacular to express true to heart emotion lyrically. The band, in their live performance, transform the genteel (and somewhat vulnerable) sound in to an exciting, energetic happening guaranteed to grab you by the waist and move your hips to the swinging groove. Bill Davro have a distinct identity and sense of purpose that sits them quite comfortably (if not slightly aware of the height) on a platform of their own.
Bill Davro are always hard at work writing, recording and spreading their good name like jam on toast. Their latest (self-titled) EP is the band’s recent achievement but by no means is this all they have to show for themselves. The band have been seen in weird and wonderful venues which just goes to show their complete commitment to the music but also remain elusive. Bill Davro, however, also like to show their faces equally as much. Having played the Clothes Show Live at the Birmingham NEC, Kendal Calling music festival, been finalists for AKG Unsigned Heroes in London (to name just a few stints). Bill Davro are quite at home in any town; in front of a crowd or in front of each other. Currently gearing up for a summer of gigs, festivals, and writing and recording for their next EP, Bill Davro will surely be busy this year so catch them in a venue near you….”
(Quote obtained from the band’s Official website)
London Unsigned Music 