Up & Coming Bands who perform in London – All images © Chris Dorney.

Posts tagged “up and coming

73 – ‘The Incidents’, ‘Death In Texas’ and ’24 Knots’

The Incidents:

www.music.the-incidents.com

“When two brothers and two strangers met in the rough, tough, seedy back alleys of Kettering town, Northamptonshire, little did they know that on that dark hazy night their lives would be changed forever. For when a spicy-smelling meteorite crashed into the ground between them, they were exposed to a mysterious cosmic radiation not seen on Earth since at least the 50s, and recognising the tremendous burden they now carried, the four boys became…THE INCIDENTS!

With awesome super powers and great haircuts, The Incidents fight crime and songs in excess of 5 minutes (except the ones by The Smiths) in all their forms, composing symphonies of heroism in the key of justice! The Incidents are…

ALEX SMITH – Alex Smith has a voice that could as easily shatter glass as make a wolverine purr. But that’s not the radiation talking; that’s something you’re born with. No, the radiation accelerated Alex’s pheromones to the extent that he needs to wear a specially made waistcoat simply to suppress the otherwise uncontrollable sex appeal he now exudes. You have been warned.

SAM GILBERT – When Sam’s fingers mutated into guitar-twangin’ machines the likes of which the world had never encountered before, an unexpected side effect occured.The mysterious radiation caused vast quantities of his blood to transform into pure Brylcreem, resulting in a mighty coiffure that Elvis himself would approve of.

HENRY HUDSON – Henry’s the stylish one of the group. With suits that would make Sinatra himself look like a hobo, Henry was the least affected by the deadly radiation that the band encountered thanks to the fine Saville Row tailoring he had chosen to wear down the alleys that night. Though he has the bass playing skills of a mere mortal, it was discovered when he mooned an unwitting police officer that on dark nights the sun can be seen shining out of Henry’s ass.

HARRY GILBERT – The youngest member of The Incidents was the most affected by the radiation. While this elevated his drumming skills to those of a god, it had the unfortunate side effect of driving him completely, bat-shit insane, which can be seen in his whirlwind performances behind the kit night by night. It also created in him a crippling weakness: alcohol.The Incidents quickly discovered one tragic night that their powers were ultimately limited; they could run out at any given time, especially on stage and especially under the influence of the powers of their evil arch-nemesis: Booze Man. Seeking sustenance, our intrepid heroes ventured in search of the earthly substance that most closely matched the oozings from the martian meteorite within the walls of Londis, and discovered the awesome rejuvenative powers of the One True Beverage. With rock-and-roll and ginger beer in their hearts and bowels (sometimes respectively, usually not) the Incidents set out to save British guitar rock from people without super-powers, recruiting as many to their cause as super-humanly possible!”

(Info obtained from the band’s facebook page here)

Death In Texas:

www.deathintexas.bandcamp.com

“Death In Texas are a 3-piece progressive pop band, from London. Fusing epic classically inspired piano, a pounding rock rhythm section, soaring vocal melodies and progressive-leaning song structures, Death In Texas explores the darker side of pop and the grandiose side of rock. Described as the spawn of King Crimson and Latin pop, expect heavy, theatrical music, full of drama and soaked in talent.

The trio have had a successful run of London shows backing up their debut release, The ‘We Will Implode’ EP.”
(Info obtained from the band’s facebook page here)

24 Knots:

www.myspace.com/24knotsband

“A rock/blues/indie band hailing from glorious South London.”


60 – ‘Thank Pablo’, ‘Ferris’ and ‘Trash Green’

Thank Pablo:

www.thankpablo.co.uk

“Based in South London, Thank Pablo make sun-kissed quintessentially English pop songs that have been dragged through the backstreets of Africa, Spain, France and Jamaica.

It is music to make you smile.

Recently featured on XFM, BBC 6Music and Queens Radio Belfast.”

(Info obtained from the band’s facebook page here)

Ferris:

www.theferris.co.uk

Trash Green:

www.trashgreen.net


44 – ‘Arkestry’, ‘Boy’ and ‘The MoNacles’

Arkestry:

www.arkestrysounds.tumblr.com

“We are Arkestry, a psychedelic five piece from London and thereabouts inspired by the likes of Sun Ra, Spacemen 3, Velvet Underground, FlyLo, J Dilla and Deerhunter”

(Quote obtained from the band’s website)

The MoNacles:

www.myspace.com/themonaclesmusic

(No biography info available)



Boy:

www.weareboy.com

“With influences based in Pop sensibilities mixed with the message of Riot Grrl, BOY are an emerging talent causing a stir in the London music scene.

With songs about love and loss and a raw, melodic and hard-hitting sound, BOY place themselves somewhere between the urgency of Arcade Fire and the edge of The Pixies.
Influenced by the androgyny of Bowie, and with an Art House attitude, this music is independent, thought provoking but intensely catchy, still retaining a grip on the mainstream pop they are heavily influenced by.

Planning to release their EP Late 2011, Boy are something exciting, raw and untamed and certainly something not to be missed.”

(Quote obtained from the band’s website)



40 – ‘Fjokra’, ‘Houdini Dax’ and ‘Brave Yesterday’

Fjokra:

www.reverbnation.com/fjokra

“Earnest singer songwritery balladeering? NO!
Retro revivalists? NO!
‘Hip’, urban funkateers? NO!

‘Queen on crack’? Perhaps. Chuck in a liberal dose of Mike Patton/Mr Bungle, Todd Rundgren, Prince, Rachmaninoff interludes and metal riffs the size of skyscrapers and you’re halfway to describing the musical smorgasbord that makes up Fjokra’s music. Oh, and there’s some Latin grooves and some monstrous Dubstep chucked in as well. Five guys, two girls and a lot of facepaint.”

(Quote obtained from the band’s website)

Houdini Dax:

www.houdinidax.co.uk

“Summer 2011. And the nippers are still making good honest rock ’n’ roll. Take Cardiff’s Houdini Dax, who have an average age of 19. What are they doing digesting records, writing songs and rehearsing when they could be playing Xbox or texting friends from the back of the bus? Weren’t “the kids” supposed to have tired of analogous music? Wasn’t the house music craze of the late ’80s supposed to have killed rock? Heck, thinking about it, weren’t the synth bands of over 20 years ago viewed as the only way forward?

No my dear music lovers, valves are not dead, rock ’n’ roll is blossoming and “the kids are alright” (as Pete Townshend so neatly put it 46 years ago). The Noughties has seen great success for young bands.  The Libertines and then Arctic Monkeys paved the way post-Brit Pop and now still barely out of the shadows come Houdini Dax, your soon to be favourite new band.

Hearing ‘The Magicians’ for the first time it’s impossible not to think of Alex Turner and his band in their early stages. Jack Butler’s edgy vocals, sharp wordplay and the stop-start, spiky New Wave tendency of the playing certainly share similarities with early Arctic Monkeys, but it’s not what defines them.  A video of a live acoustic performance for Huw Stephens’ Swn Festival ‘Swn is Sound’ video series of ‘Struggling In The Sand’ show Houdini Dax playing in a stripped back setting with acoustic guitar, bass, brushed drums and harmonies to the fore. It’s tight, honed and timeless. Yes, they have major talent. They can sing splendidly, they throw in some deft bridges and could very well sound like one of those great old acts. Yet they don’t! And when quizzed about their favourite bands, ’60s touchstones (The Beatles, The Kinks, The Sonics, The Stooges) meet latter day acts (Blur and Supergrass) and new bands (The Black Keys, The Raconteurs and White Denim). Yet You Belong To Dax Darling sounds nothing like any of them. It’s the sound of teenagers discovering what they can do.

“Recording the album was amazing,” Jack reveals. “Having Rich from The Method [another of the See Monkey Do Monkey coterie] as producer was special. We’re friends, so he won’t shy away with his opinions. And he always got the best out of us.”  Mentioning how the production had elements of ’60s guitar heroics, post-punk rhythms and an element of My Bloody Valentine about it, Jack beamed back at me as if their mission statement had been achieved.”I’m glad you hear those things clashing,” he eagerly states “because we love that retro ’60s style, but it’s been done so much before. It’s important for us to mix older styles with newer ones… We were aiming for a really strong debut that doesn’t really let up in energy and excitement,” closes Jack. “We tried to capture this by recording in a really live way.”

And live and exciting is the order for the day for the teenage world view of Houdini Dax. Their second album may well feature strings, ballads and mellotrons but for now let the revolution begin as these youngsters play it their own way with what they have learnt from Hendrix, Syd, Gaz and co. They should be famous! ”

(Quote obtained from the band’s official website)

Brave Yesterday:

www.myspace.com/braveyesterdaymusic

“We are Brave Yesterday, a rock band from Jersey. Not the one immortalized in rock mythology by the Boss. The other Jersey, the one in the Channel. Knowing this, you could also be forgiven for thinking that we are nearly French. We’re not. We’re nearly Canadian-ish.

Our frontman Nutter’s authentic North American Rawk voice gives us our mid-Atlantic twang. Mention us in the same breath as Rival Schools, Jimmy Eat World and 30 Seconds To Mars. We’re cool with that.”

(Quote obtained from the band’s facebook page)


36 – ‘Ronit’, ‘Lunch’, ‘The Broken Tea-Set’ and ‘Israel Cannan’

Ronit:

www.ronit-music.com

“A  passionate and captivating musician, Ronit has developed a devoted following around Australia that grows with each performance. Audiences are drawn to her strong vocals and emotive honest lyricism, while being floored by her fiery guitar playing. Her sound is a melting pot of soul, roots and rock with hints of Middle Eastern inspired melody, due in part to her Israeli heritage.

Before emerging as a solo artist, Ronit cut her teeth in several established Melbourne bands and toured with popular Reggae/Dub band The Red Eyes as a backing vocalist, gaining vast live playing experience around the country. She is now accompanied by a six piece live band featuring some of Melbourne’s finest musicians, who compliment and embellish Ronit’s catchy songwriting perfectly. Whether playing with her band, or performing intimate solo concerts, Ronit has fast been creating a reputation as one of the city’s premier and most exciting live acts. Just as comfortable playing in large venues as she is playing in smaller jazz clubs and classic Australian live music pubs, she has performed supporting such iconic Australian acts as The Whitlams, Tim Rogers, Renee Geyer, Mark Seymour, James Reyne and Vanessa Amorossi.

Ronit’s music has been used exclusively in the internet based advertising campaign for the established ‘Nevenka’ brand fashion line, and quite recently was used in a successful short film called ‘The Wake’ directed by Gemma Lee. ‘The Wake’ was selected to screen at Palm Springs Short Fest in June 2009 to critical acclaim, and was recently chosen for the prestigious Tribeca film festival in New York.

Ronit released her debut EP ‘Heavy’ through MGM in June 2009. The past couple of months she has been on a whirlwind Summer tour of the US and the UK. ”

(Quote obtained from the artists’ Official Website)

Lunch:

www.myspace.com/lunchUK

“The product of four years writing music together in differing projects, Lunch is the collective masterpiece of songwriters Tom Cale & Josh Jackson, merging the boundaries of as many genres as possible.

Together with bass player James “Mull” Mulligan, the trio are crafting the future sounds of your afternoon mealtimes that will have enough resonance to keep you hungry for more all day, no matter what course of the banquet you find yourself indulging. ”

(Quote obtained from the artists’ facebook page)

The Broken Tea-Set:

Israel Cannan:

www.israelcannanmusic.com

“In 2010 Israel Cannan travelled 20,000 kilometers around his homeland Australia singing songs in the streets and capturing hearts in the process.

This year he decided to trade the streets for the stage and headed to the UK armed with the new album “Walk” in which he wrote, recorded and played all the instruments on. After only a week in London Israel was showcasing at Cargo alongside fellow Australians The Jezabels, Little Red, Luluc at “The Aussie BBQ”.

From there came shows at some of London’s most prestigious venues including The Troubadour, Borderline, The Bedford where Israel continued to wow audiences with his heartfelt melodies and powerful lyrics.

Meanwhile back in Australia National Broadcaster Triple J were featuring Walk on their Unearthed podcasts and The AU Review even named “Walk” as #19 on the top 40 Albums of 2010 (Worldwide).

With shows and festivals being confirmed in the UK & Europe over the summer including Groundswell festival (France) alongside Jason Mraz and Newton Faulkner Israel’s Walk looks like its just getting started..”

(Quote obtained from the artists’ facebook page)


31 – ‘Some Velvet Morning’, ‘Electric Penguins’, ‘Rams Pocket Radio’ and ‘ Age of Giants’

Some Velvet Morning:

www.somevelvetmorning.co.uk

“Rock band start a revolution! Amazingly in only 6 weeks Some Velvet Morning raise a staggering £100K album launch budget with new model record label My Major Company UK.

Some Velvet Morning’s lead track on their forthcoming album “How To Start A Revolution” was on the international trailer for ‘Kickass’, the Matthew Vaughn Hollywood blockbuster. Their distorted basslines and pounding beats have woken up audiences around the world offering them a sound to believe in again – “You won’t fool the children of the Revolution.”

Some Velvet Morning like to do things differently. Recording live to tape, rather than computer in their large north London studio, the Fish Factory, the band have built momentum over the last three years with a series of radio friendly gems including BBC and XFM playlisted singles ‘Losing My Mind’ and ‘Propaganda’ from album “Silence Will Kill You.”

‘Losing My Mind’ took the band to the states to record a show (Fearless) for Fox TV, followed by a tour of the East Coast. It wasn’t long before the rest of the world caught on. Some Velvet Morning have taken their sound to the South of France, Russia and most recently Asia, where the band performed for 3000 fans as part of the Heineken Greenspace festival.

Some Velvet Morning’s roof top publicity stunt nearly got them arrested: With a nod to the Beatles, the band shunned council authorities by performing live on the roof of the PRS For Music in London, blasting their cries of the revolution across six blocks around Soho. Oxford Street also hosted another ‘heritage’ gig this year, when Some Velvet Morning supported the legendary Yardbirds at the 100 Club in February. Shows with The Levellers, Reef and at the British Moto Grand Prix at Silverstone followed.

Whilst learning from masters of the UK’s buoyant musical past, Some Velvet Morning continue to break new ground by veering away from the normal pop fodder of teenage crushes and heartbreak, preferring instead subjects such as religious tolerance, western political indoctrination and McCarthyism.”

(Quote obtained from the band’s facebook page)

Some Velvet Morning‘s “How To Start A Revolution” featured on the International movie trailer for Kickass:

Electric Penguins:

www.electricpenguins.get-ctrl.com

“Electric Penguins are back to tempt you with their self-recorded and produced long player entitled “II”. The 12 track feast of psychedelic cuts slides dreamily between electronic, folk and ambient soundscapes with acoustic and club elements dispersed throughout the record. Whirly and trippy audio effects, vocoders, moogs, mellotrons, organs, deeply layered strings and naked pianos mash and mix to maximise melody. Amongst the delights featured are the folksy love song to London, “Highgate Hill” and the kraut-club inspired combo-track“Airships/Soundproof 45”.

With live supports to Devo, Annuals, Sebestian Tellier and krautrock legends Roedelius prompting gushing reviews like this…“They led the audience through a delightful soundscape, lit up superbly by angelic vocals and magical lyrics. Splicing together bits of Kraftwerk, Laurie Anderson, Sigur Ros, The Postal Service, Pink Floyd, Alison Moyet and Brian Eno with old English folk ballads the band weave a remarkably rich audio tapestry”(Hot Press)…it’s little wonder the Penguins live rep as a “must see audio visual experience” is rock solid.

In addition to widespread domestic critical acclaim, Nic Harcourt has also supported Electric Penguins on his highly influential Morning Becomes Eclectic programme on L.A’s KCRW Radio and UK trade mag Music Week featured the Penguins as a high point of Irish music scene talent on their recent sampler. Mark Cummins has formerly collaborated with Pink Floyd’s orchestral arranger Edward Shearmur and contributed to endeavours with Massive Attack cohort Gavin Wright. Paul Murphy is a Dublin based producer of various rock bands and composer of multiple tv and film projects.”

(Quote obtained from the artists’ Official Website)

Rams Pocket Radio:

www.myspace.com/ramspocketradio

“RAMS’ POCKET RADIO is Peter McCauley, a drummer, pianist, jack-of-all and songwriter from Lisburn, Northern Ireland. Unfettered personal expression is the impetus of the project, and with the timeless works of the 1950’s product designer, Dieter Rams’, in mind; purity, simplicity and longevity are the first concerns.”

(Quote obtained from the artists’ facebook page)

Age of Giants:

www.myspace.com/ageofgiants

(No biography info available on the artists’ website)


29 – ‘The Touch’, ‘Vetoes’, ‘The Recusants’ and ‘Pharaohs From The Grave’

The Touch:

www.myspace.com/thetouchyew

“The Touch initially made a name for themselves with their party inducing Dance-Punk sets around Adelaide in 2008. Since then the band has expanded their sound adding ethereal vocal hooks, multi-layerd washes of synth and intricate guitar interplay whilst loosing none of their energetic delivery. The band has played numerous high profile Australian festivals (Big Day Out, Parklife and One Movement) and supported bands like Phoenix, Ladyhawke, Miami Horror, The Swiss and many more. ”
(Quote obtained from the band’s facebook page)

Check out The Touch‘s music video for ‘SHOT’:

Vetoes:

www.myspace.com/vetoes

(No biography info available on the artists’ website)

The Recusants:

www.recusants.co.uk

(No biography info available on the artists’ website)

Pharaohs From The Grave:

www.myspace.com/pharaohsfromthegrave

“An alternative punk rock band of London musicians Emily Wolf O, Katharine Kibela, UJ and Par Mahn. Formed in 2009.  Set to release their EP ‘Machines’ in June 2011.”


28 – ‘Mishima’, ‘Les Aus’, ‘Junkyard Choir’ and ‘Allies’

Mishima:

www.myspace.com/intomishima

(No biography info available on the artist’s website)

Les Aus:

www.lesaus.wordpress.com

(No biography info available on the artist’s website)

Junkyard Choir:

www.junkyardchoir.com

“Junkyard Choir are a London-based alternative rock band formed in 2006, whose original lineup had previously played together under the name “Dirt”. Currently comprising of guitarist and lead singer Mark Woods, bassist Kevin Hiscox and drummer Tom Herbert, the band are known for their unique blend of rock, blues, punk and waltz, having been described as “swampy rock’n’roll” [1], “gypsy punk” [2] and “mariachi-esque polka-rock”.[3] Frontman Mark Woods was, for three years (2003-2006), one of the main vocalists in Do Me Bad Things.”

(Quote obtained from the band’s facebook page)

Allies:

www.alliesband.com

“Formed by Brothers Andrew and Steve Murphy, and joined by Drummer Alex Ribchester and Bassist Simon Walsh, Allies are a modern Alternative Rock Band combining Big Riffs, intense melodies and classic song writing, to produce powerful and at times “haunting rock” . ”

(Quote obtained from the band’s facebook page)


27 – ‘Boy Mandeville’, ‘Safari’, ‘Raquels’ and ‘Lion Tops’

Boy Mandeville:

www.myspace.com/boymandeville

(No biography info available on the artist’s website)


Safari:

www.thisissafari.co.uk

(No biography info available on the artist’s website)


Raquels:

www.myspace.com/raquelsofficial

“Raquels are are four piece indie band based in Basildon, Essex. Being from a place so sinonymous with crime, violence and all the spoils of the nouveau riche you can’t help but feel it has had an unquestionable influence on their music. Dark and brooding like the history surrounding the Basildon club from which they take their name with sharp glacial guitar sounds, drum beats faster than a Ford XR2 & a vocal delivery so honest you cannot doubt the twisted tales of everyday life in a typical new town.”

Lion Tops:

www.liontops.co.uk


25 – ‘Club Smith’, ‘Dustland’, ‘Southern’, and ‘Gorgeous George’

Club Smith:

www.clubsmith.co.uk

(No biography info available on the artist’s website)


Dustland:

www.Dustland.co.uk

(No biography info available on the artist’s website)



Southern:

www.myspace.com/thisissouthernmusic

“Hailing from Belfast, Southern are a musical trio consisting of siblings Thom and Lucy Southern and one of the best exports of the past 12 months. Lead vocalist and songwriter Thom Southern got his start busking around Belfast and Dublin for pocket money. At the tender age of 17 he won ‘Belfast Busker of the Year Award’ which gave him a coveted slot in the Belfast Nashville festival. Through the festival he won the ‘Katherine Brick Award’ for ‘Young Songwriter of the Year’. Soon afterwards Thom joined together with his sister Lucy and their childhood friend Jonny Lee.

It was not long afterwards that Southern began to make a big impact on the Belfast and Dublin music scene playing with well-known artists such as John Mayall & The Bluesbreakers, Steve Harley, Nanci Griffith, John Hannen, Benitta Hill and Iain Archer.”

(Quote obtained from the band’s facebook page)

Gorgeous George:

www.gorgeousgeorgetheband.tumblr.com

“Gorgeous George play a mixture of balkan folk, eastern european jewish klezmer, and manouche jazz, with cockney voices and lyrics about overtime, saturday afternoon results and everyone wearing the same bloody aftershave. bonjour.

We like eastern europe and south west london and we’re here to unite the two.

We are currently working hard on our debut EP ‘Dangle The Carrot’ for a mid-may release and doing lots and lots of gigs.”

(Quote obtained from the band’s facebook page)


24 – ‘AmberSuit’ and ‘The K-Shaped Rooms’

AmberSuit:

www.myspace.com/ambersuit

Click here for AmberSuit’s facebook fan page

“We move in amber when all the sounds are just one and the music is everything, forever…

Hailing from the dreamy shores of the algarve, singer Lara and guitarist Luis fled to London in search of new frontiers – further polluting an already potent roster of experience evident throughout their highly characterised songwriting. With the addition of talent from South Korea and London, their fertile writing disposition now had a 4-piece vehicle. The increased diversity and disparate influences of the group soon forged what has become the vivid, unique voice of Ambersuit.

After a short, intense period hammering out their unmistakable, gunpowder-packed shows accross London and the South East, the band dove into the studio to record their first 4 singles as a flagship for the already weighty collection of songs and DIY tracks to their name. Soon to embark on their first UK-tour, Ambersuit are primed to nimbly hoist their cavernous bag of earthy, gut-felt songs beyond their London-area testing-ground, and turn a page in their intrepid memoirs.”

(Quote obtained from the band’s facebook page)

The K-Shaped Rooms:

www.myspace.com/thekshapedrooms

“The K-Shaped Rooms incorporates elements of rock, soul, funk, hard rock, psychedelic, acoustic and ballads into their music. As self taught musicians, the band co-produces, composes, and continue to push their live element.

Formerly under the solo name ‘Komla’ since March 2009, the live set up includes Komla (Vocals/Lead Guitar) Kelpie (Bass) and Sergio ‘El Niño’ Zambrano(Drums).
As a trio, they form The K-Shaped Rooms & have gigged all over London generating interest from independent labels, PR and management, still searching for the “right” one. ”

(Quote obtained from the band’s facebook page)



22 – ‘For Abel’, ‘The B.Goodes’, ‘Neo Ferns’ and ‘Dakota Beats’

For Abel:

www.myspace.com/forabel

“We are For Abel. We make music. We want to make you sad because we feel like that too sometimes. We want to make you happy because thats what everyone wants to be.

Since acquiring limbs we have have flown far afield as showcasing at SXSW in Texas, as well as playing much closer to home in fields and lesser established premises. For Abel have been featured by BBC Radio’s Steve Lamacq, Vic Galloway, Huw Stephens, Colin Murray, Tom Robinson & Jim Gellatly and have also been digitised on the wireless by many others including XFM and NME Radio. The Skinny, Art Rocker, NME and numerous British tabloids have also thrown their arms towards For Abel in loving fashion.

We Are For Abel

You Are For Abel”.

(Quote obtained from the band’s myspace page)

The B. Goodes:

www.myspace.com/thebgoodesband

“The B. Goodes were formed with John Brett & Phil Jackson writing and recording in late 2008 and by Summer 2009 were joined by Jay Goodrich & John Randall (formerly of Rosalita), with a shared view to write and perform original music taking influence from the 50’s, 60’s & 70’s. The sound which came out was a mixture of beat, surf, soul and rock ‘n’ roll. The B. Goodes are an energetic and dynamic live act with the emphasis very much on having fun.”

(Quote obtained from the band’s myspace page)


Neo Ferns:

www.neoferns.com

Neo Ferns is the musical vehicle of London based singer-songwriter James Andrews. Formulated around a love of the acoustic guitar, he began developing a sound from an early age with the intention of taking the genres of folk and pop in a different direction. Although heavily influenced by the greats of those styles, the real focus of the music is to create atmosphere and space, combining a soft and reserved vocal style with thoughtful lyrics, he’s always enjoyed the art of music experimentation, resulting in a haunting but undeniably distinctive form of indie-folk. That’s not to say he isn’t fond of collaboration. The project has seen the work of several musicians contribute to provide a dynamic and complex sound.

The project is attracting lots of attention at the moment, both on the airwaves from radio play, and around the streets of London Town from many successful recent shows, such as supporting Merge signed Wye Oak on their first European Headlining Show, it’s a representation of the years of hard work and determination towards the project. This is what Spoonfed.com said “Ethereal, minimal pop makes for comforting listening. Minor tweaks and seemingly insignificant electro-bleeds can transport an average group to a great one. Neo Ferns have done just that, going that extra mile has evidently paid off in their indie-electro airy squeezes. “. The recently released ‘Five Weeks’ E.P on Octopus Escape signalled a changing sound, with a more standard rock approach. But like every release in the past, the sound has always changed, being the beauty of the project as it evolves. Who knows what’s coming next?”

(Quote obtained from the artist’s Official Website)

Dakota Beats:

www.dakotabeats.co.uk

“Dakota Beats are a 5 piece Indie band based in Dudley. From the ashes of The E-Go’s the Dakota Beats are set for a very exciting 2011. Dakota Beats have gig dates booked nationwide and management in the form of Jolene Chalk. Dakota Beats have recorded their first 3 track EP called ‘No New Faces’ with Editors, Ocean Colour Scene and The Twang producer Gavin Monaghan”

(Quote obtained from the band’s facebook page)



21 – ‘The Contras’, ‘CourageHaveCourage’, and ‘The Transpersonals’

The Contras:

www.myspace.com/contrasrus

CourageHaveCourage:

www.myspace.com/couragehavecourage

The Transpersonals:

www.myspace.com/thetranspersonals


19 – ‘Arms of Atlas’, ‘LeCarla’ and ‘Eat Off Your Arms’

Arms of Atlas:

www.armsofatlas.co.uk

Arms of Atlas‘s ‘Hour of the Night’ Official Music Video:

LeCarla:

www.lecarla.co.uk

Check out LeCarla‘s Official Music Video for their debut track ‘DILLIGAF’ which was released in May of last year:

Eat Off Your Arms:

www.myspace.com/eatoffyourarms

Check out Eat Off Your Arm‘s video for their song ‘Sit and Grin’:


14 – ‘The Savage Nomads’, ‘The Method’, ‘Hi-Life Wedding’, and ‘Letters To Fiesta”

The Savage Nomads:

www.myspace.com/thesavagenomads

The Method:

www.myspace.com/methodofficial

Hi-Life Wedding:

www.hi-lifewedding.com

Letters To Fiesta:

www.myspace.com/letterstofiesta


13 – ‘The Usual Pleasures’, ‘Ray Edwards’, ‘The Merry Gang’ and ‘Screen Violence’

The Usual Pleasures:

www.myspace.com/theusualpleasures

Ray Edwards:

www.rayedwardsmusic.com

The Merry Gang:

www.myspace.com/themerrygang

Screen Violence:


08 – ‘I Love Zagreb’, ‘Jakil’, ‘Beneath The Beach, The Pavement’ and ‘BlackWater”

I Love Zagreb:

www.myspace.com/ilovezagreb

Jakil:

www.myspace.com/jakilonline

Beneath The Beach, The Pavement:

www.myspace.com/beneaththebeach

BlackWater:

www.myspace.com/blackwateruk


03 – ‘Hurricane Season’, and ‘The Twisted Hearts’

Hurricane Season:

http://www.myspace.com/hurricaneseason1992

The Twisted Hearts:

http://www.myspace.com/thetwistedheartsuk


02 – ‘The Pulse’, ‘Dirty Ape’, ‘Parking Offence’ and ‘Baxter Rhodes’

Live at the Workshop, London.

The Pulse:

www.myspace.com/thepulserock

Dirty Ape:

www.myspace.com/dirtyaperock

Parking Offence:

www.myspace.com/parkingoffence

Baxter Rhodes:

www.myspace.com/baxterrhodes


01 – Recent Bands…

The first gig I photographed professionally was in October 2009 and since then I have photographed a variety of bands at a wide range of venues.  Around Camden, Islington, Shoreditch and Kilburn, every venue is different.  Personally, I’m not a believer in using ‘flash’ when doing live music photography.  It can be distracting to the performer(s) and it also has the potential to drown out some of the atmospheric stage lighting.  Sometimes though, when used appropriately and correctly, it can work to the photographer’s advantage.  Some venues are very dark; even on the stage, and I think these places are the best locations for any photographer to practice and test their technical abilities.  After all, I believe that testing conditions determine how good we really are.  A photographer can be in a studio all day long with full control over everything from lighting, backgrounds, props etc and not be tested.  On-location shoots, such as gigs are the ones that are always different and test me…plus they get my adrenaline going too.

Here is a selection of a few Live Music Photos that I’ve taken recently.

AmberSuit:

www.myspace.com/ambersuit

Live @ The Workshop

Live @ The Workshop

Live @ The Workshop

Live @ The Enterprise

Live @ The Enterprise

Live @ The Good Ship

Live @ The Good Ship


DeepSeaGreen:

www.deepseagreen.co.uk

DeepSeaGreen’s latest album can be purchased from itunes here


The Glass Child:

www.myspace.com/charlotteeriksson


The New Outfit:

www.myspace.com/thenewoutfit


Pearl Jammed (Tribute Band to ‘Pearl Jam’):

www.myspace.com/apjtribute




Absolute Bowie

(Tribute Band to ‘David Bowie’):

www.absolutebowie.net